Nighty Night

Whether you like "Nighty Night" is dependent on whether you like this sort of thing. I will grant you this, it is not easy to watch at times, it is very dark, often unsubtle, heartless and extremely vicious. But there are some very funny parts too, thanks to the stellar performances and the deliberately over-the-top writing that is most likely to shock people with the amount of depth it goes into. Plus it is very unfliching at how cruel the characters can be to one another. There are times when we find the characters unsympathetic, with the exception of perhaps Cathy and Terry but I personally think that was intended.

The performances are stellar. Julia Davis throws herself into this, and gives a genius turn as Jill, an "evil" neighbour and an incompetent hair stylist. Angus Deayton is also superb as Don Cole, who is facing a very difficult situation, as is Rebecca Front as Cathy, a really sympathetic character that we constantly feel sorry for. Overall, clearly this isn't for everyone, but I for one find it entertaining. 8/10 Bethany Cox

This programme is actually a very twisted horror film Jill is the most evel woman on TV extremely funny extremely dark Julia Davis is amazing in this.

This is such a hidden gem if you like dark comedy ,, the manipulative Jill Tyrrell is played to perfection. Brilliant performances by the 2 leading ladies Julia Davis and Rebecca Front both deserve far more recognition than they get. I suspect this hits far more notes with female audiences than male ones .. big thumbs up !

One has to categorise this show as as satirical comedy, and indeed the first season begins humorously and playfully enough. After just a short time however, the personality disorders portrayed must inevitably lead to a rather more uncomfortable experience. Jill is nothing other than a psychopath, blatantly unaware of the extremity of her behaviour. The other characters all incredibly tolerant and unbelievably sympathetic to Jill's activities. Whilst the humour is maintained throughout, it is hard not to feel that genuine personality disorders such as these surely do exist around us in the real world. Of course the events are all extremely exaggerated, and that forms the basis for the humour. Were the show a little more subtle, then it would probably be billed as a psycho-thriller. I personally enjoyed it very much, as I find extreme humour quite entertaining. However, I would not recommend it for the squeamish, or prudish, or the particularly emotional. The second season even surpasses the first in extremity, if not in humour. I have knocked off points for plot, repetition, and incredibility.

(The following review was originally published 20 Jan 2004 as the first review of this title to appear here. Deleted after a user request, it has been edited and re-submitted.)

"Nighty Night" details the life and loves of the most self-absorbed woman on earth, Jill Farrell, played by series creator Julia Davis. In the first scene she sits in the hospital with her husband Terry (the surprisingly normal Kevin Eldon) and they have just been told the test results. She bewails her fate, crying "Why does everything have to happen to *me*!" Her husband turns to her, comfortingly, and says, "Look love, it'll be OK. It's really not that bad. It is ME who's got the cancer!" In the second scene she is at a computer dating service. Not content with whoever they may come up with for Jill to go out with between hospital visits, she also sets her sights on neighbour Don, (Angus Deayton), a doctor whose wife, Cathy (Rebecca Front), is a victim of Multiple Sclerosis.

Davis has specialised in playing these kinds of women in recent years, most notably in Rob Brydon's "Human Remains" and Chris Morris's "Jam". Jill is all entirely her own work and she has really plumbed the depths of the human psyche to create a woman who cares for nothing and nobody but herself, to a psychotic degree. Instead of "Nighty Night" perhaps the programme should have been called "Nicely Nice", because it is people's niceness, or at least their desire that things remain nice, that allows Jill to get away with the most appalling insensitivity and self-regard.

The characterisation of Jill is perfectly done, as are the characterisations of the other people, from poor confused Terry (not realising that he isn't getting any visitors because Jill told everyone he'd already died), Don who is caring for Cathy, but obviously doesn't really "care" for her any more. Particularly brilliant is Rebecca Front's performance as Cathy, caught between dissatisfaction with her straying husband, outrage at Jill's antics but paralysed - not just physically - by her inability to make a fuss. These are fantastically well observed. Other characters, such as Stefan, Jill's putative blind date, and Linda the asthmatic girl in Jill's beauty salon who loves to massage feet, are more exaggerated but well performed.

This is not laugh-a-minute hysterical comedy by any means, but continues the uncomfortable black comedy trend hinted at by Steve Coogan's characters, and more wilfully pursued by Chris Morris and Rob Brydon (with all of whom Julia Davis has previously acted.)