Charlie Jade

This 21 episode television series, a joint South African and Candadian effort, is less like a traditional TV show (where episodes have a beginning, middle, and end) and plays more like a very long mini-series. Watch Charlie Jade like you are reading a book; each episode is a chapter. Influenced by Sci-fi noir films like Blade Runner, creator Robert Wertheimer was determined to make a science fiction series like nothing that has ever been made before, and he has. Throw away any preconceptions you might have, especially if you're an American. This is nothing like American TV programming. Shot in Cape Town, South Africa, the show, despite it's futuristic and science-fiction edge, is both stylish and surreal and yet also firmly rooted in reality, dealing with real issues like terrorism and the abuses of power by massive conglomerates. It is filled with real people, not pretty models of perfect people. It starts off with a slow, patient pace, which some might find frustrating or boring, but hang in there! By the end of the pilot and the start of the third episode you will be hooked and utterly captivated.

Jade is still waiting to be discovered. This beautifully written, moody complex but dramatically compelling work is in fact what so many shows and films have claimed to be, but aren't, the spiritual TV inheritor of Blade Runner.

The cinematography is terrific I think and the mix of languages, looks and environments is both other-worldly and gritty.

This show has yet to have it's day, whether through VOD or television I predict it will be 'discovered by the right combination of powers-that-be in the US.

I hope to see other work by this group of artists.

It seems as if there were only a handful of viewers watching this show in the U.S., but as one of them I'm sad to see it go, especially knowing that I'll likely never see another season-- or, for that matter, a Region 1 DVD. And even though it's been a bit tough following such a complex, and often brilliant, program with no one to discuss it with (none of my friends or family were interesting in keeping up on a show that airs at 1 AM on Monday morning here), I'm glad I did. It was a rewarding experience; and you don't get many of those from a TV show.

It has a remarkable visual style, excellent dialogue, an unapologetically complex (if sometimes confusing) plot line, a dense mythology, and some of the most fascinating character development I've ever seen (someone could write a thesis on 01 Boxer's behavior and motivations alone).

If you do get a chance to check the show out, stick with it. It can be difficult to follow at times, but it's worth it. I was a few episodes in before I had a good grasp of what was going on, and by then I was hooked, as I think most will be who give this series a proper chance.

It really is quite an amazing show, and I just think it's a shame that there's room enough on television for 3 incarnations of "CSI" but no audience for something as novel and thought-provoking as "Charlie Jade."

This is coming to SPACE soon. The whole idea that the show's built on the pillaging of the world's resources by multinational corporations is pretty interesting. A lot of science fiction these days is about big bad ships and space opera. You know, who's got the best technology. I'm interested to see something that actually talks about the weird power imbalances in our world. Something that doesn't just fetishize cool gadgets and the attractive people using them... in deep space. Charlie Jade might have something interesting to say, who knows?

And what about the issue of colonial tension? A powerful group of invaders uses the land and the resources against the will of the people who rightfully dwell there. I mean, this is set in South Africa... I wonder if it was intentional?

This is a tale, a mystery if you will, of 3 Universes. It rests lightly on popular theories from physics, so that its relationship to "SciFi" can be acknowledged. But any Science which, along with technology, it's often wayward daughter, is wielded by totally amoral handlers, ends up biting, and biting down hard within the human dimension of things. Still, it is by is the amazingly human characterizations in this epic that this tale will succeed in engaging and captivating you.

Charlie Jade: "...I thought it was cool," is his reply when asked why he chose "Jade" for a surname; is the confident metropolitan male of our own age: into appearances, the beautiful girlfriend, the car the clothes, the apartment, the slight stubble. Mildly hedonistic, he is yet the likable and sympathetic hero of this film, and although the style of narration is "limited omniscient," most of what the viewer is allowed to understand of the story, that process of discovery, comes from viewing events through his eyes. Still with all of that, Charlie is for the most part, a two-dimensional character. It's kind of like having a really good friend, then suddenly realizing he has this serious character defect. You still like him, but you wonder if he'll ever get it.

Then, there's "01 Boxer," (sounds like "Owen.") Something about the way the film introduces him, gave me the impression that the two men were siblings. (They aren't, but their fates are linked.) Without 01, the film would be a narrative about a reed (Charlie) tossed by the wind. This character, 01, is about motivation, and deep self-awareness, and actions which spring from these things. He is about knowing better, and still failing. He becomes more and more three dimensional as the movie unfolds; apparently totally depraved, he is both a catalyst, and a foil for the Charlie character. 01 is able to feel true remorse for his failures, Charlie, merely guilt. Amazingly acted this is the dilemma of the moral man released into a place of absolute power, and that without restraint.

Set in Capetown, the cinematography is a treat, would've been worth while to have seen this on a big screen. There are dark scenes that have a sense of brooding ambivalence to them, perhaps reflective of a very old city with lots of history. I am always amazed how differently people who've lived in other cultures, other places on this planet frame and compose shots. Unique ways of visualizing special places, that help to communicate that intangible sense of time and place. (Some violence, and scenes not suitable for the easily offended.)