IMDb रेटिंग
5.9/10
91 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAs a widower tries to piece together his life in the wake of his wife's suicide, his daughter finds solace, at first, in her imaginary friend.As a widower tries to piece together his life in the wake of his wife's suicide, his daughter finds solace, at first, in her imaginary friend.As a widower tries to piece together his life in the wake of his wife's suicide, his daughter finds solace, at first, in her imaginary friend.
- पुरस्कार
- 1 जीत और कुल 5 नामांकन
Josh Flitter
- Little Boy
- (बिना क्रेडिट के)
Alicia Harding
- Waitress
- (बिना क्रेडिट के)
James McCaffrey
- Charlie
- (बिना क्रेडिट के)
Rose Pasquale
- Gas Customer
- (बिना क्रेडिट के)
Brendan Sexton III
- Store Clerk
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I'm not the greatest figurer out of plot twists, and I didn't figure this one out. If you did, then I can see that there would have been an air of disappointment over that aspect of the film. I didn't so, plot-wise, I had no problem with enjoying the movie.
I thought the ending was fine.
And, as usual, I thought Dakota Fanning was quite remarkable, holding the screen with an assurance well beyond her years (although I find her manner in the "Making of.." documentaries worryingly un-childlike).
I did have some other problems, though.
De Niro's character must have been the worst psychologist in the world, given his complete inability to apply any of his knowledge to dealing with his daughter's problem in any constructive way (and, yes, I know "That's because blah blah blah", but it's still a distraction when you're sitting there watching him to fail utterly to exercise a shred of competence.
I failed to understand some of the child's motivation for her actions and attitudes vis-a-vis Charlie and Dad, especially given the nature of the twist.
Elisabeth Shue and Famke Janssen - nice to see them, even if only briefly.
And De Niro - not your finest hour, Bob. Carry on like this, and Norton and Depp will be fighting over the "Greatest Living Screen Actor" crown, while you watch from the wings.
My score of 7 is a point or two higher than it would otherwise have been, solely on the strength of Dakota Fanning's performance.
I thought the ending was fine.
And, as usual, I thought Dakota Fanning was quite remarkable, holding the screen with an assurance well beyond her years (although I find her manner in the "Making of.." documentaries worryingly un-childlike).
I did have some other problems, though.
De Niro's character must have been the worst psychologist in the world, given his complete inability to apply any of his knowledge to dealing with his daughter's problem in any constructive way (and, yes, I know "That's because blah blah blah", but it's still a distraction when you're sitting there watching him to fail utterly to exercise a shred of competence.
I failed to understand some of the child's motivation for her actions and attitudes vis-a-vis Charlie and Dad, especially given the nature of the twist.
Elisabeth Shue and Famke Janssen - nice to see them, even if only briefly.
And De Niro - not your finest hour, Bob. Carry on like this, and Norton and Depp will be fighting over the "Greatest Living Screen Actor" crown, while you watch from the wings.
My score of 7 is a point or two higher than it would otherwise have been, solely on the strength of Dakota Fanning's performance.
Pyschotrist David Callaway (Two-Time Oscar Winner:Robert De Niro) seen the body of his dead wife (Amy Irving) committed suicide. When his only daughter (Dakota Fanning) is traumatized by her mother death. David and His daughter move to the country to start a new life. When his daughter is creating a new imaginary friend, the father starts to worry and strange things are starting to happen to him and especially his daughter.
Directed by John Polson (Swinfan) made a good thriller but the only problem in this film. It doesn't know when to quit and it's ends with an unsatisfying conclusion. De Niro and Fanning are extraordinary good in this film. The film's supporting cast are:Elizabeth Shue, Famke Janssen, Dylan Baker, Melissa Leo and Robert John Burke. This was a Box Office Hit. This should be a larger successful on DVD.
DVD has an sharp Pan & Scan transfer with an good-Dolby Digital 5.1 Surround Sound (also in DTS 5.1 Sound). DVD has an commentary track by the filmmakers, deleted scenes, 4 alternative endings and more. This thriller could be a cult favorite. It is nicely done film. Super 35. (*** ½/*****).
Directed by John Polson (Swinfan) made a good thriller but the only problem in this film. It doesn't know when to quit and it's ends with an unsatisfying conclusion. De Niro and Fanning are extraordinary good in this film. The film's supporting cast are:Elizabeth Shue, Famke Janssen, Dylan Baker, Melissa Leo and Robert John Burke. This was a Box Office Hit. This should be a larger successful on DVD.
DVD has an sharp Pan & Scan transfer with an good-Dolby Digital 5.1 Surround Sound (also in DTS 5.1 Sound). DVD has an commentary track by the filmmakers, deleted scenes, 4 alternative endings and more. This thriller could be a cult favorite. It is nicely done film. Super 35. (*** ½/*****).
Maybe Robert De Niro's doctor in Godsend (2004) went to the same medical school of horrors as his Dr. David Callaway in Hide and Seek, this year's De Niro toss away film, from which he deposits his considerable paycheck along with cash from Meet the Fockers. Why he doesn't concentrate his fortune and connections (as Clint Eastwood does) to craft an artful small film that would allow his acting gifts is the only mystery for me from his prolific but arguably spotty career.
Young Emily Callaway (Dakota Fanning) has lost her mother (Amy Irving) to suicide. Psychologist dad moves her to an older, rambling house in the woods in upstate New York to start a new life. Not new are the abundant clichés of the horror film: the suspicious neighbors, whom director John Polson makes as creepy as possible; the questionable sheriff; the doors leading to scares; the mutilated dolls; Emily's imaginary friend, Charlie, who appears to be causing numberless offenses in the house; and knives placed as objects of intrinsic interest; and a vulnerable girl friend, Elizabeth (Elisabeth Shue). I stopped counting, for the film is one extended cliché after another.
The interest for serious filmgoers might be the depiction of the psychological stat after a loss to suicide. Whatever the term might be such as "post-traumatic stress disorder syndrome," the film does a credible job showing how difficult it is for Emily to lead a normal life after the loss of her mother (and for her father as well). While there are echoes of Stephen King (The Shining's "Here's Johnny" comes to mind) and Hitchcock (think shower scene), there is no comparison in quality with those classics. The audience at the preview enjoyed some of the stock shock moments behind the many closed doors. Hide and Seek will titillate horror fans but disappoint discerning film buffs, who look for some believable edge and innovation.
Milton in Paradise Lost expressed the descent from happiness to despair: "Farewell happy fields, Where joy forever dwells: hail, horrors!" Hide and Seek is not a classic horror film; it is a classic underachiever.
Young Emily Callaway (Dakota Fanning) has lost her mother (Amy Irving) to suicide. Psychologist dad moves her to an older, rambling house in the woods in upstate New York to start a new life. Not new are the abundant clichés of the horror film: the suspicious neighbors, whom director John Polson makes as creepy as possible; the questionable sheriff; the doors leading to scares; the mutilated dolls; Emily's imaginary friend, Charlie, who appears to be causing numberless offenses in the house; and knives placed as objects of intrinsic interest; and a vulnerable girl friend, Elizabeth (Elisabeth Shue). I stopped counting, for the film is one extended cliché after another.
The interest for serious filmgoers might be the depiction of the psychological stat after a loss to suicide. Whatever the term might be such as "post-traumatic stress disorder syndrome," the film does a credible job showing how difficult it is for Emily to lead a normal life after the loss of her mother (and for her father as well). While there are echoes of Stephen King (The Shining's "Here's Johnny" comes to mind) and Hitchcock (think shower scene), there is no comparison in quality with those classics. The audience at the preview enjoyed some of the stock shock moments behind the many closed doors. Hide and Seek will titillate horror fans but disappoint discerning film buffs, who look for some believable edge and innovation.
Milton in Paradise Lost expressed the descent from happiness to despair: "Farewell happy fields, Where joy forever dwells: hail, horrors!" Hide and Seek is not a classic horror film; it is a classic underachiever.
The set up is kind of fun, then the center of the film gets a little boring, then secrets are revealed and you realize you've been lobotomized by stupidity. Elizabeth Shue's cleavage is the best supporting character in this otherwise teeth grindingly dumb movie.
The movie is about as light an R as you can get. It tiptoed past the PG-13 with a little bit of blood, but I have to wonder if they wanted the PG-13 and were surprised by this rating.
Here's a question: what is the tipping point in DeNiro's career that took his from greatness to these crap dwellings? Even Angel Heart is a masterpiece compared to most of the schlock we've been getting from Bobby during the last DeCade. To the real Robert De Niro: Come out come out wherever you are!
The movie is about as light an R as you can get. It tiptoed past the PG-13 with a little bit of blood, but I have to wonder if they wanted the PG-13 and were surprised by this rating.
Here's a question: what is the tipping point in DeNiro's career that took his from greatness to these crap dwellings? Even Angel Heart is a masterpiece compared to most of the schlock we've been getting from Bobby during the last DeCade. To the real Robert De Niro: Come out come out wherever you are!
All these professional film critics. Oye. Gimme a break. Although they may make intellectual sense sometimes losing the point of a movie as escapism misses the enjoyment that could be... why so much dissection. Of course it's no Witness for the Prosecution or The Shining. But it's edge-of-seat creepy and it twists right to the end. Predictable maybe. But it's still engrossing. I'm not an idiot I love 12 Angry Men for a script and a brilliance in acting that runs circles around something like this. Or something like Fatal Attraction I know great from good from good to mediocre. This barely makes it to the last except it's worth the ride. Why analize a roller coaster if it 'works'. This is no masterpiece but it works. Enjoy the creeps!
क्या आपको पता है
- ट्रिवियाFor the first time in seventy years, 20th Century Fox shipped prints of this movie without the final reel, which was shipped separately. This was done as a security measure as so people wouldn't be able to reveal the ending. To further ensure the safety of protecting the film's ending, security guards would hand-deliver the reel to theaters showing the film. Fox had individually numbered each reel, as well as a final security measure. Fox Executive Vice President and Sales Manager Richard Myerson stated it was "to ensure everyone's enjoyment of the film and to prevent 'spoilers', we've instituted extraordinary measures. We think it's worth the effort."
- गूफ़When Emily is laying on her bedroom floor, she draws a picture of her and Charlie at the window, but she draws herself with blonde hair, the actress's natural hair color.
- इसके अलावा अन्य वर्जनThe DVD includes four alternate endings. The DVD also has a branching system which includes four different versions of the film.
- साउंडट्रैकHush Little Baby
Courtesy of Sankyo Seiki Manufacturing Co., Ltd.
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विवरण
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- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Mente siniestra
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बॉक्स ऑफ़िस
- बजट
- $3,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $5,11,00,486
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,19,59,233
- 30 जन॰ 2005
- दुनिया भर में सकल
- $12,73,69,981
- चलने की अवधि
- 1 घं 41 मि(101 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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