Lightning in a Bottle

penseur wrote about Buddy Guy's rendition of Jimi Hendrix's Red House. Red House is an old blues standard that a million people cover, so Guy wasn't covering Hendrix he was just playing Red House.

I don't mean to nitpick but it's frustrating when I see things like "Clapton's I Shot the Sheriff" or "Aerosmith's Train Kept A Rollin". Covering blues tracks is a fundamental, and great, part of rock and roll, but the songs should be remembered for what they are, not some mega-bands rendition of them. Led Zeppelin's first album was almost entirely blues covers and it was awesome. Those guys constantly give credit to the great American blues legends. Without them there is no Led Zeppelin.

The thing that separates the Blues from many other types of music is that it is an art born of pain and suffering, of a collective experience that includes slavery, Jim Crow laws, segregation, discrimination and poverty. With all that to face, who wouldn't be singing the blues? Yet, as with any great art form, the suffering is only a part of the story. For the Blues derives its true energy and strength from the optimism and hope it exudes, that hope for a better future that resides in the human spirit even in the darkest of times. Through the years, the Blues has given voice to the powerless and helped change the world in ways that one never could have imagined a hundred years ago. That is its true legacy.

All of this has been effectively captured in "Lightning in a Bottle," a documentary about a concert held at Radio City Music Hall to commemorate one hundred years of the Blues. The concert organizers gathered some of the greatest legends still alive today - far too numerous to mention - to play and sing together and to pay tribute to the musical trailblazers who went ahead of them (artists like Leadbelly, Billie Holliday etc.). The concert itself has an almost "survey course" feel to it, charting the development and growth of the Blues from its roots in Africa to its flowering as the premiere art form and avenue of expression for millions of oppressed blacks in 20th Century America. The performances are accompanied by behind-the-scenes interviews with some of the artists present at the event as well as by old audio and film clips of many of the seminal performers from the past doing their thing in the recording studio or on stage. Thus, we are given a nicely balanced view of the Blues both past and present.

The musical performances are all first rate, although, in the interest of time, the sets are much shorter than any real Blues fan would probably like them to be. Still, it's great to hear the old standards being performed by world-renowned artists at the peak of their form. If you're a devotee, check out "Lightning in a Bottle." And if you're not a blues fan, check the film out anyway. You might just learn something and have a terrific time listening to all that great music at one and the same time.

On 07 February 2003, fifty artists are gathered in a concert in the Radio City Music Hall in New York City, for one of the greatest tribute to the blues. Produced by Martin Scorsese and directed by Antoine Fuqua, this concert and documentary entwines wonderful songs with interviews and footages, for example, of John Lee Hooker that died in 2001.

I have just seen this wonderful tribute on DVD and I dare to say that it is a must-see and mandatory in any collection of blues lover. My vote is ten.

Title (Brazil): "A História do Blues" ("The History of the Blues")

Most of the big names in American blues music, certainly the black exponents, get glimpsed in this tribute show - and if they didn't attend, mainly because they are deceased, there is archive footage of them. Although a concert, the film manages to become a documentary as well and reasonably chronological. Obviously you can't expect this condensed film to be comprehensive about a subject this big with so many artists, but it makes a good try. The artists and their performances I guess are a matter of personal taste, but I enjoyed most of them. The borders between blues, soul and rock are rather blurred sometimes, but there are lots of people who resist categorization. Standouts for me were Buddy Guy's rendition of Jimi Hendrix's "Red House" (Hendrix was actually a big fan of Buddy Guy) and BB King's fret work right at the end. For blues lovers it's a must see; for those who don't know much about it, this film is a good introduction. Try to see it in a cinema with a good sound system.

I really enjoyed this movie. It was a mixture of Blues history, music, interviews and historical footage - heavy on the Blues music. It was a treat to have some of the oldies, especially Buddy Guy, getting intense and passionate while doing their music. "Voodoo Chile" was magical. I also enjoyed the younger/newer artists doing covers on some of the songs. I would have given this movie a "9 or 10" except for one inappropriate performance. Chuck D did his sloppy version of one of the classics and used it to interject his negative opinion of President Bush. It didn't fit the rest of this "classy" film. I highly recommend this film to anyone that likes the Blues. It would be an especially good film to watch with a few music-loving friends because it feels like you're getting a personal concert. Check it out!