The Eye

If you're looking for a pulse-pounding horror thriller, you won't find that here. If you're looking for a spooky ghost story, you might want to move on. If you're looking for blood & guts & body parts, don't even waste a minute of your time.

"The Eye" isn't so much a horror flick as it is a supernatural drama.

This film is a remake of the 2002 Chinese "The Eye" which I haven't seen, so I can't (and probably shouldn't) compare the two. I thought this was a nicely done film, more of an intimate character study than a scary "gotcha" flick. In that respect it's similar to "The Sixth Sense", and not just the story. Like "The Sixth Sense" which was a slow moving psychological drama that just happened to have dead people in it, "The Eye" takes a personal approach as well. And while that may bore the audience members who are expecting some screams, it ultimately results in a film with a little bit more to say than your average screamer.

Jessica Alba ("Sydney") does a great job of playing a woman who has been blind since age 5, a loner, someone who doesn't seem to have many connections with people and she likes it that way. The underlying theme is that her blindness makes her feel unique, exempt from the real world. When she regains her sight after 15 years by a corneal transplant, it's not necessarily the wonderful experience you'd expect. There's a scene when she comes back from the hospital to a surprise party, and the scene is filmed with unsettling, distorted closeups of strange faces. It perfectly expresses the confusion and claustrophobia of not just a blind person gaining her sight, but that of an introvert being forced into society. That enough could've been enough for a feature length film: how a woman deals with the "gift" of sight which she doesn't really want. But it doesn't end there. She starts seeing dead people, too.

While we never really feel like Sydney is in any deadly peril, there are a few very effective surprises which, I gotta admit, quickened my pulse a few notches. Also the "shadow men" were very creepy, and if you want to see a real shocker, check out the bonus features where we learn that the shadow men are not cgi graphics, but it's an actual dude... a sort of living skeleton who looks just as bizarre in real life than on screen.

The 2nd half of the film becomes a mystery as Sydney tries to figure out why she's getting these disturbing visions and what she's supposed to do about it. Again, no hair raising car chases or shootouts here, just a thick atmosphere of the unknown.

Like I said, I haven't seen the original Chinese film, but I can tell that the American filmmakers were trying to add a degree of backstory. In the bonus features they talk about the science of "cellular memory" (the idea that donated organs possess characteristics that are imparted to the new recipient). So I can assume that this is less of a visceral shocker (like the original?) as it is an intellectual approach. There's also the psychology bit I mentioned above. And it also touches on the idea that artists, musicians & creative thinkers are more sensitive to supernatural events (Sydney is a concert violinist). In short, "The Eye" sacrifices the raw approach of a typical action-horror flick, and instead replaces it with more of a slow-moving, scientific or "rational" approach to the supernatural.

Depending on your preference, that's a good or bad thing. I can go either way depending on my mood; once in a while I like to think, whereas other times I just want to see Freddy slice some people to ribbons. "The Eye" definitely falls on the thinking side of that scale. Other thinking horror flicks I recommend are "Exorcist III" (one of the BEST), "The Others" with Nicole Kidman, and of course "The Sixth Sense".

OK, so it isn't the best horror movie ever made, but it also isn't the worst.

The premise is reasonable (for a horror) and despite a few plot holes the film manages to build the suspense. Alba's acting is not exactly award winning, but she does enough to avoid you disbelieving the character.

The biggest gripe I have is that the ending is a bit of an anticlimax. After the build up (I think there should have been a bit more with the apartment residents) it just fizzled out.

Overall I wouldn't rush out to buy the DVD, but if there isn't anything else on, you could do worse.

The infinite monkey theorem states that a monkey hitting keys at random on a typewriter for an infinite amount of time will eventually produce the works of Shakespeare. Coincidently, this same theory applies to the onslaught of Asian horror remakes that is stomping Hollywood into submission. If enough of these films are remade, then eventually one will be acceptable, and alas it has happened.

The Eye, starring Jessica Alba is directed by two relative first timers by the names of David Moreau and Xavier Palud, and they can certainly create a film that boasts certain elements of stylish direction. Unfortunately, along with the good, it seems that all of this style of remake fear deviation from a backbone template. Not to give anything away to those who are not familiar with Asian horror remakes, but one element that is consistent is that the basis of all the evil happenings is from a spirit looking for salvation of some sort. While The Eye, does choose to spin this cliché slightly, it is afraid to go all the way.

Suffering from total blindness after a childhood accident, young beauty Sydney Wells (Alba) is given a chance at an eye transplant that will allow her to see for the first time in decades. Not surprisingly, she begins to see things that ought not to be. Aided by an appointed shrink, played by Alessandro Nivola, they confront the visions and try to track the donor eyes back to their sinister source. This journey is bounds more intelligent then the average horror story, and the standard for dumb decisions is cleverly hidden by the fact that Sydney is fully or partially blind for most of the film. This presents a cushion of forgives per se, as her lack of sight can lead her into frightening situations, without appearing ignorant.

And there are certainly some frightening "boo" moments; uniquely accentuated by a well used pallet of sound. There are also exactly three expertly executed scenes, worthy of recognition. The first is a scene in which a blurry eyed Sydney looks into the mirror for the first time with creepy consequences; the second features a member of the un-dead accompanying her in an elevator and the third takes the form of an intervention between a mother who has recently lost her son. If The Eye had presented more scenes of this Claiborne, it certainly could have been something special. Instead, the ending descends into the mediocrity, which at first seemed more then acceptable, but took off into a sixth sense meets final destination action spin off; which although still thrilling, did not fit the tone and atmosphere of the former acts. The "blurry vision" that is used early on with some skill, is overused by the end, the flashbacks replace the more effective quick cutbacks and it simply does not hold onto its success.

This is however Alba's best performance, and although not saying much, this shows there is hope for her future acting career. While more films like The Eye would be welcome, I think it better to forfeit the Asian remakes all together, then to wait for the monkey's second draft.

Read all my reviews at: http://www.simonsaysmovies.blogspot.com

The Eye (2008) I knew going into the theater that this would be a bit scary. OK, maybe traumatizing. I had a LASIK procedure done a couple of years ago, and although I wasn't blind beforehand, I did have pretty bad eyesight. I know a bit about the trepidation - perhaps even outright terror - one feels before undergoing an operation on one's eyeballs. I still get a little skeeved when I see a closeup of eyes, come to think of it.

Jessica Alba plays Sydney, a blind concert violinist who has a double corneal transplant, and of course things go wrong. Not with the surgery itself, but with the psychological aftermath - she sees dead people. And dead things. And undead. And so on; it looks like she's tapped into a spiritual world, or something. No one else can see what she's seeing, which is par for the course in movieland, but all of the demons and smoke and fire and other sfx seem extremely, utterly, real to Sydney.

Alba is excellent, showing that she has more than just two (or three) talents to show the world. Her Sydney is appealing in her vulnerability; Alba, a beautiful young woman, manages to make you feel as if her character could, indeed, live in your world: less glitzy starlet, more three-dimensional person. Of course, she's still a knockout, and she IS a supremely talented musician, and she DOES live in a super-posh apartment in a high rise, but still. Alba shows wonderful range, from tender to fragile, without giving up any sincerity. The movie hinges on her ability to sell the audience on her character's Everywoman (to a point) status, and I think she delivers.

Some of you may be thinking you've already seen this movie before, when it was called Blink. In Blink, Madeline Stowe played a young woman who lost her sight as a child (as did Sydney) and then grew up to be a talented violinist; after a new eye operation temporarily restores some sight, she sees things. Just like Sydney. Huh. Still, this isn't a redo of Blink, it's a remake of a Chinese film called Gin gwai. Asian films have made the rounds of Hollywood in recent years (The Ring, The Grudge, Dark Water), and although the remakes usually don't have the subversive bite of their original counterparts, some of them hold up rather well when inundated with high-tech CGI. The Eye does use special effects, but it uses them - pardon me - to great effect; you're not overwhelmed with attention-grabbing CGI.

The biggest debit in the movie is the love interest, Sydney's doctor, Paul (Alessandro Nivola), who seems dull and unimportant, although his believing in and trusting Sydney is a linchpin for moving the plot. He just seems vacant and stiff, hardly a commendation of Nivola's acting abilities. (Think of a younger Dylan McDermott.) On the other hand, a good counterbalance to Nivola is Parker Posey as Sydney's concerned sister, who, although she doesn't immediately buy into Sydney's rantings, does empathize and attempt to understand a bit better than the hunky doctor.

Overall, The Eye is a tense, shudder-filled movie that manages to dress up a recycled plot with dead-on performances and evocative cinematography.

With virtually every successful Asian horror movie of the last few years having already been remade by Hollywood, it was only a matter of time before Gin gwai (AKA The Eye) got the treatment, despite the original not really being all that great (I found it fairly entertaining, but unexceptional—my rating: 6/10).

Jessica Alba plays Sydney Wells, a blind violinist who receives a cornea transplant only to discover that her new set of peepers allow her to see much more than she had originally bargained for: Sydney can see dead people!! Aided by her doctor, she attempts to unravel the terrible secret behind her scary supernatural power.

Directed by David Moreau and Xavier Palud, The Eye is a totally unnecessary and dreary remake that copies parts of original verbatim, alters scenes that should have been left well alone (the creepy cafe meat-licking scene has gone, and the downbeat ending has been swapped for a typical Hollywood crowd pleaser), and totally botches what should be the scariest bit of the whole film (the lift scene is VERY disappointing).

Take my advice: If you've already seen Gin gwai, then stay away from The Eye.