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Somersault

  • 2004
  • Not Rated
  • 1 घं 46 मि
IMDb रेटिंग
6.7/10
8.3 हज़ार
आपकी रेटिंग
Abbie Cornish in Somersault (2004)
Theatrical Trailer from Magnolia Pictures
trailer प्ले करें1:48
6 वीडियो
12 फ़ोटो
DramaRomance

अपनी भाषा में प्लॉट जोड़ेंA young girl flees her hometown and arrives in the Australian Alps, where new experiences help her learn the differences between sex and love.A young girl flees her hometown and arrives in the Australian Alps, where new experiences help her learn the differences between sex and love.A young girl flees her hometown and arrives in the Australian Alps, where new experiences help her learn the differences between sex and love.

  • निर्देशक
    • Cate Shortland
  • लेखक
    • Cate Shortland
  • स्टार
    • Abbie Cornish
    • Sam Worthington
    • Lynette Curran
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.7/10
    8.3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Cate Shortland
    • लेखक
      • Cate Shortland
    • स्टार
      • Abbie Cornish
      • Sam Worthington
      • Lynette Curran
    • 67यूज़र समीक्षाएं
    • 59आलोचक समीक्षाएं
    • 73मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 41 जीत और कुल 15 नामांकन

    वीडियो6

    Somersault
    Trailer 1:48
    Somersault
    Somersault Scene: Scene 4
    Clip 1:58
    Somersault Scene: Scene 4
    Somersault Scene: Scene 4
    Clip 1:58
    Somersault Scene: Scene 4
    Somersault Scene: Scene 3
    Clip 2:37
    Somersault Scene: Scene 3
    Somersault Scene: Scene 5
    Clip 1:28
    Somersault Scene: Scene 5
    Somersault Scene: Scene 2
    Clip 2:04
    Somersault Scene: Scene 2
    Somersault Scene: Scene 1
    Clip 1:27
    Somersault Scene: Scene 1

    फ़ोटो11

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 6
    पोस्टर देखें

    टॉप कलाकार27

    बदलाव करें
    Abbie Cornish
    Abbie Cornish
    • Heidi
    Sam Worthington
    Sam Worthington
    • Joe
    Lynette Curran
    Lynette Curran
    • Irene
    Damian de Montemas
    • Adam
    Olivia Pigeot
    Olivia Pigeot
    • Nicole
    Alex Babic
    • Brian the Barman
    Elizabeth Muntar
    • Ticket Vendor
    Justin Martin
    • Guy
    Ben Tate
    • Sean
    Joshua Phillips
    • Josh
    Nathaniel Dean
    Nathaniel Dean
    • Stuart
    Paul Gleeson
    Paul Gleeson
    • Roy
    Bruce Ross
    • Staring Man
    John Sheerin
    • Pat
    Anne-Louise Lambert
    Anne-Louise Lambert
    • Martha
    • (as Anne Louise Lambert)
    Erik Thomson
    Erik Thomson
    • Richard
    Hollie Andrew
    Hollie Andrew
    • Bianca
    Archer Lyttle
    • Pete
    • निर्देशक
      • Cate Shortland
    • लेखक
      • Cate Shortland
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं67

    6.78.3K
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    फ़ीचर्ड समीक्षाएं

    8noralee

    Sympathetic Portrait of Runaway Teenager as Child/Woman

    "Somersault" is a fresh spin on the in-over-their heads teenager movie, particularly the mixed-up city girl confusing the well-meaning country boy sub-genre. It is a sophisticated look at the motivations and resourcefulness of a teen age runaway.

    In her debut feature, writer/director Cate Shortland poignantly captures a girl's search for love and independence through sex. It isn't often that we see a film about tantalizing jail-bait from the girl's perspective.

    The town settings from Canberra to Jindabyne in New South Wales are unusual for Australian films we usually get to see in the U.S., providing an unusual meeting place for cold-weather tourists, the poor in their service industry, and farmers in from cattle stations.

    Abbie Cornish is a marvel in the central role. Looking startlingly like the young Nicole Kidman from her early Australian movies such as "Flirting", she morphs from coltish girl to sexual aggressor, even as it's clear she doesn't understand what she's getting herself into by thinking she can live out her fantasy in following one guy after another who she has met on the road. With the glimpses we get of her tumultuous inner world through a childish diary, "Heidi"s naiveté is palpably painful as Cornish projects her at different times in the film as being the character's actual 16 or pretending to be 20 when she thinks she can use sex as a manipulable tool without realizing what creepy situations can result. The subtlety of her performance extends to how differently she relates to men than women, particularly as she keeps seeking out mother figures.

    Sam Worthington is heartbreakingly sweet as equally naive, somewhat older "Joe", who clumsily becomes her protector and something more. I wasn't clear, though, about his back story with issues in his past (there's a lot of family secrets all around). The film also comments on bloke culture, including the ambiguous touches of homo-eroticism in male bonding.

    The scenes between these two marginalized young people are engrossing with their attraction and hesitation, as they clumsily imitate adult behavior that they can't really handle. Bouncing between maturity and immaturity, tenderness and aggression, they have enough trouble expressing and understanding their feelings without adding sex into the mixture.

    A side story with an autistic child leads to a way too didactic discussion about empathy and emotions, with flash cards no less.

    The cinematography had a lovely blue haze, but used fuzzy focus too often.

    I had some difficulty understanding the male dialogue among thick accents and low sound projection in the Time Square Theater, compounded by the restless male audience, up and down, in and out, slamming doors, who seemed mostly attracted to the film by Cornish's nude scenes.

    This film is a creative contrast to American indie films that tend to see young women on the cusp of adulthood more as victims as they experiment with their sexual power, such as "Blue Car" or "Hard Candy", or in commercial fare as innocents, like "The Sisterhood of the Traveling Pants", let alone male fantasy objects as in "American Beauty". A spate of recent non-American directors have focused on their impact on males, such as in "The Holy Girl (La Niña santa)", "À Tout de Suite (Right Now)", and "Lila Says (Lila dit ça)", with varying degrees of the success of this film in capturing their girl/woman confusion.
    9alexcs-1

    2 Years On, A Very Moving Film

    I must confess some bias, being a massive fan of the Snowy area :) This film I can see not appealing to those who have never been to the Cooma/Jindabyne area of NSW. They will have no point of reference. For those who have however, this film is simply brilliant. I have stayed at the motel Heidi stayed at. I have visited friends with houses like Joes. The mood/feeling of Heidi around the edges of Lake Jindabyne are uncanny. There is a feeling down there I have not had anywhere else in Australia. A barren, cold feeling that is at once breathtaking and heartbreaking.

    Objectively, one could indeed see this movie being light on concerning the plot. In my mind and experiences though, I have never been so engrossed. Heidi and Joes relationship is so tantalising. So possible. It might seem to some as not realistic, but it really is. This is how many, many Australians express themselves ( on a good day! ) It is pure, and wonderful, and simply amazing and I don't care that this may have been the only film close to warranting attention in 2004. It is regardless completely brilliant, and I for one will be holding it close to my heart for a long long time to come.

    Australian cinema very rarely gets this close to actual emotion, and this film hits it again and again. Some of it may be contrived or stereotypical, but overall it really is a gem hidden amongst 21st century Australian cinema pap. Enjoy it please :)
    7brucebarr

    Very well done

    Although slow to start I found I became increasingly involved in the story (young girl finding out what's appropriate in life and love) as the characters lives unfolded. By the end I was totally hooked. There might have been an attempt to show too many facets of the Australian character in this movie, but, in the end I didn't mind because the characterizations were so good. Rare to find in any movie. Was also nice to enjoy some good acting from unknown faces and excellent cinematography - the film had a great look - pale blue/white and red, and good editing. Don't be put off by the negative comments in other reviews, I know I shouldn't say this, but I think they've missed the point :)
    diane-34

    A dense, uncomfortable film that should be seen.

    I admit that I'm a film coward-domestic and personal interaction can put me on the edge and yesterday afternoon I was on the edge for the entire length of this movie. That is not to say that the film was in any way poorly made or grade B-it was just the opposite. Somersault was a brilliantly crafted, directed and acted film and it deserves a huge audience around the world. It is nothing a Hollywood film is: no physical violence [but much mental violence and disorder], no crime, no lame sappy ending, no laboratory special effects-in short a real film about real people living real lives.

    The GenXers do it differently than my generation did but that is to be expected-I just found Cate Shortland's look into their lives a little edgy for someone further down the age track like me. I admired greatly the acting as well as the cinematography of the film; the direction was superb as Ms. Shortland spliced together the fragmentation of the lives of the principle characters. Those lives were highly disjointed but that is probably a generational comment because the people portrayed seemed less upset about their situations than I felt about them.

    The film deserves all the accolades it is receiving-make every effort to see it.
    8rusingram

    Teen girl runs away from home, and learns hard lessons

    I saw this film this weekend at a film festival in Austin, Texas, without having heard anything about it ahead of time, and without reading any reviews. I suspect that going in to the theater without any expectations made it more enjoyable to watch.

    The cinematography was excellent, and the acting was quite strong. The script was a bit weak, but did not get in the way of the film being engaging and interesting. The story is a bit ethereal at times, by design I think, and flows gradually as the scenes change.

    I'd recommend it, especially for anyone who is comfortable with unconventional scripts.

    इस तरह के और

    Blue Car
    6.6
    Blue Car
    Jindabyne
    6.3
    Jindabyne
    Vanity Fair
    6.2
    Vanity Fair
    Lantana
    7.2
    Lantana
    Double Lover
    6.2
    Double Lover
    Bright Star
    6.9
    Bright Star
    Candy
    7.2
    Candy
    The Last Hangman
    7.4
    The Last Hangman
    Lore
    7.1
    Lore
    Copenhagen
    7.0
    Copenhagen
    Adore
    6.2
    Adore
    The Silence
    6.2
    The Silence

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Took 7 years to make.
    • गूफ़
      When Joe pours hot water onto the icy windscreen of his car, no steam appears.
    • भाव

      Joe: You know when you were a kid, did your mum ever used to spray perfume in the air and sort of walk through it?

      Richard: [nods]

      Joe: She's like that.

      Richard: Like perfume?

      Joe: No... see, when you leave you still feel her on your skin.

    • कनेक्शन
      Featured in Inside the Snowdome: Making Somersault (2005)
    • साउंडट्रैक
      Once Again
      Written by Matt Walker

      Performed by Matt Walker & The Necessary Few

      Sony/ATV Music Publishing Australia

      Licensed courtesy of Spaghetti Records

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल20

    • How long is Somersault?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 16 सितंबर 2004 (ऑस्ट्रेलिया)
    • कंट्री ऑफ़ ओरिजिन
      • ऑस्ट्रेलिया
    • आधिकारिक साइटें
      • Magnolia Home Entertainment - Press Kit and Production Notes
      • Magnolia Pictures
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Tepetaklak
    • फ़िल्माने की जगहें
      • Belconnen Bus Interchange, Belconnen, Canberra, Australian Capital Territory, ऑस्ट्रेलिया(location)
    • उत्पादन कंपनियां
      • Red Carpet Productions
      • Australian Film Finance Corporation (AFFC)
      • Fortissimo Films
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $92,214
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $21,566
      • 23 अप्रैल 2006
    • दुनिया भर में सकल
      • $14,82,316
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 46 मिनट
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Abbie Cornish in Somersault (2004)
    टॉप गैप
    What is the Hindi language plot outline for Somersault (2004)?
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