Brooklyn Lobster

It is rare to see these days such a true to life film. the director delivers an extraordinary story of the truth of the human character. The depth of passion expelled from each look and each frame is amazing. Never have I seen such truth put on screen.

It is the way of the world, It is the truth of the hardship of living.

Based on a true Brooklyn story about an Italian family in the middle of some rocky patches.

The lines and thoughts stay with you long after the movie has ended. The characters just felt like people that I know. People with real problems nothing melodramatic which was nice to see.

This movie is a labor of love for its writer and director, who has created this autobiograghical film. A family with a 60 year old business is hit with many changes, and the film loving deals with how the patriarch handles these problems. You cannot help but enjoy the movie, as Danny Aiello once again plays a tough Italian father who tries to hold on. Jane Curtin plays his wife with care and success and the rest of the actors do a fine job, but it's Danny show. Though the themes are clearly universal, anyone from Brooklyn (or New York, for that matter) will feel an affinity for the characters and the settings, and there are a number of items in the film which give a New yorker a warm feel of familiarity. A little film, made in New York, by a New York, with New Yorkers. Go see it and support New York films.

This film begins with a son returning back to Brooklyn to spend the holidays with his family. The timing stinks, however, since his dad is about to lose his business and his parents are splitting up. Because of all these pressures, this is definitely NOT a "feel good holiday film" nor is it as uplifting and happy as some reviews make it appear to be. I really think that the reviews are mostly a bit too positive. Considering most reviews give the film a 9 or 10 and the overall rating is just over 6, my review might just be more in line with the average viewer.

I am a sucker for independent film productions. Having gotten tired of all the glitz and special effects in a typical Hollywood film, I deliberately seek out plot-driven films where characters actually are important (a crazy concept, I know). So it's not at all surprising that I watched BROOKLYN LOBSTER. However, in hindsight, I wish I probably hadn't because the main character (played by Danny Aiello) is a very selfish jerk. At times you can understand and sympathize with his plight, but even if times were good, he STILL would have been a jerk. And because he is so integral to the plot, the overall impact of the film is diminished. Watchable and full of good acting, yes, but still not particularly outstanding or fun to watch.

Also, be forewarned--the language is a tad intense at times. The easily offended should probably stay clear.

Finally- a true independent film that believes that well developed characters, realistic dialogue, and a true to life story make a good film instead of explosions and potty humor.

Every performance is nuanced, every character flawed, every joke funny... and it clearly a labor of love. I look forward to when this movie is released in more theaters so I can see it again. Who doesn't want to watch something that makes you feel good in an entirely plausible context? It is nice to escape when you are the movies, but it also nice to believe what you are escaping to can happen.

I actually believed the people in this movie were a family and cared about each other. And who knew that the lobster business would be so interesting?

I saw the movie at a local indie film venue in NY suburbia -- Jacob Burns films center. Audience applauded at the conclusion as did I. This is a nice film with some great performances by a solid ensemble of some well known and not so well known folks. The grainy texture of the print for me added to the experience. The dialogue was exceptional in its simplicity and feel of reality. Danny Aiello and Jane Curtin as Frank and Maureen Georgio played it real and perfectly. No they are not Tracy and Hepburn nor did they hit a false note at any time. Of the supporting cast Daniel Sauli was good, though not superb as their son Michael Georgio. Henry Yuk stood out as the Chinese business man--best friend of Frank. The rest of the cast adds atmosphere to the piece with spare dialogue that gives a sense of who they are without involving them. In sum--this is rewarding film for film lovers.