Black Friday

Films based on books are a rarity in India. Probably that accounts for the huge amount of movies without any coherent screenplay that India churns out. Black Friday, on the other hand, is an exception, which will make any film maker proud.

The movie, revolving around the investigation following the horrifying Bombay bomb blasts, and also showing the perpetrators' lives just before and after the incident, took a long time to get through the Censor Board, and it's not difficult to imagine why once you have seen the movie. The movie tries to portray everything the way it actually happened, or at least as the book says it happened, and succeeds. Technically the movie is top league, compared to other Hindi movies, though the editing is choppy in places. The music, by Indian Ocean, is brilliant, and more importantly suits the plot. Despite the length of the movie the director never loses grip, and that's really commendable.

I haven't seen Satya (and I am sorry for that), so I am not very familiar with Anurag Kashyap's work (though he also did the dialogues, I believe, for Yuva, which I have seen), but considering the smoke he generates with every movie, I knew there had to be some fire to it too. And Black Friday IS fiery! The movie doesn't ever try to be politically correct and the director is almost obsessed with showing everything - even the correct language - which shall make it unsuitable for family viewing.

The actors, with Kay Kay (he should be getting awards for this one) and Aditya Srivastava worth special mention, do a very good job too, and I think many of them are of a theatre background, which ensures a high pedigree in Indian movies. Those familiar with Indian TV serials must have seen Srivastava in an eminently well-made series called 9 Malabar Hill from the late 90s, which also starred Pawan Malhotra. Srivastava has been seen in many other smaller roles in movies and TV serials since then, but that particular role had showed how good an actor he is, and it is proved here once more. Pawan Malhotra is also a known face in India's parallel cinema movement, though he is prone to overact at times. Kay Kay is one of the best actors to have hit the Indian screen in recent years, and brilliant performances aren't new to him.

The movie is unique in the sense that it shows the life of a terrorist AFTER the blast and how he copes with all the pressures. Then there's the pressure faced by the investigators to get to the terrorist, but taking care at the same time that they don't harm innocent people in their zeal. When I saw in the credits that the movie was based on a book by a Muslim author, I started feeling that it was going to be a biased description of the atrocities of Mumbai police on innocent members of the Musilm community during the investigations. Such a thought process is shameful, but natural in India's circumstances. But surprisingly, and thankfully, the movie, and so I suppose the book too, is as objective as it could have been without appearing sympathetic to either of the parties.

To finish off, this is one of those (very rare) movies that convince you that the future isn't all that bad for Hindi cinema. A must watch for all Hindi movie fans, and even those who normally don't watch Hindi movies because of the unrealistic gloss and song-and-dance routines.

This is not only a film. It's a lesson. It's a message. It's cruelly true history. It's an initiative. It's an attempt. It's a bold step, forward. It's known yet untold bare truth. And after all it's a film.

No doubt the film opens old wounds, but only to find the root cause of it, only to find cure for them, only to make sure they are eradicated and never surface again. The film presents the hard facts about the 1993 serial bomb blasts in Mumbai (then Bombay). The film gives a new dimension to real life cinema, with real name, real incidents, and real people. The usage of actual news footage of the incidents make you believe whatever you are watching. It takes courage to take names of some of the biggest name in underworld and Indian politics as bluntly, and the filmmaker shows that courage. The story doesn't point finger on any particular person, group or community as the culprit for what is still Indian crime history's biggest tragedy. It tries to make a point how some clever minds make their business out of our religious sentiments, at the cost of lives of common men. Men who are common in every sense of it. The terror, the attacks, the explosions, the riots inhales not any particular community but the whole humanity.

Director churns out a stunning effort. Technically too the film is impeccable. The blast sequences couldn't have got any more realistic. Each actor performs his character to full honesty, but Badshah Khan and Tiger Memon stand out.

And before you jump to your own conclusion to decide the culprit(s), to decide the fate of them, the film concludes with the quote that says it all.

An eye for an eye makes the whole world blind.

A must watch.

Mind blowing. Astounding. Astonishing. Superb. Enthralled. I could go on and put in all adjectives from the dictionary and even then I would still feel I need to say more. 1000 words isn't enough to write a review on Black Friday. Anurag Kashyap's foray into Bollywood was marred by the judiciary for more than 2 years, but finally the wait ended a few days back. And we were given the privilege to see the true potential of Indian film making. The topic was sensitive. Highly sensitive, one of the most tragic events in the last 3 decades in Indian history, an event which made Don Dawood Ibrahim as the #1 wanted man in India.

Right from the beginning, the interrogation sequence where the prisoner confesses,"Sir, bombs are about to explode in the city sir" Right from that word till the last scene where Tiger Memon says,"Mumbai mein dhamaka macha dega hum." you are glued to your seat, wondering what will the director make you see next ? The casting for the movie was in my opinion perfect. One may criticize that Kay Kay Memon was underused, but in my opinion, he was just perfect. He wasn't given much screen appearance but whatever time he had, he brought everyone to their feet. His dialogs brought the entire theater applauding. Aditya Srivastava and Pawan Malhotra were equally good, if not better. Pawan Malhotra's portrayal of the underworld don Tiger Memon was just superb. Same goes for Aditya Srivastava's portrayal of Badshah Khan, the terrorist who turned as a police witness. His struggle to escape the country, from the clutches of Mumbai police was just marvelously portrayed. A person helplessly running around the country, lack of money, being chased around by an unknown force. And when mentioning the casting one cannot but ignore Vijay Maurya as the feared Dawood Ibrahim. He was given about a couple of minutes at maximum of screen presence but even in that minute period he brought a shiver up your spines.

Black Friday is also a very good technical movie. The special effects used are pretty advanced and are at par with Hollywood. The script although adapted is superb. Every expression, dialog will make you feel for the characters in the movie.

Just remember this isn't a movie about Hindus or Muslims. At first you feel for all the people getting killed by the blasts, but later when the riots are shown, then you feel for the Muslims as well. But this ain't a movie for any of the religious sentiments. Its about the society as a whole in those few years in Mumbai. This is the type of movie that India should send to Oscars and other film festivals/awards. The world should be made known that we can make movies that will claim fame and bring India to the global picture.

10/10 !!!

I just watched Black Friday last night at home and didn't feel like missing a single scene or even a shot of the movie. I was totally concentrated and lost in this movie. I felt how a genuine, appreciable and real effort can go wasted on box office. Such movies should run well even on box office as well as in award functions.

Kay Kay Menon is one of my favorite actor as well as Pavan Malhotra in his intense role playing. Hats off again to this movie from 1st scene to last one. The sequence of Badshah Khan moving Rampur to Jaipur to Kolkata and back to Rampur is truly worth-watching. I know this movie didn't mean to earn profits or a MASALA FLICK that's why it became a serious cinema and worth watching.

Anurag Kashyap has really done a brilliant and hard-hitting job. I wanted to see this movie from the moment I came to knowledge about it. I really enjoyed every moment though I found there were many censor cuts during the movie and BEEP tones during bad words speaking. Anurag made it hardcore real.

I am not here to reveal or tell the story as it will spoil concentration and excitement of the watchers who didn't watch this movie yet. I STRONGLY RECOMMEND BY BEING A REAL MOVIE-WATCHER TO SEE THIS MOVIE ANY WAY YOU CAN GET IT.

I learned that because of politicians' dirty plays, games and just because of their selfishness such incidences happens frequently in our country and which interrupts India to move further progressively. Such degressing tact, cheats and bad intentions of our politicians ruins peace between 2 religions and whatever they do they do just for their own benefit. How many innocent people were killed during such riots and blasts that's nightmarish thought and DID THIS POLITICIANS EVER THINK ABOUT THEIR INNOCENT FAMILIES WHILE PLANNING SUCH THINGS? My anger is purely towards THE POLITICIANS not to any Hindu or Muslim. Now our young generation must come up with their new ideas, intelligence and unity to fail such bad and dishonest intentions of Indian POLITICIANS.

BLACK Friday is most worth watching that's all.

I remember watching the trailers of Black Friday a couple of years ago and making it a point to watch it.Never before has anyone dared to approach such a controversial issue so blatantly,which is probably why it worked.The events that are depicted in this movie shook not only the city of Bombay but the nation as a whole.To add to the documentary-like look at the blasts of '93,director Anurag Kashyap has done a brilliant job of elucidating moving,intense performances from fine actors like Kay Kay Menon and Aditya Srivastava. Technically, Black Friday is more visionary than most Hindi movies ever made.It did not have exotic locations,an ensemble star cast of the most high profile actors in the industry,or an unlimited budget,all of which are necessities for an Indian movie.The use of complex Steadicam shots,slow motion and hand-held cameras really put the movie into a different perspective.The use of lighting in situations such as the interrogations being bathed in red light also helped set the mood required to really go into the depths of all the stories of the main characters which have been intricately woven together with finesse. Hats off to Mr. Anurag Kashyap for bringing such a fine piece of art to Indian cinema.Seems like the time spent with Mr. Mani Ratnam,the greatest Indian director ever to get behind a camera,is paying off.This is evident in the tinge of patriotism and realism portrayed.Personally i hope guys with vision like this continue bringing quality to Indian cinema.It really needs it.