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Southland Tales

  • 2006
  • R
  • 2 घं 25 मि
IMDb रेटिंग
5.3/10
42 हज़ार
आपकी रेटिंग
Bai Ling, Sarah Michelle Gellar, Jon Lovitz, Wallace Shawn, Seann William Scott, Justin Timberlake, Dwayne Johnson, Mandy Moore, and Cheri Oteri in Southland Tales (2006)
Theatrical Trailer from Samuel Goldwyn
trailer प्ले करें2:29
1 वीडियो
99+ फ़ोटो
Sci-Fiकॉमेडीडार्क कॉमेडीड्रामाथ्रिलररहस्यव्यंग्य

अपनी भाषा में प्लॉट जोड़ेंDuring a three-day heat wave just before a huge 4th of July celebration, an action star stricken with amnesia meets up with a porn star who is developing her own reality TV project, and a po... सभी पढ़ेंDuring a three-day heat wave just before a huge 4th of July celebration, an action star stricken with amnesia meets up with a porn star who is developing her own reality TV project, and a policeman who holds the key to a vast conspiracy.During a three-day heat wave just before a huge 4th of July celebration, an action star stricken with amnesia meets up with a porn star who is developing her own reality TV project, and a policeman who holds the key to a vast conspiracy.

  • निर्देशक
    • Richard Kelly
  • लेखक
    • Richard Kelly
  • स्टार
    • Dwayne Johnson
    • Sarah Michelle Gellar
    • Seann William Scott
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.3/10
    42 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Richard Kelly
    • लेखक
      • Richard Kelly
    • स्टार
      • Dwayne Johnson
      • Sarah Michelle Gellar
      • Seann William Scott
    • 281यूज़र समीक्षाएं
    • 138आलोचक समीक्षाएं
    • 44मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 3 नामांकन

    वीडियो1

    Southland Tales
    Trailer 2:29
    Southland Tales

    फ़ोटो126

    पोस्टर देखें
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    + 119
    पोस्टर देखें

    टॉप कलाकार70

    बदलाव करें
    Dwayne Johnson
    Dwayne Johnson
    • Boxer Santaros…
    Sarah Michelle Gellar
    Sarah Michelle Gellar
    • Krysta Kapowski…
    Seann William Scott
    Seann William Scott
    • Roland Taverner…
    Carlos Amezcua
    Carlos Amezcua
    • Self
    Curtis Armstrong
    Curtis Armstrong
    • Dr. Soberin Exx
    Robert Benz
    • Tab Taverner
    Todd Berger
    Todd Berger
    • Bing Zinneman
    Joe Campana
    Joe Campana
    • Brandt Huntington
    Chris Andrew Ciulla
    Chris Andrew Ciulla
    • UPU 4 Officer 3
    • (as Chris Ciulla)
    Rebekah Del Rio
    Rebekah Del Rio
    • Vanessa Vera Cruz
    Aaron Dillar
    • Jimmy Hermosa
    Nora Dunn
    Nora Dunn
    • Cyndi Pinziki
    Shari Dunn
    Shari Dunn
    • USI Dent Reporter
    Michele Durrett
    Michele Durrett
    • Starla Von Luft
    Jon Falcone
    • Soldier Falcon
    Leila Feinstein
    Leila Feinstein
    • Self
    Jaret Gardiner
    Jaret Gardiner
    • Shane Laverne
    Janeane Garofalo
    Janeane Garofalo
    • General Teena MacArthur
    • निर्देशक
      • Richard Kelly
    • लेखक
      • Richard Kelly
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं281

    5.341.7K
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    फ़ीचर्ड समीक्षाएं

    6HiddenVoice

    Tales that hardly fit in your mind!

    This film has one of the most offbeat ideas I've ever come across.They are so unique in a way that they make Donnie Darko look cheap.But it has the same problems like any other film with outstanding ideas.It lacks a definite focus.

    I got a chance to get a look at the film at the Cannes festival where it was premiering to a bunch of critics who pretty much didn't like it.And there's no surprise to that.Although,you have to admire Kelly's attempt on something way out of anyones imagination.The film is given a very different approach and it will go down in history as the most offbeat/outstanding failures.He has it all,a mind blowing story,that we hardly get, watching the film the first time, great characters,excellent writing,sets,music,cinematography and perhaps a decent directing.

    Kelly surpasses any one's expectation when you go into details about this film.But he leaves a chilling disappointment when you actually watch the entire film ,which is longer than it needs to be.He misses his audience from the very beginning.It seems like he is lost in a cloud of ideas and never gave a hard thought on how to put them on screen,and most importantly ,how will people interpret those issues he is trying to depict.

    The story,I don't know how to put it,is kind of out of my reach.It requires repeated viewing to fully understand the plot,but if you do get it, it could turn out to be a cult classic.The sad thing is that I didn't quite get it.Okay,here goes....The film is set in the year 2008,about the downfall of the American society,the economy,and major environmental disaster which is taking place.The whole world is at the brink of destruction,war ,poverty and all those issues are getting more and more serious,and in between these events, a number of Characters are having problems of their own.A Boxer is an action star who seems to be amnesiac and somehow he meets this porn star Krysta ,who is starting her own reality show.David Clark ,who is a police officer with a secret to a conspiracy within the government.And all their stories intervene and chaos begins and confusion reigns.

    Trust me ,I didn't get what was going on the first 30 minutes,then it kind of made sense and I knew what Kelly's intentions were.He was trying his ass out to bring us something new but loses everything and never achieves what he could achieve.

    I would say this film had massive expectations from audiences ,me personally.Donnie Darko was a film unlike anything I've seen before and it was unique in a number of ways.Here he tried but fails miserably,and in total embarrassment.Kelly somehow may have been affected by the failure of Domino ,which he wrote.But I have to say, you guys should check this film out.For his first film's sake.I mean there is a lot to watch here,the sets are highly creative and a splendid Cinematography in aid.There are some wonderful comic moments and a number of interesting dramatic and exciting moments,even when ideas were floating all over the film.The films main problem is that it doesn't decide what to do.How to present it's story,it's full of confusion and hardly will there be a positive reaction to Kelly's execution.I really found the film somewhat frustrating at time and also somewhat astonishing.It had its moments but it never tries to be the next big thing.For one thing,the characters were underdeveloped,and I had no idea what Kelly was trying to prove.There are hardly any explanations,but I believe if you watch it several times,there is a great chance that you might actually get it.And then you can call it classic.

    Performances are okay.The Rock underplays his part,Gellar is fine as a porn star turned reality TV host.And as usual Sean Willaim Scott ain't funny.And the rest of the cast is quite comme si comme sa!

    Overall,a film that should join "I heart Huckabees",or "Life Aquatic" as being different and unique on the surface but from the inside it's all shallow and bland.And yes utterly confusing.An interesting disappointment ,I guess.

    OR,

    Maybe because it was only half complete and everything was jumbled,and mismashed.That's why I didn't get it.Or maybe something else.
    3addicott

    I'm not drinking the Kool-Aid.

    I give the film a 3 out of 10 because it does have some sharp moments where some sort of vision glimmers through. I particularly enjoyed watching Jon Lovitz shattering type. And it's good to see Nora Dunn and Will Sasso on the big screen.

    But for the most part, this feels like the world's most expensive B-movie. It has a lot of scenes, most of which are professionally lit and well-composed through the camera, and they feature actors reading lines. And that's all there is - the parts don't add up to a whole.

    I like weirdness and I like apocalyptic themes. I like social/political reflection and cinematic chaos. I don't require a movie to present a nice, tidy narrative arc. I do, however want to be drawn in, I want to believe at some level in what's happening on screen. And this movie didn't do that for me. None of these scenes are ever going to happen. They don't depict, or reflect on, a world in which we live. They're supposed to, but like a badly-drawn portrait, the resemblance isn't quite there. All I see is a bad rendering.

    I honestly can't understand where all the positive hype for this movie is coming from. I suspect a case of the emperor's new clothes. If you genuinely enjoyed this film, I say the more power to you. Having made it to the end, I think it's a dud.
    8mgoldsmith

    Not as bad as you've heard... never would have done well

    This movie, maybe more than any other I've seen, is a commitment. If you think that 144 minutes is a lot to commit to a movie, the running time is only the tip of the iceberg.

    In the DVD cut of the movie, a lot of things are obscured: what the big picture is, why characters are motivated to do certain things, why multiple identities are a recurring theme, why certain characters/actions are necessary.

    What is in the DVD cut is an extensively detailed alternate world. Unfortunately, to make the actions in that alternate world make sense, you basically have to either watch the movie multiple times, or at least know what you're dealing with.

    There are at least 4 layers to everything that's going on: 1) political/social commentary on contemporary American society and the apocalyptic undercurrent therein; 2) sarcastic/caustic pop culture references (Philip K. Dick is a big one, but also subtle things... for instance, the Rock was Sean William Scott's protector in "The Rundown" and plays a similar role here); 3) a self-consciousness or self-referentialism: actors cast against type, some similar themes to Donnie Darko, actions that play out in the film are largely based off of the AWFUL screenplay written by one of the characters (as seen in the graphic novel prequels); 4) the actual plot of the movie, which has deep ties to the Book of Revelation, and makes much more sense if the graphic novels are read first.

    These layers are pretty consummately intertwined. This is part of what makes this movie to be compelling enough to make me want to put in the necessary effort. Its imagery was provocative, and because Richard Kelly has created such a densely layered world for himself, putting in the time actually is incredibly rewarding.

    It should also be said that this film, like Blade Runner or There Will Be Blood, does not let its plot set specifications on its scope, or what it's about. If you hone in on what the director thinks its scope/purpose is, it's much easier to appreciate.

    I'm not sure exactly how to rate this movie, since as a stand alone movie it is a failure, but if you take the time to get inside Kelly's mind, it's worthwhile. So. My advice? View it as an investment or don't view it at all. Don't throw it on for an evening's entertainment. If you do, you might be entertained, but you'll probably be confused and angry.
    4jdanielshaffer

    Tales from Cannes

    Now, this film has some definite problems, but it receives a 10 in my book for the director's insistence on trying something different. This film certainly doesn't offer a story that fits the A,B,C, plot mold of standard Hollywood pictures and it lacks slightly in characterization, but makes up for it with idea's, experimental style, and a "european" view of the current climate of the United States of America (now matter what your politics).

    As an American viewer currently in France, I'm astounded that there are not more critics praising this feature. I understand the casting choices are odd, but after hearing Richard Kelly speak of the film as a "puzzle" it seems to make more and more sense as I replay the anarchic gonzo like images in my head.

    This film is not about the characters, but the situation in which the characters inhabit. It's an experience. I mean do any of us actually "care" about David Bowman in 2001? Yes, the oddities in the film grow astoundingly quirky (bowel movement thermonuclear baby) but see this film simply to experience something new and to insure more films that don't fit the mold are made. I mean that's why we see Jarmusch pictures, right?
    3LinkinParkEnjoyer

    I can't even explain what's the plot of this movie

    What the hell did I just watch??? I'm so confused. So many random ideas pilled into one big movie about America with some fourth dimension stuff. I'm big fan of Donnie Darko but this is just too much. The acting is horrible, the dialogue is even worse (there are so many sex jokes that aren't funny at all). Justin Timberlake's character is just sitting in the middle of the sea with the gun lol, also The Killer's song sequence was the most random thing in this chaotic movie. Hot mess.

    इस तरह के और

    The Box
    5.6
    The Box
    Person, Place or Thing
    5.3
    Person, Place or Thing
    Rampage: Gag Reel
    6.6
    Rampage: Gag Reel
    The Chase
    6.5
    The Chase
    Baggage
    6.3
    Baggage
    The Weakest Link
    6.2
    The Weakest Link
    The Rundown
    6.7
    The Rundown
    Walk Softly, Stranger
    6.5
    Walk Softly, Stranger
    Have You Been Paying Attention?
    8.2
    Have You Been Paying Attention?
    Rob & Romesh Vs
    7.8
    Rob & Romesh Vs
    Lip Sync Battle
    7.2
    Lip Sync Battle
    The Return
    4.7
    The Return

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Richard Kelly consciously sought out actors that he felt had been pigeonholed and wanted to showcase their "undiscovered talents."
    • गूफ़
      When the home video at the start of the film catches a glimpse of the initial bomb blast, we see the flash and hear the boom at the same instant. Anything close enough to a nuclear blast to hear the boom at the same instant as seeing the flash would be instantly disintegrated.
    • भाव

      Krysta Now: Scientists are saying the future is going to be far more futuristic than they originally predicted.

    • क्रेज़ी क्रेडिट
      After the credits, a logo appears of a thumbprint over an American flag with the words: "DON'T TOUCH ME"
    • इसके अलावा अन्य वर्जन
      Originally running for 160 minutes, Southland Tales premiered at the Cannes Film Festival in 2006 to a disastrous reception. Because of this, it was re-edited and shortened in length as part of the distribution deal. Since the shortened version was shown theatrically and released on DVD, the Cannes cut has been shown on Cable TV and DVD releases in Europe. Some of the changes between the theatrical cut and the Cannes cut are as follows:
      • Opens the same as theatrical cut, with home video in Abilene, except with music ('Water Pistol' by Moby) and runs longer. Video is also shown in its original aspect ratio, instead of cropped for 2.35:1.
      • Doomsday Scenario Interface is not present in the original cut, it was added to provide background information present in the graphic novels. Instead we have narration from Pilot Abilene explaining the present situation and Treer Corporation.
      • The meeting between the Baron and Hideo Takehashi takes place much earlier in the film, Pilot explains the Baron dislikes Takehashi.
      • The character of General Teena MacArthur is more fleshed out in original cut, she mainly communicates with General Simon Theory and the Baron.
      • Many scenes with dialog between main characters have been extended i.e. scenes with Boxer & Roland, Krysta & Cyndi, Boxer & Starla, Cyndi & Vaughn Smallhouse etc.
      • Pilot explains that Bart Bookman is an 'angry man' with a willingness to die.
      • Some events that take place are better explained in original cut e.g. Boxer ringing Fortunio before meeting him, Serpentine explaining her actions at the end.
      • Features additional effects of the blimp not in theatrical version.
      • Features music by Moby not present in theatrical version i.e. 'Ceanograph' is heard in scene giving information on the rift, 'Hotel Intro' is heard as characters visit different sections on the blimp.
    • कनेक्शन
      Featured in Siskel & Ebert & the Movies: Beowulf/Margot at the Wedding/Mr. Magorium's Wonder Emporium/Enchanted/Southland Tales/Love in the Time of Cholera (2007)
    • साउंडट्रैक
      If I Could Be With You (One Hour Tonight)
      Written by Henry Creamer and James P. Johnson (as Jimmy Johnson)

      Performed by Louis Armstrong

      Courtesy of Columbia Records

      By Arrangement with Sony BMG Music Entertainment

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Southland Tales?
      Alexa द्वारा संचालित
    • Where does the information in this FAQ come from?
    • Why does the film start with chapter IV?
    • What is Fluid Karma?

    विवरण

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    • रिलीज़ की तारीख़
      • 7 दिसंबर 2007 (यूनाइटेड किंगडम)
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    बॉक्स ऑफ़िस

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    • बजट
      • $1,70,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $2,75,380
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $1,17,000
      • 18 नव॰ 2007
    • दुनिया भर में सकल
      • $3,74,755
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे 25 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • DTS
      • SDDS
      • Dolby Digital
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Bai Ling, Sarah Michelle Gellar, Jon Lovitz, Wallace Shawn, Seann William Scott, Justin Timberlake, Dwayne Johnson, Mandy Moore, and Cheri Oteri in Southland Tales (2006)
    टॉप गैप
    By what name was Southland Tales (2006) officially released in India in English?
    जवाब
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