Shiza

The title refers to young Mustafa (Oldzhas Nusupbayev), who is believed to be schizophrenic by everyone. In reality, he is just different. Still, no one believes that he could ever go on to do greater things. But Mustafa has some surprises in store for them.

"Shiza" (called "Schizo" in English) is a truly heartwarming flick from Kazakhstan. In a way, I could sort of relate to Mustafa: assumed to be weird by everyone. This may be the only Kazakh movie that I've ever seen, but it certainly is great. Aside from the plot, the scenery is beyond impressive. This is truly one movie that makes you want more. I certainly hope that the people behind this movie produce more movies.

Schizophrenic Mustafa (Schizo) is not. His classmates have given him that nickname because they think he is crazy. And a doctor is treating him with pills. There's nothing crazy about him. He's not even as slow as he is made out to be. He is non-verbal, yes. But those eyes see it all. He lives in a country where men have no jobs, the land has no produce, a desolate place. He lives with an uncle who involves him in recruiting men to fight bare-knuckled, even to the death, in an illegal boxing racket. He is taken in by a young widow who starts as his substitute mother. But they learn to love each other and come to an intimacy that is presented to us beautifully. We don't even think of incest. Fine acting. We get to know them so well. Great direction and camera work. Put it on your list of ones to see.

Perhaps one of the most overlooked and underrated Films at the 2004 Cannes Film Festival, Schizo is an excellent film from start to finish. Set in the rarely filmed former Soviet Satellite country of Kazakhstan, the film focuses on a 15-year-old street hustler named Schizo who works for his mother's rather unscrupulous boyfriend as a recruiter of young boxers for illegal match fights for gamblers. When one of Schizo's boxing recruits dies in the ring, the ailing man asks Schizo to deliver his share of the prize money to his 28-year-old girlfriend and young son. Schizo agrees to carry out the man's last request but after finding the woman and child living in a tiny shack in the middle of nowhere, he decides to adopt the family as his own and quickly falls in love with the woman.

Director Guka Omarova's decision to cast Olzhas Nusuppaev, a real-life orphan in the lead roll of Schizo truly adds a sense of realism to this great film. I strongly recommend seeing this film; it is a phenomenal piece of work.

Most of the landscape is bleak and desolate which means the acting and story must carry the film, they do. This movie is far removed from the typical big budget cotton candy dumbed-down Hollywood syrup.

I would categorize it as basically a humanistic survival story set in the rural outback. The emotions are as sparse as the back drop and yet still quite beguiling.

Some of the fights seemed a little unrealistic, however, it does not detract too much from the movie's overall believable tone. Also it was not a predicable film. At times you feel that Schizo may be mentally impaired, by his lack of communication, yet his demeanor is fitting to his environment and circumstances.

"Schizo (Shiza)" is a wonderful demonstration of how new world cinema can take old stories that we've seen in the movies before and make them fresh in a new context.

We've all seen the movie about the poor, naive kid in way over his head with the local gangsters, who provide the only jobs in the neighborhood, then he starts feeling sorry for his boss's victims and tries to do the right thing for the survivors.

Debut director and co-writer Gulshat Omarova takes a unique approach through several elements.

First is the striking views of Kazakhstan in what has to be some of the bleakest locales of economic hopelessness and anarchy since the "Mad Max" movies, and this isn't post-apocalyptic science fiction.

Second is the striking casting of first-time or amateur actors with simply marvelous faces and on screen presence, particularly the young man playing the titularly nicknamed character. I'm sure U.S. audiences are missing some of the inter-ethnic tensions that can only be guessed as the actors have a variety of racial features, from Russian to Central and East Asian to Middle Eastern, let alone their accents or use of language.

Also unique is how the story has the tenderness of Truffaut's "The Four Hundred Blows" in seeing how an out of kilter kid gets treated harshly in this environment, from lousy schools to incompetent doctors, and has to grow up too fast.

While the film is excellent at demonstrating how raw masculinity and cruelty thrives in this brutal atmosphere, it is beautiful at showing the attraction of domesticity as women have appeal beyond (though of course including) sex. It manages to make unlikely relationships touching and credible as humans strive to create family out of whatever fractured groupings are available to them. It reinvents the love story.