जेसी और सेलीन पहली बार मिलने के नौ साल बाद, वे जेसी के पुस्तक दौरे के फ्रांसीसी पैर पर फिर से एक-दूसरे से मिलते हैं।जेसी और सेलीन पहली बार मिलने के नौ साल बाद, वे जेसी के पुस्तक दौरे के फ्रांसीसी पैर पर फिर से एक-दूसरे से मिलते हैं।जेसी और सेलीन पहली बार मिलने के नौ साल बाद, वे जेसी के पुस्तक दौरे के फ्रांसीसी पैर पर फिर से एक-दूसरे से मिलते हैं।
- 1 ऑस्कर के लिए नामांकित
- 10 जीत और कुल 32 नामांकन
सारांश
Reviewers say 'Before Sunset' revisits the romance of Jesse and Celine, exploring mature love and the passage of time. The film is lauded for its natural dialogue, the compelling chemistry between Ethan Hawke and Julie Delpy, and its philosophical depth. Critics appreciate the realistic character development and emotional resonance. However, some find the pacing slow and the ending ambiguous, leading to mixed reactions. The Parisian setting and real-time narrative are noted as distinctive and captivating elements.
फ़ीचर्ड समीक्षाएं
This is simply one of the best movies I've seen, with very few qualifications. Maybe I should say that this is one of the best "simple" movies I've seen. Perhaps it is a bit like cooking, use fresh and quality ingredients and you can make something great without a lot of unnecessary stuff. Unfortunately, Hollywood just doesn't seem to have the ambition to make these type of movies anymore.
In any event, this is one of the few sequels that matches the intensity and integrity of the original. First, it has many simple, yet stylish and honest shots. Perhaps the Scorcese shot is used too much (i.e. following the actors on a long walk without cutting a la Goodfellas kitchen scene), but I don't think so because it makes sense in the context of the movie. Second, many of the shots have interesting emotive effect. For instance, towards the end of the movie, after these "lovers" are fighting the clock (because Ethan Hawke's character needs to catch a flight) and are cruising down the river, they are so engrossed in their conversation and the fact that they are trying to get so much out of the last few minutes they don't notice their ride is coming to an end. However, we the viewer can see what the characters either don't see or don't want to see, that the boat is crossing over the river to its destination and the departure no one wants to deal with. The viewer is given a wonderful sense of dread as the bank approaches in the background, because we know what is going to happen when the ride ends, and like the characters, we don't want it to end either. Even if the film borrows heavily from other great movies (e.g. My Dinner with Andre) it is independent of those influences.
Julie Delpy and Ethan Hawke were great per usual. Making the dialogue ring true is difficult, but they pull it off. As before, they completely capture the nature of the intimate and friendly conversational style of friends or lovers that is normally edited out of most movies. When people talk, things are not always sequential or rationale, and unlike most movies this movie doesn't try and correct that. Not for a moment does the audience find themselves thinking that this is some sort of charade and no one would ever talk like that. The dialogue is intelligent and insightful, but that is because the characters are intelligent and have a knack for being brutally honest with their thoughts and feelings.
This is movie excellence, and I'm glad some film makers are still trying to make art. Despite the romantic themes this isn't a date flick, so be prepare to deal with the difficult and often unresolved issues of love and relationships that arise.
In any event, this is one of the few sequels that matches the intensity and integrity of the original. First, it has many simple, yet stylish and honest shots. Perhaps the Scorcese shot is used too much (i.e. following the actors on a long walk without cutting a la Goodfellas kitchen scene), but I don't think so because it makes sense in the context of the movie. Second, many of the shots have interesting emotive effect. For instance, towards the end of the movie, after these "lovers" are fighting the clock (because Ethan Hawke's character needs to catch a flight) and are cruising down the river, they are so engrossed in their conversation and the fact that they are trying to get so much out of the last few minutes they don't notice their ride is coming to an end. However, we the viewer can see what the characters either don't see or don't want to see, that the boat is crossing over the river to its destination and the departure no one wants to deal with. The viewer is given a wonderful sense of dread as the bank approaches in the background, because we know what is going to happen when the ride ends, and like the characters, we don't want it to end either. Even if the film borrows heavily from other great movies (e.g. My Dinner with Andre) it is independent of those influences.
Julie Delpy and Ethan Hawke were great per usual. Making the dialogue ring true is difficult, but they pull it off. As before, they completely capture the nature of the intimate and friendly conversational style of friends or lovers that is normally edited out of most movies. When people talk, things are not always sequential or rationale, and unlike most movies this movie doesn't try and correct that. Not for a moment does the audience find themselves thinking that this is some sort of charade and no one would ever talk like that. The dialogue is intelligent and insightful, but that is because the characters are intelligent and have a knack for being brutally honest with their thoughts and feelings.
This is movie excellence, and I'm glad some film makers are still trying to make art. Despite the romantic themes this isn't a date flick, so be prepare to deal with the difficult and often unresolved issues of love and relationships that arise.
Before Sunset (2004)
**** (out of 4)
Nine years after the events in BEFORE SUNRISE, Jesse (Ethan Hawke) returns to Paris to do a Q&A for his book, which just happens to talk about that night in Vienna. Celine (Julie Delpy) winds up coming to the event and afterwards they've got a little over a hour to catch up on what's been going on in their lives. BEFORE SUNSET is clearly an improvement over the already very good first film but what makes this one here even more special is that it captures the magic of the first picture while at the same time taking a look at the darker issues in their lives. As with the first film, it's really amazing how director Richard Linklater managed to make this feel like a documentary that you're watching and not once do you see Hawke and Delpy as actors but instead you see them as real people that are simply being filmed by an invisible camera. The film manages to really make you believe that the story is picking up nine years after the previous film and I must say that the explanation for the ending of the first movie is extremely well handled. I'm not going to spoil what happened six months later but it's perfectly handled here. Even the first appearance of Celine is extremely beautiful and perfectly done. I really liked the dialogue here but I also like the fact that it once again comes across so real. I say this because I viewed this at the same age of the characters and I thought their feelings on growing older are so true. Hearing Hawke talk about his son and relationships is just something one can connect with and like the previous film the situations make you feel as if you could be the one doing the talking or at least you know someone like these characters. Once again both Hawke and Delpy are terrific together and really fit back well in their characters. There are more emotional or dramatic moments here and both handle them well. Linklater, who wrote the script with the two stars, keeps the film moving at a great pace and really manages to make one fall for the situation that these two are in.
**** (out of 4)
Nine years after the events in BEFORE SUNRISE, Jesse (Ethan Hawke) returns to Paris to do a Q&A for his book, which just happens to talk about that night in Vienna. Celine (Julie Delpy) winds up coming to the event and afterwards they've got a little over a hour to catch up on what's been going on in their lives. BEFORE SUNSET is clearly an improvement over the already very good first film but what makes this one here even more special is that it captures the magic of the first picture while at the same time taking a look at the darker issues in their lives. As with the first film, it's really amazing how director Richard Linklater managed to make this feel like a documentary that you're watching and not once do you see Hawke and Delpy as actors but instead you see them as real people that are simply being filmed by an invisible camera. The film manages to really make you believe that the story is picking up nine years after the previous film and I must say that the explanation for the ending of the first movie is extremely well handled. I'm not going to spoil what happened six months later but it's perfectly handled here. Even the first appearance of Celine is extremely beautiful and perfectly done. I really liked the dialogue here but I also like the fact that it once again comes across so real. I say this because I viewed this at the same age of the characters and I thought their feelings on growing older are so true. Hearing Hawke talk about his son and relationships is just something one can connect with and like the previous film the situations make you feel as if you could be the one doing the talking or at least you know someone like these characters. Once again both Hawke and Delpy are terrific together and really fit back well in their characters. There are more emotional or dramatic moments here and both handle them well. Linklater, who wrote the script with the two stars, keeps the film moving at a great pace and really manages to make one fall for the situation that these two are in.
10ivko
...is that it ends. This is a fantastic film. It joins the handful of movies where I think I liked the sequel even more than the original, although I liked 'Before Sunrise' as well. Where Sunrise captured the immediacy and urgency of perfect youthful love, Sunset reflects beautifully on the aftermath of that perfection. I remember a line that says "nothing that is complete breathes", and I think that is what we see in this film. A perfect connection with another human is a blessing and a curse; having experienced perfection a part of us stops breathing, unable or unwilling to mar the perfection of that memory.
The dialogue is amazing, the acting is spot-on; this is a great film. In some ways it felt more like reading a great novel than watching a movie, in that I really felt like I knew the characters and was sad the movie had to end. Kind of like saying goodbye to an old friend. If you are an action movie kind of person, skip this flick because it will bore you to tears. If, on the other hand, you like good dialogue, well formed characters, and aren't quite jaded enough to have given up completely on the idea of true love, don't miss this film.
The dialogue is amazing, the acting is spot-on; this is a great film. In some ways it felt more like reading a great novel than watching a movie, in that I really felt like I knew the characters and was sad the movie had to end. Kind of like saying goodbye to an old friend. If you are an action movie kind of person, skip this flick because it will bore you to tears. If, on the other hand, you like good dialogue, well formed characters, and aren't quite jaded enough to have given up completely on the idea of true love, don't miss this film.
Nine years on Celine and Jessie meet in Paris not entirely by destiny or sheer force of circumstance... Nine years ago I loved Before Sunrise so much! And identified with it even though I was far from home not out of choice - and a war of the kind that bothered Celine in Bosnia was going on in my own country... But I was young. I was 24, actually, very romantic and innocent. Now I Know how things work a little better. The world, relationships. But I'm still plunging into causes for their own sake. And I'm still a reasonably normal person. Just like the characters in this film. Paris has never looked simpler in its casual elegance. Dialogue has never seemed more natural. A script never touched real life like this one so effortlessly. I'm in love with these characters - and with the ending... This is how European Cinema used to be - and Hollywood, too for that matter. Naturally real and magical in the details.
Very few films can match up to the original first movies. 'Before Sunset' is one such. This time Linklater has co-written the screenplay with Hawke and Delpy. Jesse and Celine reunite after nine years. Things haven't turned out the way they had expected but here's a chance. 'Before Sunset' follows pretty much the same style as 'Before Sunrise'. This one too is very much a conversational piece. Here the score is used to a minimal. During the end we hear some songs including Julie Delpy's beautiful 'My Waltz'. The cinematography consists of more long shots than in the first movie. The film has a very mature feel to it. Of course Jesse and Celine are a lot more mature today and less idealistic than they were nine years ago. Linklater beautifully captures the love between these two characters as he walks us through the streets of Paris. Here too the dialogues are just as magical as in the first movie except that this time there's a melancholy about the things that could have been, the years that they could have been together. Both Ethan Hawke and Julie Delpy are terrific as ever and they deserve additional praise for the writing and Ms. Delpy for her singing. Overall, 'Before Sunset' has everything that made 'Before Sunrise' a phenomenal movie experience.
क्या आपको पता है
- ट्रिवियाIn the movie, Jesse (Ethan Hawke) confesses to Celine (Julie Delpy) that he wrote a book about their meeting 9 years before, partially in the hope that she would read it and re-establish contact with him. Like Before Sunrise (1995), this is based on events in director Richard Linklater's own life. He had once spent a night walking and talking around Philadelphia with a woman called Amy in 1989. Though they initially stayed in touch over the telephone, they lost contact eventually. In 1994, Linklater shot Before Sunrise (1995), based on his night with Amy. Like Jesse in "Before Sunset", Linklater was secretly hoping that Amy had heard of the movie, and would show up at the premiere, but she did not. When "Before Sunset" was released, she did not show up either. It wasn't until 2010, before Linklater started production on the second sequel, Before Midnight (2013), that a friend of Amy, who knew about their story, contacted Linklater to tell him that Amy had died in a motorcycle accident on May 9, 1994, at the age of 24, a few weeks before he started shooting Before Sunrise (1995).
- गूफ़While walking in a park, an extra passes Jesse and Celine. When the camera angle moves to their front, he passes about 10 seconds later.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Before Sunset?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Antes del atardecer
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $27,00,000(अनुमानित)
- US और कनाडा में सकल
- $58,20,649
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,19,425
- 4 जुल॰ 2004
- दुनिया भर में सकल
- $1,65,06,532
- चलने की अवधि1 घंटा 20 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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