Crónicas

Thank you for bringing up the story about the terror that affected many Ecuadorian families. I think the actors did a great job, they were very convincing. I watched the movie with my American girlfriend and she was very moved. However, I am from Edcuador and I lived in Guayaquil when those crimes happened. The real name of the the killer was Daniel Barbosa Camargo and his real nickname was the Monster of the Andes. There were a couple of things that did not match the time frame when that happened. First of all, the flip flap cell phones were not invented then. Second of all, I am willing to bet that the bar where the actors were drinking at, did not have a color TV but an old beat up black and white TV set. I was a little disappointed with the end of the movie. I thought they were going to show at least in writing what happened to the Monster after he was incarcerated like the fact that he was killed inside prison and more than likely tortured like hell before that happened. A very important issue that could have been part of the movie was the fact that at the time there were conspiracy theories, stories about a dark SUV that was picking up the victims and also the theory that there were more than just one killer. Nobody in Ecuador believed at first that such a little fragile looking man like Camargo could have committed all those crimes. I hope that in the future you can make another film and continue with the story in a more realistic manner. I am open for comments if you need my assistance. Best regards.

Damián Alcázar (The Crime of Father Amaro, Lord Sopespian in Prince Caspian) gives a truly remarkable performance in a compelling film by young writer/director Sebastián Cordero.

There are two stories going on at the same time. One is a story of a vicious rapist/serial killer who preys on young boys and girls; and the other is about the role of the media in our society.

John Leguizamo plays a star reported that knows who the killer is and is trying to get the confession for a news story. In the meantime, events transpire that result in the killer's release before he accomplishes this.

Leonor Watling (La mala educación, Paris, je t'aime) plays the producer who wants to tell what they know, while Leguizamo fights to keep it a secret and play off the hero status he gained. Who will win? Will his conscience get the better of him? That is the real story here, as we debate the role of media. Are they reporting the news, and becoming part of the news.

The view of rural Ecuadorian life is also a big plus to the enjoyment of this film.

Compelling.

I'm a great fan of John Leguizamo. I and millions of fans have watched this young man emerge onto center stage with such enormous abilities few can gage his ultimate limits. He is by far the most impressive, certainly the most gifted and multi-talented thespian to come along since the late great Danny Kaye. Anyone who has followed his career, has seen him express himself in such venues as Comedian, Singer, Dancer and of course Screen Actor. This is just one of the dozens of film he can be found in. In this story entitled "Cronicas" (Which means, Newspaper) he plays an international reporter who comes across a disturbing story of a Serial Killer. Not only is the man wanted for the murder of dozens of missing children, but the majority of the victims have been raped and dispatched horribly. Leguizamo plays the part of Manolo Bonilla, a gifted, aggressive, crafty but most of all unscrupulous T.V. reporter. Dismissing the ramifications of acting hastily, he sees an opportunity to advance his career in the industry by first enlisting, befriending and eventually releasing the serial killer, Vinicio Cepeda (Damián Alcázar) whom the people call 'The Monster.' Although repeatedly warned his actions might create unwarranted sympathy for the suspect, Bonilla nonetheless proceeds and eventually creates an up swelling of support for the prisoner, despite the fact other inmates have ascertained his guilt. It is not until Bonilla has his story and returning home that several of his sources inform him, he may have been wrong, does he realize his culpability. The movie is great in location, drama and character definitions. Perhaps the only draw-back to the film is that its nearly all in Spanish and viewers must struggle with sub-titles. One other warning is that a viewer must not be faint of heart as this movie is downright disturbing in topic. ****

In case you are not familiar, Sebastian's first big movie was Ratas, Ratones y Rateros. That was a great movie, it showed a side of Ecuador that hadn't been explores or showed before. He had the magic of showing a probably not unique story in a unique way, a Latin and Ecuadorian way.

In Cronicas, he does this and more. First, it shows a reality that may even be unknown for some Ecuadorian. It escapes from big cities and nice stories towards the forgotten towns that are only remembered for unethical journalism or plain mockery. Second, now it is not just a story showing themes particular to a Latin audience but applicable and important for viewers anywhere: masks and the true self, the blurry gray region between good and bad, the relevance of regret... and more.

One friend told me, before watching the movie: You will not see TV the same way again. In many ways it is true, Cronicas takes you to the untold and un"spelled-out" stories behind the fractioned images in TV.

I am looking forward to Sebastian's next movie.

It's hard to rate a movie that you find intensely disturbing and a bit nauseating. I saw this at the Philadelphia Film Festival, and the friend who saw it with me was equally disturbed - we both wanted to give it a rating of F***ed Up. Then again, if you spend the next two hours talking about how much a movie bothered you, that means it was well acted and directed, right?

The reporter (Leguizamo) crosses the boundaries of morality and goes too far in pursuit of his story, and the movie ends on a very unsatisfactory note. Still, the bad guy is very good at being a psychopath, and the reporter and his crew are very good at being morally bankrupt. See Cronicas, but brace yourself for unpleasant subject matter.