The Birthday

You may have noticed that the reviews for this movie or either really high or really low. This is weird in almost good weird way. First start off by saying that this is a very cool looking movie, it's shot well, but it's visually intriguing and artistic. You can tell it's low budget, but they make up for it in uniqueness and atmosphere.

This movie would be a lot more enjoyable if English isn't your first language I think, but if English is your language, I recommend watching it overdubbed in another language with English subtitles. I know that sounds crazy but let me explain.

The acting in this movie isn't great, mainly because Corey Feldman takes his character too far. He plays this really shy and nervous nerdy guy, but to the point where he's acting in a way no human would ever act. That alone is enough to make this movie frustrating. Even the scenes where he's talking to his girlfriend, and his friend, it's like he's talking to people he's never met in his life. It really makes you dislike him and everything that's happening, but there are so many little things that you will like and you keep watching.

The other thing I noticed was the way the characters talk to each other and what they're saying just doesn't work. And it's not necessarily the writing that's bad, because the premise is interesting enough, and quirky enough. This is a Spanish movie, filmed in Barcelona, Spanish director, and a lot of the actors and extras are from Spain as well. I think if I had watched this in any other language I would've loved it, but in English it's annoying.

It's not so much what they're saying but how they're saying it, and Corey Feldman's delivery. If you could find this overdubbed in any other language with English subtitles I say go for it. I would love to see someone remake this, literally anyone, but preferably someone remake it in another language.

Preparing for a special birthday party, a man's attempts at controlling the situation are undone by a series of incidents that threaten his proposal plans which are even further hindered by the realization that a cult is actively using the hotel for their own means forcing him to stop their plans as well.

This was intriguing enough if somewhat problematic genre effort. Among the better aspects found here is the strong central setup that provides this one with the kind of quirky and offbeat energy it thrives on. With the majority of the first half presents the celebrated birthday party that goes from one awkward setup to another as he tries to go about making everything right for his girlfriend in front of her family as they celebrate the occasion with a lavish extravaganza filled with high-end drinks, food, and live entertainment, this sets the stage for what's going on quite nicely. As everything happening here is a direct result of his meek personality misconstruing everything and getting into bigger confrontations against the high-society demands on her parents throwing the party, this gets carried out the longer he's together with others there as the night starts getting strange including unexpected power-outages, mysterious guests gatecrashing, and the gradual intrusion of the cult which leads into a mind-blowingly over-the-top finale. The main thing with all of this is the pacing is so egregiously off that it becomes maddening waiting for something to happen. This is far more in the vein of a quirky black comedy than outright horror for the majority of its running time as we see him wander around the party trying to make things right by his girlfriend so that he can potentially propose to her at the celebrations, yet instead of being scary or funny, it becomes somewhat grating. With his somewhat irritating voice for these scenes and the prominence of his part of the film, this can make for a very tiring and frustrating experience as much as the extravagant length. There's little reason for this to be two hours with the different tidbits and subplots at play here all bringing the running time of this one to a longer degree than it needs to. Along with the low-budget nature of everything, these all manage to bring this one down overall.

Rated Unrated/R: Graphic Language and Violence.

* I updated my review from 2008 to when i just saw it again in 2023

In 2004, Corey Feldman made a movie called The Birthday, in Spain. It never made it to America besides a few film festivals.

Jordan Peele had a film festival this week at the Walter Reede Theater and he wanted to close it out with this film. This was essentially the US world premiere, almost 20 years later.

I had seen this movie probably a decade ago thanks to the internet, but it was a crummy German dvd rip and it really lost a lot of its detail and sound design. This screening was a 35 mm print and it looked and sounded amazing.

Corey and the director Eugenio Mira were both in attendance to speak briefly before the start and to have a 25 minute Q&A after the film ended.

The film itself is about a man named Norman (Feldman) who is attending a birthday party for his girlfriend's father at the hotel he owns. What starts out as a relationship plot slowly over time deviates into something more sinister. Throughout the movie, there is a building undertone of dread and mystery as the soundtrack drones on with weird ambient noises that sneak up on you from the background.

About a third of the way in, things start to get weird. Unfolding slowly is the real plot, involving a religious cult who believe that the beast that will usher in the end of the world is being born in that hotel that night.

I don't want to go too much further into the plot, but the last 15 minutes or so are so visually and aurally intense and there is so much chaos going on all at once. It reminded me a lot of some of David Lynch's work. Seeing it in the theater really brought out the sound design, which was one of my favorite parts of this movie.

Feldman is at his best here. He plays the character with a tinge of comedy, channeling Peter Falk (during the q&a, he claims he was doing a Pacino impression from Dog Day Afternoon but I'm not gonna agree). He's got a weird voice that is ridiculous at first but after two minutes I couldn't see him playing it any other way. He plays the opposite of his usual cool and confident characters as a meek nebbish pushover. This characteristic is a major part of the plot as he tries the entire movie to get his girlfriend aside to have a serious talk about their relationship but he's constantly being ignored.

The film has plenty of weird stuff going on, strange characters throughout and a lot of comedy at the expense of the weird. Feldman plays out a lot of slapstick comedy in this film and it works well. The entire film is set inside the hotel so you see the same sets over and over again but you never get bored of the scenery.

Feldman and Mira spent a good amount of time answering questions about the film after the film ended. A bunch of good stories were told and it was being filmed. Perhaps that footage will make it to a BluRay release at some point in the future.

Highly recommended.

First: I'm sorry for my English. I've seen this movie at the Sitges Cinema Festival, it was included at the Official Section. Filmed in Barcelona in English language, this Spanish production have only one set: a claustrophobic hotel that reminds me Barton Fink or David Lynch murky world. This is a very low budget film but the production effort it's a truly work in progress. Weirdy tale with a weird star: Corey Feldman, the wonder (and forgotten) boy starring The Goonies, Stand By me, etc..., it's here a truly one man show. The action is set in Baltimore, and tells a story about an eerie hotel, a crazy birthday and a satanic sect (in H.P. Lovecraft way) purchasing the arrival of the beast. Despite its frenetic tempo (think of Scorsese After Hours), this movie is very boring. The story is poor, the screenplay bad, and the result is awful. The acting is good but no one has a really good play. Only the setting is fine, also the cinematography and the sound effects. Not much, as you see. The footage, almost 2 hours, is excessive and the film conclusion is very disappointing. Eugenio Mira, the young director, could have told us this story in a very short film. It's a waste about this movie. A good idea, a freaky show, but an awful movie. 2/10

Welcome to Feldman's next career move, doing horrible Jerry Lewis impressions while pretending to have a sleeper hit movie as a comeback actor. I have no doubt that every 10 star review on this movie was written by the same crew he pays to flatter him daily.

Five minutes into this movie will give you an accurate understanding of the low grade trash you're about to subject yourself to for however long you watch.

Cut rate Corey aside, the script and acting is very trying on the patience. I get the distinct feeling those movie is another in a long line of Feldman ego projects. He's not a musician, he's not a guitarist, he's not a playboy, and he's definitely no longer an actor. He's sad. Corey is a sad desperate boy desperately seeking your approval.

There's not much that's really redeemable here, just cringe worthy performances that were either coerced or were done by sycophants too hopeful that even bad publicity is good publicity.

Watch it to see Corey, but don't expect to be even neutral afterwards about what a waste of time this is.