अपनी भाषा में प्लॉट जोड़ेंA man [Sean] makes a bet in Las Vegas with some men who want to kill him. He bets he can stay alive for 24 hours, then comes to Cleveland to elude them.A man [Sean] makes a bet in Las Vegas with some men who want to kill him. He bets he can stay alive for 24 hours, then comes to Cleveland to elude them.A man [Sean] makes a bet in Las Vegas with some men who want to kill him. He bets he can stay alive for 24 hours, then comes to Cleveland to elude them.
Christopher J. Quinn
- Hans
- (as Christopher James Quinn)
Michael N. Herzog
- Prom Boy
- (as Mike Herzog)
फ़ीचर्ड समीक्षाएं
This movie at first seems like a movie that was made just for the sake of debuting two actors, both do a decent job of playing their characters, acting-wise at least, the female lead has the "tough/good looking chick" look down. Billy Zane manages to keep his cool like most of his movies so although his character has probably been done before, he still keeps it interesting with his facial expressions representing one who is truly "sick." After the plot is introduced the action (chases/shootouts/which I'll get to later) is almost non-stop until the end, (very good pacing IMO) while it all has been done before, at least you CAN see what's going on unlike some recent over-edited movies like Catwoman (yes recent movies have lowered my standards by a LOT)
The bad parts? Well a LOT of improbabilities, if Billy Zane's character always hunts people (this isn't his first time) why is he such a horrible shot? The sequence when hes on the helicopter chasing the male lead down the bridge with a Grenade launcher and keeps on missing, why didn't he think of moving closer (while not too close) to get a better aim? Also I know that Billy Zane although obviously not Jet Li or Jackie Chan is somewhat competent in martial arts since he already did that (crappy) TV film Invincible(he sure knows how to keep that evil grin on as well, whether in fight scenes or shootouts) so why didn't the casting director pick somebody who knew martial arts (I was rooting for one such person during "Next Action Star" Ilram Choi since he already has experience in doing movies as well) as well as be able to act to keep up with Billy Zane instead of cutting to a different shot once every move, i mean this IS just an excuse for an action movie right? why not make the action as good as possible? But at least they learned NOT to keep the camera way too close (unlike Catwoman or Bourne Supremacy) or like i said before edit to the point where you can't see whats going on, it just should've been better
This is a decent excuse for a TV action movie, much better than whatever else is on TV, but i expected better action, fortunately they didn't make anybody pay 9 bucks just to see it in theaters, i just enjoyed it for what it is, a movie that was made just for the sake of a movie.
The bad parts? Well a LOT of improbabilities, if Billy Zane's character always hunts people (this isn't his first time) why is he such a horrible shot? The sequence when hes on the helicopter chasing the male lead down the bridge with a Grenade launcher and keeps on missing, why didn't he think of moving closer (while not too close) to get a better aim? Also I know that Billy Zane although obviously not Jet Li or Jackie Chan is somewhat competent in martial arts since he already did that (crappy) TV film Invincible(he sure knows how to keep that evil grin on as well, whether in fight scenes or shootouts) so why didn't the casting director pick somebody who knew martial arts (I was rooting for one such person during "Next Action Star" Ilram Choi since he already has experience in doing movies as well) as well as be able to act to keep up with Billy Zane instead of cutting to a different shot once every move, i mean this IS just an excuse for an action movie right? why not make the action as good as possible? But at least they learned NOT to keep the camera way too close (unlike Catwoman or Bourne Supremacy) or like i said before edit to the point where you can't see whats going on, it just should've been better
This is a decent excuse for a TV action movie, much better than whatever else is on TV, but i expected better action, fortunately they didn't make anybody pay 9 bucks just to see it in theaters, i just enjoyed it for what it is, a movie that was made just for the sake of a movie.
HAH! So this is the movie that the "Next Action Stars" were getting into. Well I'm glad that I didn't participate and didn't win...
Isn't it funny how one can just look at the first 10 seconds(!) and make up ones mind about a movie? I mean, come on! Just look at those titles!? I watched this movie(or part of this "teleplay" since it was produced for TV and we couldn't bear to watch the whole thing) one evening while doing my military service and the audience with me was the typical hodge-podge of average guys that once in a while watch series like Las Vegas just for the girls in the show. so the bar wasn't really high, the most watched movie in my group was Girl Next Door (and it wasn't because of the great script ;D . But this movie's total lack of originality, acting, scripting, and just about everything else that makes a movie good made it pretty easy to switch channel to Las Vegas (or was it CSI? don't remember...) without any complaints by the rest of the group. And that is rare(!) For heavens sake! Don't by this movie! If it's on TV, then yes, watch it. And contemplate on it. My conclusion? well, since Joel Silver has indeed produced some of the best action-films out there (Die Hard, Matrix 1, to name some) I can only say that producers don't give the film it's quality, they provide money for the directors. And to sell this movie just because it's a Joel Silver movie is just a desperate attempt to conceal the obvious flaws of the crew who really made it.
Isn't it funny how one can just look at the first 10 seconds(!) and make up ones mind about a movie? I mean, come on! Just look at those titles!? I watched this movie(or part of this "teleplay" since it was produced for TV and we couldn't bear to watch the whole thing) one evening while doing my military service and the audience with me was the typical hodge-podge of average guys that once in a while watch series like Las Vegas just for the girls in the show. so the bar wasn't really high, the most watched movie in my group was Girl Next Door (and it wasn't because of the great script ;D . But this movie's total lack of originality, acting, scripting, and just about everything else that makes a movie good made it pretty easy to switch channel to Las Vegas (or was it CSI? don't remember...) without any complaints by the rest of the group. And that is rare(!) For heavens sake! Don't by this movie! If it's on TV, then yes, watch it. And contemplate on it. My conclusion? well, since Joel Silver has indeed produced some of the best action-films out there (Die Hard, Matrix 1, to name some) I can only say that producers don't give the film it's quality, they provide money for the directors. And to sell this movie just because it's a Joel Silver movie is just a desperate attempt to conceal the obvious flaws of the crew who really made it.
BET YOUR LIFE is a dreadfully over-the-top TV movie which once again re-treads the old 'hunting humans' plot line popular in everything from THE MOST DANGEROUS GAME to HARD TARGET. The main character is a gambler who bets that he can spend 24 hours eluding a megalomaniac gunning for him; the resulting film is a scriptless mess of unending action scenes, all of them cheesily staged and completely unbelievable.
Apparently this film was the end product of a reality TV programme called NEXT ACTION STAR, designed to pick two non-actors to appear in a Hollywood movie. That explains the poor quality acting of the leads. Elsewhere, poor old Billy Zane chews the scenery and hams it up all the while, often swapping to a stunt man for the action scenes. I love action, but this incessant stuff is really bad, with awful cinematography and a weirdly over-saturated colour palette adding to the fakeness. The truck chase is the only bit I mildly enjoyed; the rest is a mess.
Apparently this film was the end product of a reality TV programme called NEXT ACTION STAR, designed to pick two non-actors to appear in a Hollywood movie. That explains the poor quality acting of the leads. Elsewhere, poor old Billy Zane chews the scenery and hams it up all the while, often swapping to a stunt man for the action scenes. I love action, but this incessant stuff is really bad, with awful cinematography and a weirdly over-saturated colour palette adding to the fakeness. The truck chase is the only bit I mildly enjoyed; the rest is a mess.
I never watched the 'Next Action Hero' show, and until reading the other comments here, did not know that this movie was the 'prize' from that competition. I was just flipping channels and came across this, and found myself watching, dare eagerly, all the way to the end.
Yes, the plot's been done (The Most Dangerous Game, etc.) but I was hoping for, and almost received, the 'gotcha' - how the protagonist was going to beat the hunter in the end. I think the high-tech was overdone (GPS's) and gave me cold-sweat flashbacks of Night Rider, but it nevertheless was not too overdone.
The basic problem I had with this movie was the degree of SOD (Suspension of Disbelief) that was required of the viewer. Do we really think that someone flying in a helicopter could lob countless incendiary grenades at a public bridge and NO COPS show up to investigate? Could a limousine do countless donuts in a Las Vegas intersection and NO COPS show up? Pleeease. Way too much of that type of thing - fun to watch, but keep it at least plausible, thank you very much.
The final solution was good, but the ending was disappointing, with the after taste of a bad Star Trek episode. At least now I understand why the acting was so cheesy - except for Zane, who doesn't get near as much work as he deserves IMHO - they were winners from a reality show.
Knock me out.
Yes, the plot's been done (The Most Dangerous Game, etc.) but I was hoping for, and almost received, the 'gotcha' - how the protagonist was going to beat the hunter in the end. I think the high-tech was overdone (GPS's) and gave me cold-sweat flashbacks of Night Rider, but it nevertheless was not too overdone.
The basic problem I had with this movie was the degree of SOD (Suspension of Disbelief) that was required of the viewer. Do we really think that someone flying in a helicopter could lob countless incendiary grenades at a public bridge and NO COPS show up to investigate? Could a limousine do countless donuts in a Las Vegas intersection and NO COPS show up? Pleeease. Way too much of that type of thing - fun to watch, but keep it at least plausible, thank you very much.
The final solution was good, but the ending was disappointing, with the after taste of a bad Star Trek episode. At least now I understand why the acting was so cheesy - except for Zane, who doesn't get near as much work as he deserves IMHO - they were winners from a reality show.
Knock me out.
After watching many of the "Next Action Star" reality TV eps TiVo taped this gawd-awful tripe for me. For some bizarre reason - and I only have myself to blame - I watched the whole thing, hoping that there would be *something* unique in the entire movie. After so much hype about Joel Silver's "Midas Touch" with action flicks, he might want to make sure he bones up on his alchemy.
First, the only redeeming value of the entire film was Billy Zane, and even he couldn't lift the slipshod writing out of the crapper. Having said that, Zane's performance falters about 2/ 3rds of the way through, as he doesn't even seem to know what else to do other than look smug.
Can't blame him here, though. The writing, quite frankly, sucked. Let's take ideas from "Rat Race," "Enemy of the State," "Terminator," "Midnight Run" and any bad gambling film you can think of and simply rehash it. And who's brilliant idea was it to have TWO bridge chase sequences in a ROW?
Sean Carrigan, the "man of the hour" of "The Next Action Star" shows all of the strengths and weaknesses the casting directors mention during the entire run of the series. A one-note johnny, Sean plays the dumb good looking jock very well, but struggles with shouldering the weight of the film. Quite frankly, we never quite seem to care about whether he lives or dies by about mid-way through, as Carrigan fails to provide a reason for the audience to even like him. His dumb-but-lucky routine gets old as there really isn't anything about the character to root for.
But Carrigan is a dream compared to the wooden, rigid Corinne Van Ryck de Groot. Did Howard Fine really tell her to pretend to be a Terminator for the first half of the film? I don't think so. I kept expecting her to quote Arnie. Her character "performance" can be compared only to the dramatic depths of "Freddy Got Fingered," though not nearly as well-developed. The camera loves her in dark, shadowy limousines, but in the harsh light of day her demeanor sucks all energy off the screen. Jeanne Bauer showed more natural life in her five minute bit part than Corinne showed at any part of her screen time.
Ultimately, Sean has the rugged good looks to provide a good lead in an ensemble cast, but shouldn't have been left to do this one solo. It was simply too big of a task for him. "Next Action Star" colleague Jared Elliot may or may not have had better luck with some more dynamic characterization, but it's hard to tell given Jeff Welch's lame script. Someone should take Welch's iMac away from him before he hurts himself or anyone else. And finally, Van Ryck de Groot simply was outclassed and way out of her reach, even for complete shlock like this.
Joel Silver should be ashamed.
First, the only redeeming value of the entire film was Billy Zane, and even he couldn't lift the slipshod writing out of the crapper. Having said that, Zane's performance falters about 2/ 3rds of the way through, as he doesn't even seem to know what else to do other than look smug.
Can't blame him here, though. The writing, quite frankly, sucked. Let's take ideas from "Rat Race," "Enemy of the State," "Terminator," "Midnight Run" and any bad gambling film you can think of and simply rehash it. And who's brilliant idea was it to have TWO bridge chase sequences in a ROW?
Sean Carrigan, the "man of the hour" of "The Next Action Star" shows all of the strengths and weaknesses the casting directors mention during the entire run of the series. A one-note johnny, Sean plays the dumb good looking jock very well, but struggles with shouldering the weight of the film. Quite frankly, we never quite seem to care about whether he lives or dies by about mid-way through, as Carrigan fails to provide a reason for the audience to even like him. His dumb-but-lucky routine gets old as there really isn't anything about the character to root for.
But Carrigan is a dream compared to the wooden, rigid Corinne Van Ryck de Groot. Did Howard Fine really tell her to pretend to be a Terminator for the first half of the film? I don't think so. I kept expecting her to quote Arnie. Her character "performance" can be compared only to the dramatic depths of "Freddy Got Fingered," though not nearly as well-developed. The camera loves her in dark, shadowy limousines, but in the harsh light of day her demeanor sucks all energy off the screen. Jeanne Bauer showed more natural life in her five minute bit part than Corinne showed at any part of her screen time.
Ultimately, Sean has the rugged good looks to provide a good lead in an ensemble cast, but shouldn't have been left to do this one solo. It was simply too big of a task for him. "Next Action Star" colleague Jared Elliot may or may not have had better luck with some more dynamic characterization, but it's hard to tell given Jeff Welch's lame script. Someone should take Welch's iMac away from him before he hurts himself or anyone else. And finally, Van Ryck de Groot simply was outclassed and way out of her reach, even for complete shlock like this.
Joel Silver should be ashamed.
क्या आपको पता है
- ट्रिवियाThe city of Cleveland allowed production crews to shut down Euclid Ave. between East 9th and East 14th streets from midnight to 4 or 5am, a location known as the Theater District, where Playhouse Square, the second-largest theater complex in the United States, is housed.
- कनेक्शनReferences Apocalypse Now (1979)
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