Eggshells

My summary line will be something of an inside joke that only people who have watched the movie at the Frightfest in London earlier this year (2010) will understand. Those who went ahead and watched it of course. And stayed until the end. Because this is very experimental. Very different too.

And yes if you like it, you will state that this is good because it isn't like any Hollywood movie (well it's not supposed to be). And yes it has it's scenes (though the staircase montage gets a bit annoying after a bit). And also yes to the fact, that this is not really a horror movie. It is more a sci-fi movie than a horror movie. Just in case you expected that, from the man who brought you Texas Chainsaw Massacre (the original that is).

If you are into experimental movies with (almost) no story at all, than this might be for you. Ignore my rating (and all the others who said it's not good). I'm not gonna tell you, how to feel about the weird things you (probably) are about to see.

When THE Texas CHAINSAW MASSACRE came out I was eagerly looking forward to it because the director had made EGGSHELLS. My wife and I saw EGGSHELLS when we were living in Houston. I'd get off work at 10 at night, we'd go eat Mexican food, and then go to a midnight movie at the Alabama, Tower, or River Oaks theatres inside the loop. They were sponsored by KLOL 101.1 FM and the admission price was $1.01. As you can tell, this was before we had children. In fact, my wife was probably pregnant with our first (born July of 1974) when we saw this. We'd sit in the front row of the balcony because she was most comfortable with her feet propped up on the rail.

I only saw EGGSHELLS that one time, but it's stuck with me all these years. The plot is a little fuzzy to me, but I remember the title because one of the films themes was that our fellow humans are so fragile that we would handle them as if they were made of eggshells.

Although there were supernatural elements to it, this was nowhere near a horror movie. It was closer in mood to THE GRADUATE or YOU'RE A BIG BOY NOW in that it was a coming of age story about young adults.

It was about undergraduates at the University of Texas in Austin. One character comes from a small town and this is her introduction to life in the big city. Several students share a large old house near the University (in a neighborhood I've always enjoyed driving through) and they discover that the house is haunted.

Beyond that plot details get fuzzy, although I do remember that there was a 'hippie wedding' that took place on the lawn of the capitol building.

It gets a ten because although it didn't have anybody famous in it (for years it wasn't even listed on the IMDb and I wondered if I'd imagined it, and I don't know if even Hooper has a print of it any more) and wasn't a techno marvel I could tell that it was made with a lot of love. Hooper was thrilled to have a camera at his disposal and use it to tell his story.

If this ever comes out on DVD I'll be first in line.

this film was a classic hippie film ..........i saw it in Florida at the midnight surf movie theaters. totally unique---- and i have been wondering about it for more than thirty years.

hard to believe this director went on the the chainsaw thing............almost impossible to imagine since the love message of the late 60's was so central to eggshells.

hopefully someone will know how to get a copy.

it's is very satisfying to know that someone else out there remembers this great piece of film and that i just didn't imagine the whole thing.

peace and twang, cg

Eggshells (1969)

** (out of 4)

Normally I start my reviews off with a brief description of the plot but that's not really needed here because there isn't one. Basically you've got a couples sitting around and talking about various deep topics including war and haunted houses.

EGGSHELLS was Tobe Hooper's first feature film and it's easy to see why it has been forgotten. Usually whenever director's make a name for themselves their early works come back into play but that never happened with EGGSHELLS and it pretty much remained a mystery until here recently when it got a re-release. The film isn't awful. The film certainly isn't great. It's just pretty much in the middle without anything overly interesting in it outside of the film's the director would make after it.

This is one of those films where there's no plot but instead hippies are sitting around talking about "deep" stuff that no one but stoned hippies would find deep. Most of the conversations had here are pretty boring and none of them are interesting enough to really grab your attention and hold it throughout the running time. Just take a look at the discussion of haunted houses and you'll see how silly it actually is and how pointless it is.

The film really drags at spots and especially the final ten-minutes of the movie. I'm going to guess Hooper was trying to deliver some sort of weird acid trip but that doesn't happen and instead of being entertained the viewer will be looking at his watch. EGGSHELLS is technically well-made and it features some nice performances but that's not enough to keep you glued into the film.

I recently saw this at London's Frightfest, and it may well be the dullest film I have ever had the misfortune to view there. From one rambling, pointless conversation to the next, nothing of interest happens, apart from a guy having a sword-fight with himself. There may be some who would say that if you didn't like it, you probably didn't understand it, like it's the "emperors new movie", or something. These hypothetical people can get lost. I can't imagine that fully comprehending the film would make it any less dull. I didn't want to understand the presence in the basement, I just wanted it to do something. The film is really only of interest to Tobe Hooper fans, and people who like artsy sixties movies. By the way, I did ask Tobe Hooper what the meaning behind the title was, and he said it just meant "a very delicate situation".