Blood and Chocolate

I haven't read the book so this is a commentary on the movie by itself as a movie. For some reason I was expecting this movie to be darker, edgier, perhaps even a horror movie. The PG-13 rating didn't phase me as so many horror movies are coming out now with PG-13 rating. But this one borders on PG on it good-heartedness and gentleness. It's not particularly entertaining since there's not much drama in the movie, not much to look forward to. The main character is too reserved and withdrawn to be particularly interesting. The main bad guy is hard to understand because of his thick accent. There's some ambivalence here on the good/bad dichotomy as the werewolves aren't really bad by nature, they're just trying to blend in and protect themselves, so you can't dislike them all that much. Plus it's hard to dislike wolves. My concern here that the wolves may have been harmed during filming. At the end of the movie there is no disclaimer that no animal was harmed, instead there's something to the effect that efforts were made avoid injury, which isn't quite the same. The love story didn't convince me all that much. Does it always have to be the American tourist? On the positive side, I like the fact that this was filmed in Bucharest, it sure looks like an interesting city so there are some great sights here. The mythology behind the story is good too. I like the special effects and the transformations. They look very unique. And something can be said for a movie that's not as malevolent as most movies. This is a good film for teens.

I gave this movie a 5 rating, because it deserves it. The sets were beautiful, but lets be honest, especially us Romanians. We know what Bucharest is like, and you really have to look deep to find that sort of inner beauty. At time it resembles that city from the movie, but normally Bucharest, is not as romantic as the movie portrays it.

I enjoyed the movie, but was very disappointed by how it ends, very sudden. The ending didn't fit the storyline, not one bit. The acting was mediocre, but acceptable. Another user described Viviane as robotic, this word pops in my mind as well. The movie, is not a masterpiece, but I enjoyed that description of Bucharest, which most of the time, eludes us.

The Matrix has a lot to answer for. Post Matrix every vampire or werewolf movie (Van Helseign, Underworld, Blade) seems to involve copious amounts of special effects, Martial arts and the main character decisions being whether they kill the bad guy with a gun, sword, falling building, poison that makes people explode, or giant stake improvised from the radio antenna on top of the Empire State building.

Blood and Chocolate follows the traditions oh movies from the 1980s (The hunger, Wolf, Cat people and even The Lost Boys).

Characters are not fighting over whether to enslave the human race (if vampires planned to enslave the human race, wouldn't it be easier to let everyone know, and 1.3 Billion people versus a few thousand vampires or werewolves will be a very short battle indeed).

Blood and Chocolate tells the story of a teenage werewolf who wants to escape what she is being told she should be and a young American writer/artist who has already escaped from his domineering ex-ranger father).

In this story, werewolves are blessed, not cursed, they are the best of man and the best of beast. Though perhaps that is what they should be, and some of them are the worst of both.

This is a human story at the human level. Some of the characters merely tend to turn into wolves. The movie is more about mood and excitement and action. The action is realistic, not modern son of Honk-Kong martial arts over the top stuff. I loved it, even though I also love the modern effects driven movies. In fact the special effects are so bad, it is likely that was a conscious choice (I think the transformation is a homage to Cat People).

If you like this movie, check out the old stuff from the 80s.

This movie is actually very good for the first 20 minutes or so. The director is mechanical (German, you know) but the introductory parts are stylish. After that, this becomes something barely worthy of after school teen fodder.

These things often depend on the fact of dual identities, and stories are based on problems coming from that dual identity. This is no different: girl-wolf falls in love with regular boy. There's some irrelevant business about the leader of the pack. Ho hum. Do we ever doubt the outcome? They often also depend on the actual cinematic magic of transformation. But what we have here is about 70 years behind in special effects.

What brought me to this was the rather delicious notion of the two fluids. Our haunted teen girl works in a chocolate shop. I don't know the book makes of this. It has amazing cinematic promise. But the film includes her chocolate job only in a cursory way. The supposed sex appeal is so lacking in sex, even that's gone.

This director sits as a judge for the Berlin film festival? Wow.

There is an interesting character, that appears in only a few scenes and has no lines. The deal is that leader of the pack remarries every seven years. The main women characters are the wife before the current one, and our teen girl who is the designated next one. Some of the scant story is in the tension between these two. One woman abandoned and the second one an unwilling bride. The interesting one is the inbetween one.

I'm interested in films that feature Absinthe. This is one. The werewolves drink it ("some people think its poison") and later are literally burned by it. Usually when it appears as it does here, everything afterward could be considered a hallucination. It could be here, but the filmmaker surely did not intent that ambiguity.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

From the producers of Underworld, this movie looks like a cheap cousin to the popular wolves versus vampires movie starring Kate Beckinsale. Based on a book by Annette Curtis Klause, and directed by Katja von Garnier, it's difficult not to draw comparisons because of the subject material and similar themes, this time though doing without the vampires, and sets the spotlight firmly on a group of hunted werewolves called the Loups-Garoux. Sexy sounding, but essentially a useless name for useless beings.

The group of Loups-Garoux proudly stands by their tradition of being able to transform into wolves at will (and that is their only power mind you), and because of their abilities and lust for blood, they are hunted down by Men with their guns and silver bullets (who and what else). In order to survive persecution, they go underground and keep their identities secret, only to come out during the night for frequent partying at rave clubs (and to pick up chicks), as well as attending strange rituals such as gathering in the woods to partake in hunter-prey chases with wounded men as victims.

In essence, they're a bunch of self-preserving cowards who hunt in packs, believing whole- heartedly that unity is strength. As mentioned, they got unimpressive abilities which probably forces them to do so, not by choice - only remarkable agility and the preference to scale walls and run along rooftops. Led by an uninspiring, cowardly leader Gabriel (Kylie Minogue's ex Olivier Martinez), he holds on to the unexplained hokey prophecy as well as the tradition of the leader of the pack to handpick a wolf-maiden to bed every 7 years. No wonder he's holding onto power without the necessity to do much to further their cause (which is?), and sets his sights on marrying Vivian (Agnes Bruckner).

Vivian however, being the headstrong ingénue, falls for a plain human, graphic novelist Aiden (Hugh Dancy), and this is where references to Underworld come into full swing. The reluctance in the formation of a forbidden relationship from the girl with secrets, the revenge killings and the hunting down of Aiden, and with Vivian protecting her love, all reeks with familiarity. While Underworld had a rich backstory created for its characters and beings, Blood and Chocolate failed to have anything interesting in either wolf or man to engage the audience.

And the execution here is painfully boring. No special effects, not even the baring of fangs, save for coloured contact lenses. It's relatively low-budgeted, and the transformation of man to beast, is so cheap, even a 10 year old kid with a no-frills video editing software will be able to achieve. Fights are confined to chases between wolves and man, and the usual scruffy fisticuffs. Don't forget the loopholes galore too after transformation, which is seldom seen on screen as it'll pose more questions.

The only redeeming grace however, is the on-location filming in the streets of Bucharest, a beautiful romantic place, totally ideal for a romanticized tale of man-beasts. The soundtrack too had a tinge of Hindi(?!) music influences, which I totally enjoyed, but too bad, the film had been intrinsically destroyed by a lack of a strong storyline, plagued with non charismatic and weak villains with zero diabolical plans, with preference to hang around and do nothing, save for showing off their pitiful skills (which I suspect is because of the lack of budget).

With a strange title, Blood and Chocolate correctly named itself - a weird and silly mix which doesn't go down well at all. Only watch it on disc if you've got time to spare.