The Baxter

This film wasn't exactly life-altering for me, but it definitely got me thinking about ex- boyfriends, and how things may have been different - or how things turned out for them. It's upbeat in that"there are no losers - there's somebody for everybody," but it might take one hell of a journey to find your other half. This movie explores the kind of people that never get discussed in film or media - because they're not cool enough, or sexy, or too neurotic, etc.. But in this movie, you fall in love with the characters who seem a bit out of step, and it makes you want to bitch-slap the pretty people. I give Showalter major props for actually achieving a unique crowd-pleaser. Oh, and it's absolutely hilarious. He has a long career ahead of him.

I saw this movie during the "Free Drive-In Movies at Rockefeller Center" series in New York City, on 15 June 2005. It doesn't get a wider release until later this summer, but when it does, I would see this movie with my grandparents. Heck, I could see this movie with my great- grandparents. I could go see this with my snobby friends, and my culturally clueless friends, and I think they all would like it. I'm actually looking forward to bringing my parents to see it, because not only do I think they'll really enjoy it, but I feel like it's finally one of those "movies their weird artsy daughter likes" that I can show them and know that they won't be either appalled over or baffled by.

This is in NO way intended to imply that The Baxter is boring or sappy or in any way oversimplified – completely the opposite. The film and the characters are complex, even though they are intentionally written as types. Despite being told through a series of flashbacks, there is no plot that can be ruined by showing the ending at the beginning – the whole point of the story is that you already know how these things always end, and the story is in how the characters get there. Like any good character study, the film makes the most of its preordained plot by reaching those ends through uniquely-developed means.

One of the reasons that so many movies that could be labeled "family appropriate" are so bad is because the fact that they're so decent feels so contrived – like the raunchy and disturbing parts of life are taken out, and what's left becomes the plot of a PG movie. What makes The Baxter different in its broad appeal is not that it aims low, but that it lifts the audience up to its level. It encourages the viewer to explore other facets of the romantic comedy standard without ever leading them into territory so foreign or artificial that they are unable to relate to the characters or the circumstances. Quite simply, this is a decent and proper and earnest movie because it's told from the point of view of decent and proper and earnest people. It's good, and it's damn good, because, among other things, like excellent costume and set designs, great characters, ridiculous attention to detail, and beautiful directorial choices, it doesn't cater or pander to any one sort of person or audience – it's a clever take on a timeless theme, and it's executed in a way that that just about anyone can appreciate. It's sincere, it's honest, it's believable, it's incredibly moving, and it's memorably unique – it also just so happens to be extremely polite, because some movies, like some people, are just polite by nature, and that's what makes them who they are. Highly recommended.

Is it just me, or was this an homage to The Apartment (Best Picture – 1960)? Baxter, was played by Jack Lemon in the Billy Wilder classic. I got a feel for it here, but it was a tad shy of a full load for my tastes, but the subtly in places and the "everyone is a Baxter" message were warm and sincere.

Recently I have been spoiled by faster and smother paced silly, love stories by the likes of the Friends' cast, Sandler, and Stiller. Even the classics from the 50's through the 70's often found a more stable pace to encourage us to follow along.

The glacially slow development of the main characters' true desires takes something away from this movie for me. But perhaps that was just the point. Sometimes it takes us to be pushed to the edge to face what we want to do with our love. A little better pacing, a better mixing of the silly and the subtle would have made this an exceptional movie. I will wait hopefully for Michael Showalter's (director/writer ) next effort.

I really like "The Baxter." Now, I am a confessed Showalter, Wain, Black, The State, "Wet Hot", Stella fanatic, so I obviously have a history with these guys and their particular brand of humor. This is a great, sweet, hilarious little movie. These State alumnus guys have a very intelligent, interesting, off kilter type of humor that is definitely love it or not get it. Watch "Stella" sometime with a room full of your friends. Half of them will laugh extremely hard, and half of them won't get it. If you are familiar with Show and his humor, you will love this film. Its much more subtle than Stella or Wet Hot American Summer, but there are some huge laughs in it. It is probably the only romantic comedy I've ever seen that I really like. Highly recommended!

Saw this at the Maine International Film Festival. It shares some characteristics with prime Woody Allen -- an affection for New York (warmly shot) and a sure sense of casting supporting actors.

Is it a ground-breaking comedy? No. But it is thoroughly charming and entertaining and had the audience laughing at all the moments it intended. The truth is, most people identify not with the pretty leads in glossy romantic comedies but with the zhlubs, and this is a film that gives us permission to identify with the zhlubs (without demonizing the pretty people). There aren't a lot of uncynical comedies out there, and this is a welcome one.

It's also valuable for people casting in the New York area -- there are enough engaging performers in here to cast three or four movies.