IMDb रेटिंग
7.8/10
4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंTwo air couriers find themselves caught in a conflict against The Guild, an organization with absolute authority over the skies.Two air couriers find themselves caught in a conflict against The Guild, an organization with absolute authority over the skies.Two air couriers find themselves caught in a conflict against The Guild, an organization with absolute authority over the skies.
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
"Last Exile" was a series I yearned for for a long time, a story focused on characters and subtly engaged within a profound and fantastical world. However out of a need to finish the plot, the character development necessary to bring the story full circle falls short.
I loved this series for really taking the time to show who the characters are and really let them take hold of the story. The tone and pacing of most of the episodes reminded me of the HBO series "The Wire" which also let the story fall together one pebble at a time. The series is brilliant for capturing small moments between characters that hint at their growing bonds and frustrations like a scene in a crowded elevator at a casino, a soldier chanting before a battle and when one character puts on the clothes of another in the desert. The two leads Claus and Lavie's relationship portrays itself as a chameleon jumping from comrades to partners, childhood friends, surrogate siblings and repressed lovers. The central bond though lies with Claus and the shy, mysterious girl Alvis who hold and drive the characters and the story together throughout the series.
"Last Exile" seems quite conventional in terms of plot, but it is only when it supersedes the characters that the series falls flat. For most of the show's running time that does not happen though. It bears a unique sense of drama that I find hard to see in other forms. Nowhere but in anime or Greek tragedy could you a see a person fall in love and heart break in the same moment.
I loved this series for really taking the time to show who the characters are and really let them take hold of the story. The tone and pacing of most of the episodes reminded me of the HBO series "The Wire" which also let the story fall together one pebble at a time. The series is brilliant for capturing small moments between characters that hint at their growing bonds and frustrations like a scene in a crowded elevator at a casino, a soldier chanting before a battle and when one character puts on the clothes of another in the desert. The two leads Claus and Lavie's relationship portrays itself as a chameleon jumping from comrades to partners, childhood friends, surrogate siblings and repressed lovers. The central bond though lies with Claus and the shy, mysterious girl Alvis who hold and drive the characters and the story together throughout the series.
"Last Exile" seems quite conventional in terms of plot, but it is only when it supersedes the characters that the series falls flat. For most of the show's running time that does not happen though. It bears a unique sense of drama that I find hard to see in other forms. Nowhere but in anime or Greek tragedy could you a see a person fall in love and heart break in the same moment.
The first thing that strikes you when watching this anime series is that the world of "Last Exile" is much like ours yet very, very different. That, in essence, is the magic and appeal of the story.
Imagine this world structured like a chess game: two diametrically opposite races each with its own territory separated by a gulf, both engaged in mortal combat overseen by a race of neutral arbitrators dictating the rules of the game.
Next throw in two teenage orphans, Claus and Lavie, who own a bi-plane sort of rickety flying contraption called a Vanship, and who run a courier service delivering mail. Here's the catch, the Vanship has no wings but uses a chemical called "Cloudia" for levitation and propulsion. In fact, even the flying battleships manned by both of the two races: the Anatoray (who resemble Victorian age West Europeans) and the Disith (dressed much like post revolution Russians), are propelled by the same mechanism. But while powerful, these lumbering behemoths are no match for the seemingly invincible Guild ships that are light years ahead in technology and whose overt purpose is to ensure that both parties play by the rules or else.
The plot swings into full gear in the second episode when Claus and Lavie, during a Vanship race, pick up a little girl called Alvis from a Vanship crippled by a Guild "star" ship. They are entrusted by the dying Vanship pilot to deliver her safely to her destination and so begins their great adventure and rite of passage. In the process, they are swept up by the politics of this world and the players of this dangerous game of covert interests and hidden agendas.
Almost immediately, the viewer is posed with the following few questions: why are these two races fighting? What is this gulf called the "Grand Stream" that separates the lands of the Anatoray and Disith? Why is the Guild acting as judge and executioner? Why is Alvis so important that the Guild would have her captured dead or alive? These are (almost too) slowly revealed, one cliffhanger episode at a time.
Produced by Japan's Gonzo animation studios (www.gonzo.co.jp), famous for such breakthrough anime series as "Hellsing" and "Blue Submarine No. 6", "Last Exile" brings together the best in anime storytelling, traditional as well as computer generated 3-D animation, unpredictable plot twists, likable characters, imaginative soundtrack (by Dolce Triade), comedy and tragedy, hope and despair all in a symphony of flawless execution.
The attention to detail in this series is characteristically Japanese simply amazing. One such example is that writers (Kouichi Chigira, Atsuhiro Tomioka, Shuichi Kamiyama and Tomohiro Yamashita) have intricately woven in the chess theme into the story: by naming each episode after a different chess move, scenes of intense discussion over chess matches, and a plot twist featuring the promotion of a pawn to a queen.
Like a piece of complex origami that starts out looking like a flower "Last Exile" with each plot unfolding reveals its hidden gems and slowly but surely wraps up into a form so unlike its beginning that the viewer is left to marvel at the inventiveness and dedication of its creators while simply enjoying the ride.
Imagine this world structured like a chess game: two diametrically opposite races each with its own territory separated by a gulf, both engaged in mortal combat overseen by a race of neutral arbitrators dictating the rules of the game.
Next throw in two teenage orphans, Claus and Lavie, who own a bi-plane sort of rickety flying contraption called a Vanship, and who run a courier service delivering mail. Here's the catch, the Vanship has no wings but uses a chemical called "Cloudia" for levitation and propulsion. In fact, even the flying battleships manned by both of the two races: the Anatoray (who resemble Victorian age West Europeans) and the Disith (dressed much like post revolution Russians), are propelled by the same mechanism. But while powerful, these lumbering behemoths are no match for the seemingly invincible Guild ships that are light years ahead in technology and whose overt purpose is to ensure that both parties play by the rules or else.
The plot swings into full gear in the second episode when Claus and Lavie, during a Vanship race, pick up a little girl called Alvis from a Vanship crippled by a Guild "star" ship. They are entrusted by the dying Vanship pilot to deliver her safely to her destination and so begins their great adventure and rite of passage. In the process, they are swept up by the politics of this world and the players of this dangerous game of covert interests and hidden agendas.
Almost immediately, the viewer is posed with the following few questions: why are these two races fighting? What is this gulf called the "Grand Stream" that separates the lands of the Anatoray and Disith? Why is the Guild acting as judge and executioner? Why is Alvis so important that the Guild would have her captured dead or alive? These are (almost too) slowly revealed, one cliffhanger episode at a time.
Produced by Japan's Gonzo animation studios (www.gonzo.co.jp), famous for such breakthrough anime series as "Hellsing" and "Blue Submarine No. 6", "Last Exile" brings together the best in anime storytelling, traditional as well as computer generated 3-D animation, unpredictable plot twists, likable characters, imaginative soundtrack (by Dolce Triade), comedy and tragedy, hope and despair all in a symphony of flawless execution.
The attention to detail in this series is characteristically Japanese simply amazing. One such example is that writers (Kouichi Chigira, Atsuhiro Tomioka, Shuichi Kamiyama and Tomohiro Yamashita) have intricately woven in the chess theme into the story: by naming each episode after a different chess move, scenes of intense discussion over chess matches, and a plot twist featuring the promotion of a pawn to a queen.
Like a piece of complex origami that starts out looking like a flower "Last Exile" with each plot unfolding reveals its hidden gems and slowly but surely wraps up into a form so unlike its beginning that the viewer is left to marvel at the inventiveness and dedication of its creators while simply enjoying the ride.
My girlfriend and I caught this series on 'Tech TV' during a Sunday marathon. We were drawn to the compelling story line, Intelligent characters and fantastic visuals. We were so drawn that we went out and found it on DVD at a good video store so we could watch it again.
It does bear a passing resemblance to "Castle in the Clouds", but with a more 'grown-up' sensibility. It's a shame episodes 14 through 26 will not be available to be shown on TV until next year, it's going to be a long wait.
Tech TV has previews of the various episodes if you want to take a closer look.
Update: Saw the last 13 episodes, and the pace of the series grows more relentless until the tension is almost unbearable for the last four episodes. Excellent story arc, and some very affecting tragedy at the end. Strongly recommended to any interested in a good story, strong characters, and inheritable visuals should check this series out.
It does bear a passing resemblance to "Castle in the Clouds", but with a more 'grown-up' sensibility. It's a shame episodes 14 through 26 will not be available to be shown on TV until next year, it's going to be a long wait.
Tech TV has previews of the various episodes if you want to take a closer look.
Update: Saw the last 13 episodes, and the pace of the series grows more relentless until the tension is almost unbearable for the last four episodes. Excellent story arc, and some very affecting tragedy at the end. Strongly recommended to any interested in a good story, strong characters, and inheritable visuals should check this series out.
Tech TV performed an incredible service by running a marathon of this incredible series. I'm taping and watching the first tape as I type.
Words cannot express what an incredible find this show is! I haven't felt this entranced by Anime since the first time I saw Miyazaki's work.
I've never seen anything like the airship designs herein. Rather than airplanes and dirigibles, everything seems to be magnetic repulsion and steam engines. The aerial warships are a wonderful blend of aircraft carrier and battleship.
But all the great design wouldn't mean a thing if there was not an engaging tale. Even briefly seen characters demand our attention, like the musketeer and ship's captain in the first episode.
Well, back to watching more of the show. I've definitely got to get this on DVD!
Words cannot express what an incredible find this show is! I haven't felt this entranced by Anime since the first time I saw Miyazaki's work.
I've never seen anything like the airship designs herein. Rather than airplanes and dirigibles, everything seems to be magnetic repulsion and steam engines. The aerial warships are a wonderful blend of aircraft carrier and battleship.
But all the great design wouldn't mean a thing if there was not an engaging tale. Even briefly seen characters demand our attention, like the musketeer and ship's captain in the first episode.
Well, back to watching more of the show. I've definitely got to get this on DVD!
I will skip the talk about how good the animation is. I am not an expert in animation, nor do I let it get in the way if the story is good. Enough said, it is very good. What pushed my buttons is the way the series constructs a world, adds interesting lead characters and then ends the story. Yes, this is not one of those animes that drag the story, no matter how nice, and then end the series with no closure because the ran out of steam before finishing the plot. This is a good all fashioned circular story with build-up and release.
Then there is the world, reminiscent of Frank Herbert's Pandora mixed with a little Dune, both in storyline and socio-ecological meaning. I would say that there are no great surprises in this anime. This is a bad thing, but also a good one. If you build things up too much they quickly become unmanageable. There is hope for a sequel, I guess, but no pressure for it. All the goals set in the beginning are met in the end, either in success or disaster.
It is a nice anime series. It is worth watching, but I've seen better. I guess what really is missing is a way to truly connect with the characters. Even in the most tensioned moments, the levels of emotion don't get too high. I would say the starting theme song (complete with worthless karaoke style translation) is also a bad thing. The rest, though, is just visual and comfortable beauty.
Then there is the world, reminiscent of Frank Herbert's Pandora mixed with a little Dune, both in storyline and socio-ecological meaning. I would say that there are no great surprises in this anime. This is a bad thing, but also a good one. If you build things up too much they quickly become unmanageable. There is hope for a sequel, I guess, but no pressure for it. All the goals set in the beginning are met in the end, either in success or disaster.
It is a nice anime series. It is worth watching, but I've seen better. I guess what really is missing is a way to truly connect with the characters. Even in the most tensioned moments, the levels of emotion don't get too high. I would say the starting theme song (complete with worthless karaoke style translation) is also a bad thing. The rest, though, is just visual and comfortable beauty.
क्या आपको पता है
- ट्रिवियाIn the theme song, the only main character that isn't featured is Luciola. Although it is thought that Queen Delphine does not appear either, she does towards the end of the series when there is a slight change to the animation during the theme song. This occurs right after the line "...I will be the light." She is visible for a split second.
- भाव
Alex Row: Fire on the fleet.
Sophia Forrester: Which one?
- क्रेज़ी क्रेडिटEach episode is named after a chess move, which represents a situation/strategy seen in that episode.
- कनेक्शनFeatured in AMV Hell 3: The Motion Picture (2005)
- साउंडट्रैकCloud Age Symphony
(Opening theme)
Composed and Performed by Shuntaro Okino
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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