The Baxter

A quirky premise and some delightful performances made this film refreshingly true to its stated goal. Showalter is charmingly awkward and perplexed throughout, as a "baxter," one of the guys who are always left alone at the altar when their brides' true loves return to abduct them. Michelle Williams is exceptional in her role, and Jon DeVries and Peter Dinklage both contribute some great comedic moments.

A few sour notes rang out, including Elizabeth Banks' performance as Caroline Swann, which seemed confused and inconsistent. But The Baxter's power is in its non-standard take on old romance stereotypes. The impassioned speeches of each reformed lover to his girl are wonderfully recast from the perspective of the safe, nice guy who is our protagonist here. True love for him is not in being a daredevil or a risk-taker, but simply being himself and taking the opportunity that presents itself. As a new kind of romantic comedy that doesn't necessarily play by the rules, The Baxter succeeds in many ways.

The wonderful thing about browsing video stores is coming across films that never came to your local theater - because they were filled with garbage such as "Fever Pitch" and "Be Cool" - and finding out these small films are actually pretty good.

"The Baxter" is certainly one of those films. It's surprisingly sweet without getting maudlin. The characters' neuroses are all charming without ever seeming to be unnatural. And the film's also awfully funny.

It's helped immensely by a superbly deadpan performance by Michael Showalter. He plays his character completely straight and the laughs come naturally. And the always wonderful Michelle Williams again proves why she's quite possibly one of the most under-rated actresses today. She's so good at playing slightly quirky people without ever seeming odd. Just take a look at turn in "The Station Agent" (2003).

The film gets wonderful supporting work from Elizabeth Banks, Justin Theroux - his entrance is priceless - and a genuinely funny cameo from Peter Dinklage.

"The Baxter" isn't the greatest comedy, but it's certainly better than most of the fare that's in theaters right now. It has a certain honesty. You can't help but feel for the title character and his predicaments. Most of us have been there and it's hard not to like this chap. He also surrounds himself with oddballs who never take away anything from the film. Of course, they're movie people but they add something unique to this special little film.

This film wasn't exactly life-altering for me, but it definitely got me thinking about ex- boyfriends, and how things may have been different - or how things turned out for them. It's upbeat in that"there are no losers - there's somebody for everybody," but it might take one hell of a journey to find your other half. This movie explores the kind of people that never get discussed in film or media - because they're not cool enough, or sexy, or too neurotic, etc.. But in this movie, you fall in love with the characters who seem a bit out of step, and it makes you want to bitch-slap the pretty people. I give Showalter major props for actually achieving a unique crowd-pleaser. Oh, and it's absolutely hilarious. He has a long career ahead of him.

The Baxter This is probably one of the most underrated films I've seen yet, considering that it's style is basically generic romantic comedy (meaning the makers underrated it themselves), it's gotten little to no viewership... I never even heard of it before I picked it up off the wall (it was next in line).

Anyway, you know all those movies about how the man and the woman love each other but can't figure it out, so the woman almost marries the wrong person before the man crashes the wedding and sweeps her away? Well this is the story of the guy left at the altar, and his search for the "right woman" as well when his character is defined as the safe, content "nice guy" that women are supposed to erroneously try to marry when their lively romantic relationships go awry. Basically that's the long way of saying that this guy is an accountant who spends his time reading the dictionary as a private pleasure, and now he realizes that he'd like to actually get the girl too.

What's absolutely wonderful about this film is that Elliot knows that his problem is that he's such a harmless nice guy, but he knows that being a harmless nice guy is a really great thing to be if you don't take into account that that means losing a lot of relationships because women are more interested in romance risk-takers. So he has to battle his own personality with his own personality while his friends give him TERRIBLE advice that sounds good (we've been there, now haven't we?), he surrounds himself with completely superficial people because superficiality is the only way he knows to fit in, and he totally doesn't notice the direct and not-so-subtle advances from the "right girl" who is, also, way too nice to take risks as well.

In short, it's an absolutely delightful sort of aside in the whole romantic comedy industry, but still uses a lot of the tropes and techniques usual to the form to keep it simple and enjoyable for everyone.

--PolarisDiB

I saw this movie during the "Free Drive-In Movies at Rockefeller Center" series in New York City, on 15 June 2005. It doesn't get a wider release until later this summer, but when it does, I would see this movie with my grandparents. Heck, I could see this movie with my great- grandparents. I could go see this with my snobby friends, and my culturally clueless friends, and I think they all would like it. I'm actually looking forward to bringing my parents to see it, because not only do I think they'll really enjoy it, but I feel like it's finally one of those "movies their weird artsy daughter likes" that I can show them and know that they won't be either appalled over or baffled by.

This is in NO way intended to imply that The Baxter is boring or sappy or in any way oversimplified – completely the opposite. The film and the characters are complex, even though they are intentionally written as types. Despite being told through a series of flashbacks, there is no plot that can be ruined by showing the ending at the beginning – the whole point of the story is that you already know how these things always end, and the story is in how the characters get there. Like any good character study, the film makes the most of its preordained plot by reaching those ends through uniquely-developed means.

One of the reasons that so many movies that could be labeled "family appropriate" are so bad is because the fact that they're so decent feels so contrived – like the raunchy and disturbing parts of life are taken out, and what's left becomes the plot of a PG movie. What makes The Baxter different in its broad appeal is not that it aims low, but that it lifts the audience up to its level. It encourages the viewer to explore other facets of the romantic comedy standard without ever leading them into territory so foreign or artificial that they are unable to relate to the characters or the circumstances. Quite simply, this is a decent and proper and earnest movie because it's told from the point of view of decent and proper and earnest people. It's good, and it's damn good, because, among other things, like excellent costume and set designs, great characters, ridiculous attention to detail, and beautiful directorial choices, it doesn't cater or pander to any one sort of person or audience – it's a clever take on a timeless theme, and it's executed in a way that that just about anyone can appreciate. It's sincere, it's honest, it's believable, it's incredibly moving, and it's memorably unique – it also just so happens to be extremely polite, because some movies, like some people, are just polite by nature, and that's what makes them who they are. Highly recommended.