Surveillance

As if to demonstrate the old adage that "the apple doesn't fall far from the tree," director Jennifer Lynch gave the world in her belated sophomore effort, 2008's "Surveillance," a film just as disturbing as any in her father David's oeuvre. Her follow-up to 1993's "Boxing Helena," the film follows two very atypical FBI agents, portrayed by Bill Pullman and Julia Ormond, who are investigating a string of homicides in the plains of Nowheresville. (The picture was shot in the grasslands outside of Regina, Saskatchewan.) The pair interviews three salient witnesses: a young female coke addict (Pell James, who is excellent here), a local cop and an 8-year-old girl (Lynch elicits a wonderfully mature performance from young Ryan Simpkins). By the film's end, the conflicting accounts yield a somewhat clearer picture, before a twist ending really pulls the rug out from under the viewer. Indeed, this ending--a remarkably downbeat, merciless and outrageous shocker--should stun and flabbergast most of the film's audience. A repeat viewing of "Surveillance" demonstrates how very fairly the writers and Lynch have played their game, and will give an added appreciation for certain actors in the cast. "I promise you, it's not like the other films you'll see," Ms. Lynch tells us in one of the DVD's copious extras, and darn if she isn't right! I cannot offhand think of another picture so deliberately amoral, and so blithely ruthless in the treatment of its entire roster of characters. While some might walk away from "Surveillance" clucking "sick, sick, sick," most, I feel, will applaud its bravura daring, technical brilliance, fine acting and shocking windup. It's certainly not a movie to watch with the kids or with Aunt Petunia, but for those game for something different, it should just prove the ticket....

Friends...Let me show you the POWER...of the DARK SIDE! Jennifer Lynch, daughter of David Lynch (Mullholand Dr.... Yes, I can see that!) You can rest assured, with each passing year, Ms. Lynch's name will grow ever more prominent! Several friends have rated this 6*. Hmmm, up front, for the record, 9*; loud and clear, front and center. My prognostication: SURVEILLANCE will soon attain "Cult Classic" status, with legions of aficionados. You heard it here first, from the ID of Dr. Morbius!

Now I will tell you exactly WHY: Almost from the very onset, the underlying tension, the nail-biting, sparks-flying friction between characters is hypnotic and entrancingly numbing. Surveillance is beyond dark, to the point of being "Non-commercial"! Now.....is that good? Well, you'll just have to decide that for yourself!

Lots of reviewers have mentioned the "surprise ending". Can't really say anything about that now... Can I???.... Beacuse, obviously, it would cease being a surpuise!!! So.... Without going into any detail... IMHO there are quite obviously 2 back-to-back, from-out-of-left-field plot twists at the end of the movie. Well 3, if you count the...OOPS! I can't really say, now can I? Ms. Lynch is really up to snuff on her movie-making technique. Editing, camera-angles, photography, close-ups, and pacing; SUPERB, ALL of them! WOW!

SURVEILLANCE wasn't a .22 bullet to my brain...it was a .45! Blew my mind in one fell swoop! But this film has "POLARIZING" written all over it! From all soul-searching reviewers, we should see lots of either 8 to 10* ratings, or 2* and 3* Ratings! The violence, although mostly not extremely graphic, nor taking up much on-screen time... To be PRECISE my EXACT rating is 8.5********* but since the only way to express that clearly is putting it in writing...as I am doing right now! This film will really HAUNT YOU!..... ENJOY!

A good thriller is my favorite genre and I was hooked into this film within the first few seconds and stayed involved for the entire ride. It kept me guessing throughout. The contrast between eerie cop shop and stark, beautiful prairies is a stylish treat for the eyes. The performances are believable and compelling. Well cast, without exception. The little girl is surprisingly good. Her even performance made me wonder about what had happened to her and drew me into the story. When she wasn't on screen, I worried about her safety. The ending is a clever, eerie choice. I was taken completely by surprise and I usually predict a telegraphed ending a mile away. In this case, any other choice would be a cop-out (pardon the pun). I was glad that the director resisted the temptation for a blood-fest. It could have gone much further in that vein. Instead the tension relied upon intelligent visual storytelling. Kudos to everyone involved. I thoroughly enjoyed this film.

One thing is for sure, "Surveillance" is different. Different in structure, different in presentation. It is re-watchable, if for no other reason than to see if the script holds up to analysis. Generally I tend to avoid films with a lot of flashbacks, but in this case, the three points of view presented are intriguing. Acting and character development are acceptable. The film has strong violence and some perverted sexual situations, but hey, this is not supposed to be family entertainment. It is what it is, and what it is, is different. I found it to be entertaining because the unique presentation held interest. Give "Surveillence" a try if you are looking for something beyond the obvious. - MERK

I'm usually happy to spoiler away in reviews - this time I shall be very careful not to spoiler.

I hadn't realised that the tendency to make disturbing movies is hereditary, but Jennifer Lynch's Surveillance is every bit as disturbing as anything Dad David has made. It starts with a moderately familiar scenario - two FBI agents arrive at a small police station (4 officers, one captain, one dispatcher) in the back of beyond to tape video interviews with the survivors of some sort of incident: the nature of what happened is revealed during the interviews. To say any more is to spoiler, so I'll shut up about the plot.

But I will say that "disturbing" is the best word to describe almost all of what follows. And not just one lot of disturbing, but several. The film is gripping, visceral, and features some stunning performances, notably from Bill Pullman who is not someone who I would normally have put high on my list of those I expect to surprise me performance-wise.

Not an easy film in many ways, but definitely worth catching.