The Eye

I really wanted this movie to be good. Really. I think Jessica Alba is an extremely talented actress, and I had high hopes for this movie. J horror remake, interesting premise, Jessica Alba...sounds good so far.

But this movie left me disappointed in when I saw it last night. The movie relies on cheap thrills that aren't frightening to the mature moviegoer. I should have expected this, as it was rated PG-13, but the theatre full of screaming 11 year olds at every jump was quite irritating.

When it was all over, The Eye left me wanting more. The only thinking and mystery in the movie is done for you and the "science-talk" from Alba seems unrealistic. It relies on loud noises and horror movie clichés at every turn. The Eye is a definite popcorn movie. It may be entertaining for younger viewers, but if you want a deeper and more engaging story, look elsewhere.

The Eye (2008) I knew going into the theater that this would be a bit scary. OK, maybe traumatizing. I had a LASIK procedure done a couple of years ago, and although I wasn't blind beforehand, I did have pretty bad eyesight. I know a bit about the trepidation - perhaps even outright terror - one feels before undergoing an operation on one's eyeballs. I still get a little skeeved when I see a closeup of eyes, come to think of it.

Jessica Alba plays Sydney, a blind concert violinist who has a double corneal transplant, and of course things go wrong. Not with the surgery itself, but with the psychological aftermath - she sees dead people. And dead things. And undead. And so on; it looks like she's tapped into a spiritual world, or something. No one else can see what she's seeing, which is par for the course in movieland, but all of the demons and smoke and fire and other sfx seem extremely, utterly, real to Sydney.

Alba is excellent, showing that she has more than just two (or three) talents to show the world. Her Sydney is appealing in her vulnerability; Alba, a beautiful young woman, manages to make you feel as if her character could, indeed, live in your world: less glitzy starlet, more three-dimensional person. Of course, she's still a knockout, and she IS a supremely talented musician, and she DOES live in a super-posh apartment in a high rise, but still. Alba shows wonderful range, from tender to fragile, without giving up any sincerity. The movie hinges on her ability to sell the audience on her character's Everywoman (to a point) status, and I think she delivers.

Some of you may be thinking you've already seen this movie before, when it was called Blink. In Blink, Madeline Stowe played a young woman who lost her sight as a child (as did Sydney) and then grew up to be a talented violinist; after a new eye operation temporarily restores some sight, she sees things. Just like Sydney. Huh. Still, this isn't a redo of Blink, it's a remake of a Chinese film called Gin gwai. Asian films have made the rounds of Hollywood in recent years (The Ring, The Grudge, Dark Water), and although the remakes usually don't have the subversive bite of their original counterparts, some of them hold up rather well when inundated with high-tech CGI. The Eye does use special effects, but it uses them - pardon me - to great effect; you're not overwhelmed with attention-grabbing CGI.

The biggest debit in the movie is the love interest, Sydney's doctor, Paul (Alessandro Nivola), who seems dull and unimportant, although his believing in and trusting Sydney is a linchpin for moving the plot. He just seems vacant and stiff, hardly a commendation of Nivola's acting abilities. (Think of a younger Dylan McDermott.) On the other hand, a good counterbalance to Nivola is Parker Posey as Sydney's concerned sister, who, although she doesn't immediately buy into Sydney's rantings, does empathize and attempt to understand a bit better than the hunky doctor.

Overall, The Eye is a tense, shudder-filled movie that manages to dress up a recycled plot with dead-on performances and evocative cinematography.

With virtually every successful Asian horror movie of the last few years having already been remade by Hollywood, it was only a matter of time before Gin gwai (AKA The Eye) got the treatment, despite the original not really being all that great (I found it fairly entertaining, but unexceptional—my rating: 6/10).

Jessica Alba plays Sydney Wells, a blind violinist who receives a cornea transplant only to discover that her new set of peepers allow her to see much more than she had originally bargained for: Sydney can see dead people!! Aided by her doctor, she attempts to unravel the terrible secret behind her scary supernatural power.

Directed by David Moreau and Xavier Palud, The Eye is a totally unnecessary and dreary remake that copies parts of original verbatim, alters scenes that should have been left well alone (the creepy cafe meat-licking scene has gone, and the downbeat ending has been swapped for a typical Hollywood crowd pleaser), and totally botches what should be the scariest bit of the whole film (the lift scene is VERY disappointing).

Take my advice: If you've already seen Gin gwai, then stay away from The Eye.

The infinite monkey theorem states that a monkey hitting keys at random on a typewriter for an infinite amount of time will eventually produce the works of Shakespeare. Coincidently, this same theory applies to the onslaught of Asian horror remakes that is stomping Hollywood into submission. If enough of these films are remade, then eventually one will be acceptable, and alas it has happened.

The Eye, starring Jessica Alba is directed by two relative first timers by the names of David Moreau and Xavier Palud, and they can certainly create a film that boasts certain elements of stylish direction. Unfortunately, along with the good, it seems that all of this style of remake fear deviation from a backbone template. Not to give anything away to those who are not familiar with Asian horror remakes, but one element that is consistent is that the basis of all the evil happenings is from a spirit looking for salvation of some sort. While The Eye, does choose to spin this cliché slightly, it is afraid to go all the way.

Suffering from total blindness after a childhood accident, young beauty Sydney Wells (Alba) is given a chance at an eye transplant that will allow her to see for the first time in decades. Not surprisingly, she begins to see things that ought not to be. Aided by an appointed shrink, played by Alessandro Nivola, they confront the visions and try to track the donor eyes back to their sinister source. This journey is bounds more intelligent then the average horror story, and the standard for dumb decisions is cleverly hidden by the fact that Sydney is fully or partially blind for most of the film. This presents a cushion of forgives per se, as her lack of sight can lead her into frightening situations, without appearing ignorant.

And there are certainly some frightening "boo" moments; uniquely accentuated by a well used pallet of sound. There are also exactly three expertly executed scenes, worthy of recognition. The first is a scene in which a blurry eyed Sydney looks into the mirror for the first time with creepy consequences; the second features a member of the un-dead accompanying her in an elevator and the third takes the form of an intervention between a mother who has recently lost her son. If The Eye had presented more scenes of this Claiborne, it certainly could have been something special. Instead, the ending descends into the mediocrity, which at first seemed more then acceptable, but took off into a sixth sense meets final destination action spin off; which although still thrilling, did not fit the tone and atmosphere of the former acts. The "blurry vision" that is used early on with some skill, is overused by the end, the flashbacks replace the more effective quick cutbacks and it simply does not hold onto its success.

This is however Alba's best performance, and although not saying much, this shows there is hope for her future acting career. While more films like The Eye would be welcome, I think it better to forfeit the Asian remakes all together, then to wait for the monkey's second draft.

Read all my reviews at: http://www.simonsaysmovies.blogspot.com

So I haven't watched the original Eye movie by the Pang Brothers, but I guess with remakes these days, it doesn't really matter, since most of the time, the Hollywood remade version pales in comparison with the original, despite having a bigger budget, bigger stars and of course, better visual effects. And what almost always seem woeful, is the attempt to try and recreate the atmospherics for a spook fest that Asian horror had perfected, and I'm inclined to suggest that they should adapt the storyline (since there's a creative dearth of ideas), but leave the mimicking of mood at the door.

This is probably the first movie that Jessica Alba marquees, and comparisons would be abound for those who've watched the original to compare her to Angelica Lee's performance. But really, I don't think it matters, since all you need to do is to look scared. As blind violinist Sydney, Alba escapes the need to act blind given the cop out of using shades, coupled with the fact that her transplanted eyes allow for the camera to be out of focus for the most parts.

Things start to get interesting when she begins to see shadowy figures borrowed straight out of Pulse (yet another Asian horror remake), and these all get conveniently debunked by her doctor Paul (Alessandro Nivola who stars as the hopeless, formless Gavin Harris in the Goal movies), because if you're blind for so many years, your brain needs some major time out to absorb all the new sights you're constantly bombarded with. So goes as with standard horror fare, that those who can see spirits when others can't, are classified as nutcases. Alba's no scream queen as the proceedings don't allow her to exercise her lungs, and I swear there are just too many of those waking up from nightmare moments, and the clock ticking around 1:05am.

But credit is due though to the scenes which aim to frighten, and some did hit the mark even though they're the usual tools to surprise from the bag of Boo tricks. There are, to me, a major unexpected moment which I had to nod in acknowledgement of not seeing it coming (I had thought otherwise), but unfortunately, that was it. The latter half of the journey became a road trip movie which seeked answers, coupled with Hollywood's preoccupation of having to explain and show everything, leaving little to your imagination since everything was spelt out. While the story's not at fault, the way it's presented made this look like a standard mystery thriller, without the mystery, and without the thrills.

And the finale was a little lacklustre as it seemed to be styled in Final Destination fashion, making it look like it had no more rabbits to pull out of the hat. The Eye had plenty of neat visual effects, and although there are some beautiful stunts involving glass shards and the walking through of objects, special effects alone do not make a horror movie spine-chilling. Looks like there's some major sty in this eye.