A Christmas Carol

I want to start out by admitting I really don't like musicals. I usually find them silly, boring and they give me a headache. Thankfully none of these happened any of the times I watched NBC's enchanting musical starring Kelsey Grammar as Scrooge. What a delight! The songs were very good, the production values superb and the true spirit of Dickens' novel came through! I was particularly impressed with Grammar's Scrooge and Jesse L. Martin as the Ghost of Christmas Present. I really only watched this because I adore Jennifer Love Hewitt, I'd watch her in hour-long commercial for fruit! But I really thought this was just great. Every time I watch I like it better!

I thought this was a pretty good musical of Charles Dickens' classic. Greedy and selfish Scrooge gets visited by the ghosts of colleague Jacob Marley, Christmas Past, Present, and Future and is reformed into a more giving human being.

While a pretty nice and feel-good film, I wished Jennifer Love Hewitt would of gotten more screen time. Other than that, the story, acting, choreography and music were generally on spot. The special effects were well done. Jane Krakowski's portrayal as the Christmas Ghost of the Past was my favorite. They could have, though, used a better Bob Cratchit though, as I think he gave a weak performance.

Overall, a nice feel-good Christmas film that is perfect for the entire family.

Grade B

There have been so many productions of Dickens' classic that it is hard to be different and good. This one surprisingly was both. Most striking was the seemingly very authentic settings--sets, decorations, costumes, characters all seem to take us back to Dickens' London. The music was quite good overall, some songs not as strong but most were hummable and the lyric captured the story and mood. Choreography though anachronistic at times had some very good moments. The women soldiers in the theater seemed a take-off on the Rockettes. The leads performed well, especially a strong K. G. in acting and (yes) SINGING (surprise). Those who hated this will find flaws to pick at, but perhaps we expect too much from an overworked Seasonal classic. It was entertaining and worth the viewing!

I couldn't get enough of this! Catchy tunes and and fast pacing kept it going right to the end. Can't wait to add this to my collection as another great version of A Christmas Carol.

I've noticed some complaints about the adding of characters and slight plots changes. Well, I WELCOMED these. It makes the story fresh and interesting, I mean come on! We all love this story but have seen it/heard it/read it exactly the same many many times.

Be sure to catch Jason Alexander's song, as well as the one at Fezziwig's. They hightlight a strong musical score. I'm hoping for a soundtrack. Honorable mention to Jennifer Love Hewitt, I wasn't sure what to expect having only hearing her sing pop. But she holds her own here and shows versatility with her voice.

A Christmas Carol is a great, simple, musical. Large chorus numbers filled with choreography and soft ballads. It is a welcomed break from the attention deficit Moulin Rouge and scene-stealer infested Chicago.

I have read, and I am surprised by the content and tone of a lot of commentary on the Christmas Carol Musical.

I'd like to express my opinion within the tone taught by the work of Charles Dickens. To do otherwise is just a lot of noise (bible says clanging cymbals).

I enjoyed the TV program very much. I had seen the Madison Square garden production 5 times, excepting 2001 after 9/11. I think Dickens' decision to call his sentimental romance a 'carol' makes it quite fittingly a musical. I do love the 1951 Sim version, and I watch all the others each year; I think they all have a lot to offer in painting the texture of yearly reclamation and redemption for all of us.

Complainers are correct to ask why redo this story over and over in the same way. The Musical adapts the theme and tone of Dickens' novel for today's sentiment; I hope a new crop of actors will do the same in another 20 years for best serving that generation.

As I am reading Dickens novel currently, I am aware that each of the presentations (1930's, 1950's, the various musicals) take liberties with the text of the novel. The adaptations don't bother me as I appreciate the meaning of the words "based on". In the case of the current musical i think the composers and actors have built a touching presentation which, by Dickens' standard, should depict the emptiness of greed and the fullness of caring, even in poverty. The scene near the end in the cemetery is particularly moving, when all of the children enter holding candles and are then joined by Scrooge's mother and sister. The energy of those anticipating Christmas, the energy of the dancing at Fezziwig's, and the simplicity of eager yet simpler anticipation by Crachit's family seems to me a bit more real in our time that earlier filmed versions. (I still enjoy the other versions, however).

I was sad to hear the Madison Square Garden production was to end after Christmas season, 2003, but I am happy to know I can still see this warm, enjoyable production each year to drown out the typical holiday noise and refocus on family, togetherness, and good will.

Perhaps those who only respond with harsh criticism need to reread Dicken's novel and see where his lesson has fallen on deaf ears.

just my 2 shillings :) Ric