3:10 to Yuma

Christian Bale (Dan Evans) holds the screen as an honest rancher who volunteers for two hundred dollars to be part of a doomed group of guards to take the enigmatic bandit and killer Ben Wade (Russell Crowe) to a train, the 3:10, leaving Bisbee, Arizona for Yuma prison to trial…

Beaten down by an old Civil War injury, and unable to protect his farm and his family from Wade's ruthless gang and humiliated by his teenage son (Logan Lerman) who makes no efforts to hide his disappointment in his impoverished father, and who doesn't try to hide the fact that he admires the charismatic criminal, Dan finds a great quantity of reasons to undertake the perilous trip to Contention City to fight back like a real man and regain his son's respect… The story concentrates on Evans whose unknown destiny tries to paint to his son an unforgettable picture turning up poignant and endearing…

Wade—leader of a murderous band of robbers—had great respect for Dan throughout the film and develops a kind of understanding and appreciation for him… Their short scenes in the hotel room celebrate the virtues of two opposite men who stand up for what they believe stopping on issues in relation with family, dignity, virtue, and admirable integrity… The best scenes are those in which Wade teases Dan: "Your conscience is sensitive, Dan. It's not my favorite part of you."

Crowe's interpretation of a gifted cold-blooded smooth-talking bad man is one of the most compelling parts of the film… Bale is splendid as the struggling, crippled rancher, misunderstood by his whole family… The two actors comfortably inhabit this stunning western…

It is nice to see that there are still good westerns being made lately… And James Mangold's "3:10 to Yuma," a remake of Delmer Daves' 1957 picture, is one of them… It is a Western with realistic violence, great action sequences, breathtaking photography, and an inevitable final shoot-out

I really can't be bothered to write an in depth review, but I feel like this needs to be said.

The last 20 minutes or so of the film turn this from mediocre, to rubbish.

No one's actions, or reactions seem to make any sense nor are they the least bit believable.

In your head you will say things like: "why has he done that?" "well that wouldn't happen" "that's not how that character would react" "but what about (X)?"

The only saving graces of this film is the good acting.

"The boys dressed themselves, hid their accoutrements, and went off grieving that there were no outlaws any more, and wondering what modern civilization could claim to have done to compensate for their loss. They said they would rather be outlaws a year in Sherwood Forest than President of the United States forever." Mark Twain's Adventures of Tom Sawyer

In 3:10 to Yuma, a few references to The Magnificent Seven and the idea of a train arriving at a specific time when good and bad guys converge, as in High Noon, made viewing this Glenn Ford remake from 1957 a pleasant one. And right I was but for even more good reasons.

Not since Unforgiven and The Quick and the Dead have I been as excited about seeing a Western in its heroic and revisionist forms. 3:10 to Yuma is a true Western in the American film tradition about the 19th-century American West: It has clear heroes and villains (and a mixture of those), wide prairies, dirty towns, fast guns, weak lawmen, cunning murderers, kids on the cusp, and women marginalized, just for starters.

Then ratchet up to the philosophical/post modern/post Eastwood reflections on the profession of being a gunman juxtaposed with being a responsible father, and you have an classic angst-filled clash where villain has a wee bit of heart and hero an equal measure of cowardice. Delightfully mix in a certifiable baddie in the Lee Van Cleef/Jack Palance tradition, Ben Foster (Alpha Dog) as Wade's amoral lieutenant Charlie Prince (as in "of darkness"). Best of all, it is nail-bitingly suspenseful and beautifully photographed.

In order to pickup some home-saving cash, poor crippled farmer Dan Evans (Christian Bale) is helping transport murderer Ben Wade (Russell Crowe) to court via the 3:10 to Yuma from Bisbee, Arizona. Getting Wade to the station is no easy task, even for the several deputies, because Wade's evil gang is in hot pursuit and more importantly, Wade is psychologically working on them from within, alternately charming and brutal; just imagine his roguish smile behind an extremely fast gun and unscrupulous conscience.

It's hard to believe a studio could dump such a winner in the dog days of summer. I will say only that if you have even a modicum of respect for this genre, see 3:10 to Yuma and relive the golden days of straight-up shoot-em ups with rough-hewn characters, electric plot, and revisionist attitude about the romance of being an outlaw or a farmer. Get there on time because that movie train goes fast from the get go.

Just saw a screening of this movie in New York. Amazing. Bale continues to prove that he is quickly becoming one of the best lead actors out there. Crowe exudes cool throughout the movie as a heartless, smooth talking, Bible quoting killer. Of course...Ben Foster. Yes. Ben Foster. Welcome him to the bigtime, cause he made this movie. There hasn't been a western with a character so badass as the one Ben Foster plays in this movie. Story-wise, the movie is an opposite Butch Cassidy and the Sundance Kid, with the good guys trying to run away from the bad guys in order to make a 3:10 train to Yuma. What ensues is an awesome movie you wanna watch till the last battle.

The western genre is all but dead in Hollywood these days but every now and then a film comes along that reminds us of the genre's potential. The last one was Costner's OPEN RANGE, and this one manages to be even better than that thanks to the central pairing of Russell Crowe and Christian Bale. 3:10 TO YUMA is an actor's film from the off, a powerhouse pairing of two Hollywood stars at the top of their game, who can actually act.

Although the rest of the movie is excellent it's these two guys who make it unmissable. Clearly, this isn't some kind of B-movie with black and white characters; Crowe is introduced as the chief villain yet ends up showing a lot more humanity and character than many of the good guys. Bale takes his flawed hero role and runs away with it, turning what could have been a caricature – what with his crippled leg and everything – into a deeply human guy who you just can't stop watching.

The plot works really well because it's fast paced. The story is told through action, which is a very difficult thing to achieve – off the top of my head only the BOURNE films and the TERMINATOR films are similarly successful. There are dozens of shoot-outs, things exploding, showdowns and more – all you could expect from a hi-tech western and all expertly choreographed. Yet it's the script, too, which makes the film, creating thoroughly engaging 'quiet' moments just as riveting as all the chases and shooting. My favourite scene is in the run-up to the showdown, set in a hotel's bridal suite, where the assorted characters ponder their fate and decide their futures. It's tremendously suspenseful and edge-of-the-seat viewing material.

The supporting cast does a very good job – from an almost unrecognisable Peter Fonda as a grizzled cowboy to Ben Foster as another creepy, hateable bad guy. Director James Mangold has proved himself in the past with the likes of COP LAND and he once again shows that he's a master of his craft, able to deliver a solid, exciting and highly entertaining movie despite the familiarity of both the setting and the set-up. 3:10 TO YUMA is a masterful film and one to be enjoyed over and over.