Frankenstein

The cinematography, editing, art direction are all pretty good on this, especially for a TV movie. It is rather one-note, though. Subdued colors, rain, smoke, darkness, grungy sets. Take a bit of the idea of Frankenstein, set it in the modern day, and cross it with a bit of Se7en, and there it is.

The acting I didn't particularly care for. I've liked Posey, Goldberg, and Madsen in other things, but not here. Didn't care for Helios or the Monster either.

As a pilot, this isn't too bad. As a stand-alone movie (since the series was not greenlighted), it doesn't work very well. We don't learn very much about any of the characters. Parker Posey's character has a young autistic brother she has to take care of (or has to have a nanny take care of for her), who serves no purpose whatsoever.

I guess the brother's role would have been fleshed out in the series, but since it wasn't to be, they could have cut him out. Madsen's character has something big going on, but it isn't wrapped up at the end at all. Helios' project(s?) are not wrapped up, and neither are the monster's. The only storyline that has any closure is that of The Surgeon. Perhaps if there is a DVD commentary it will shed some light on in what direction the series would have gone.

The film deals about the Detectives O'Conner(Parker Posey, Superman returns) and Sloan(Adam Goldberg, The Salton sea)are investigating grisly killings by a macabre serial-killer mutilating the victims. Also, a tough policeman(Michael Madsen, Free Willy)named Harker(homage to Jonathan Harker-Dracula) does inquiry on the horrific events. Meantime, she finds a mysterious man named Deucalion(Vincent Perez,Fanfan LaTulipe) who warns her about a megalomaniac Doctor(Thomas Kretschman, The pianist)named Victor Helios. Doctor Helios is actually Dr. Frankestein(originally created by Mary Shelley) still alive along with his sweetheart(Ivana Milicevic).

This television movie displays tension, mystery, thriller and eerie scenes when the murders and tortures take place. The film takes accent as the suspense as the terror. The plot for this TV picture was initially adapted by famous terror novelist Dean Koontz(Demon seed, Watchers, Phantoms) and attempted as a television series. Koontz was hired as writing credits and executive producer along with Martin Scorsese, but economic and plot disputes among Cable Network and Koontz, made both left the project, for that reason the screenplay gets flaws and gaps , furthermore,the movie final conclusion is ¨deja vu¨. The picture contains a creepy musical score fitting to the horror film by Norman Corbeil and Angelo Baladamenti, plus , a gloomy and sinister cinematography with frightening atmosphere by Daniel Pearl. The motion picture is professionally directed by Marcus Nispel, director of the much better ¨The Texas chainsaw massacre¨ and usually video-clips filmmaker and occasionally director, being his last film, ¨The pathfinder¨, also with dark and shady scenarios, as habitual in all his movies.

I saw the movie and learned that it was dropped after just the one premier. If this was picked up again soon it could still make a good streaming series.

Let me get this straight to begin with: FRANKENSTEIN is a horrible reinterpretation of the classic Mary Shelley novel, which attempts to modernise the story in a pre-flooding New Orleans. Everything about this production screams cliché: there's a murky, depressing visual style that constantly uses David Fincher's SE7EN as its source material (isn't that so late '90s?) and a storyline that ends up going absolutely nowhere. The reason? This was the ill-conceived pilot of a television series that was never made, so don't go in expecting any kind of plot resolution or tying up of loose ends.

The tired story sees a couple of lame detectives (Parker Posey and Adam Goldberg, possibly the most uninteresting cops I've seen in any movie) going after a killer leaving a string of bizarre deaths in his wake. Along the way, they come across Vincent Perez as a strangely scarred and hooded figure, and there are no prizes for guessing who he's supposed to be. There's also some pointless stuff involving ruthless scientist Victor Helios, played by Thomas Kretschmann. He's Frankenstein, but despite taking up a great deal of screen time he never actually gets involved in the main storyline.

Yeah, the film really is that muddled and disjointed: the detectives never catch up with Frankenstein, and we never even learn how he's still alive in the modern day. Talk about a con. Instead, the thrust of the plot eventually turns out to involve Michael Madsen, playing a fellow detective with a few secrets of his own. But there's really nothing to keep you watching: no interesting set-pieces, no special effects to speak of, no drama, no tension, not one bit of suspense. Director Marcus Nispel's work feels adrift and aimless outside of his preferred genre (remakes), and Dean Koontz wisely took his name off the thing. You can hardly blame him.

Detective Carson O'Conner (Parker Poisey) and her partner Detective Michael Sloane (Adam Goldberg) are investigating murders of a serial-killer that mutilates and removes the internal organs of the victims. When they meet the mysterious and macabre Deucalion (Vincent Perez), they are informed that Dr. Frankenstein is alive with a legion of followers, using the name of Dr. Victor Helios (Thomas Kretschmann).

I liked this contemporary version of the character of Frankenstein. The story recalls "X-Files", having the same style of cinematography and music score. It seems to be a pilot of a TV series, inclusive there is no ending of the story but a great hook for the sequel. Anyway, it is a good entertainment, very underrated in IMDb. My vote is seven.

Title (Brazil): "Frankenstein"