Boston Legal

I'm going to make this as short as possible short, as I have little to say. As far as "pure" drama series' go, Boston Legal is the one that had it all right.

Fabulous actors, writers with imagination and a sense of humor, and most of all, the series had a soul. It had an opinion, and the nerve to bring it forth. Entertainment that is afraid of making a statement can be relaxing, but relaxing entertainment that manages to make a statement, whether the viewer agrees with the statement or not, is something much greater.

5 seasons is a lot better than a lot of worthy series have done, but still, the cancellation is a huge injustice and I will sorely miss the wits that this series had to offer. It is a shame that a series such as Boston Legal does not reach the grand audience that it well deserves.

Programs like Boston Legal are competing for some very coveted viewers. Dangerous Housewives may be more the taste for those looking for "the edgey dramedy" on prime time and Nip/Tuck and Rescue Me have also found a loyal following with some pretty important demographics.* The kind of viewers that can keep a show like Boston Legal alive for a few seasons.

I'm a huge fan of the show...and was one of those people who only began to watch The Practice when Spader appeared. The moral ambiguity of the show's primary characters and the splash of David Kelly made for a wonderful show. That it found the viewers it did is a tribute to the inspired casting and originality of it's story lines. I think Shatner is a wonderful comeback story and the inclusion of Mark Valley may prove to be a superb choice...introducing a fellow who is much more than a pretty face. His character will go nose to nose with Alan Shore and not in the fluttery Major Burns manner. This is a guy who's gonna a win a few...and that in itself bodes well for the show. I look forward to reading everyone's comments on this terrific show.

*This year the Sopranos will return with first run episodes again and it's the farewell season. The show will runs opposite Boston Legal as will Nip/Tuck.

Considering all the crap that is normally on Sunday(e.g. football and Nascar), this show is a refreshing change of pace. Spader and Shatner are an excellent duo. Spader already received an emmy, and hopefully Shatner will receive one too, if for no other reason than to silence the ignorant critics of this well-rounded show. Rarely will you find a legal show, that is humorous and poignant at the same time. Denny Craine's succinctness and Shore's coolness make this show a stand out. If ABC is smart, they will hold on to this show and try to replicate it's success, while in the meantime dumping all their worthless reality shows(redundancy I know). In conclusion, the great story lines and skillful acting make this show one of the best current series on television.

I don't know, for a guy in his early 70's who has been royally and unfairly panned for his entire career, William Shatner as Denny Crane may be the absolute highlight of his long career! What a role and what a show. My ultimate benchmark as to how good a show is how fast I am back to that show during the commercial breaks. Didn't miss one second of Boston Legal so I guess that tells you that I liked it a lot. Of course the "Shat Man" drew me in but the overall show got me hooked. Well worth the late hour on Sundays. Rene Auberjonois ( of DS 9 fame) was an added surprise.

I think you should watch this show.

It's delightfully weird.

Totally unrealistic, it has just enough I-don't-know-what to enable the all important willing suspension, and once you got that, you're golden.

Here's the little stuff, the stuff that you'll enjoy but don't need to go out of your way for:

1) It has Candice Bergen! Bergen fulfills her role (uber-classy uber-MILF) perfectly. (Plus, she's Candice Bergen. To this date, no one does Bergen as well as Bergen.)

2) Clemenson/Espenson is likable and offbeat. One of the best "spice" characters since, oh, I dunno, Hill Street Blues.

3) Sometimes John Larroquette shows up, and he's so tall! He doesn't have to actually say anything funny. He's John Larroquette. It's a grin just for him to show up. (That sounds dismissive and snarky, but it's not meant to be. I honestly believe this is Larroquette's great comic gift: he shows up. That's all he needs to do. That's what he does. It doesn't matter what he says, because all the humor is in the wry, sardonic (and tall) presence. On Night Court, he had some funny lines, but that was actually a distraction. Remember The West Wing and The Practice... he had no funny lines there, but the effect was the same: Larroquette's wry, sardonic (and tall) presence = a grin. (Although, to be fair, in The Practice he did actually play a character in addition to showing up.))

4) It has William Shatner!

And here's the big stuff, the stuff you'll never experience if you don't go out of your way to watch a few episodes:

1) It has William Shatner! Star Trek gave us William Shatner giving us Captain James T. Kirk. Boston Legal gives us William Shatner giving us William Shatner (as Denny Crane)... the intelligent goof we always suspected was playing Captain Kirk. Even if you weren't a Trekkie, it's such a cool feeling to feel like you're getting to hang out with the *real* Captain Kirk, the (intelligent, goofy) man behind the myth.

2) Despite -- or rather, alongside -- the show's unabashed unrealistic stance, it takes an honest stab at depicting honest emotions, especially (but not only) in the traditional closing scene, where Spader/Shore and Shatner/Crane share a Scotch, a cigar, a presumably rather nippy Boston evening, and a friendship.

3) It has James Spader! Who? James Spader! Who's Jame's Spader? I don't know, I never heard of him before I saw this show, but he's incredible. His character (Alan Shore) brings something unlike anything I've ever seen on television... a character that is, I think, truly Shakesperean in its immediacy and otherness.

In fact, I believe this is the secret ingredient of Boston Legal's success. Spader's Shore has a Shakesperean otherness, and once we accept this otherness (as we are compelled to do), it doesn't matter how unrealistic (or compressed or reductive) the rest of the show is. Once we (the audience) have signed up for this otherness, once the writers have that signature on the dotted line, they're free play around and cut corners as they like. Thankfully, they often (though not always) do so to good effect.