जैसा कि एक ही दिन में 4,400 लापता व्यक्तियों का फिर से प्रकट होना वैश्विक समुदाय को भ्रमित करता है, मामले पर संघीय एजेंट धीरे-धीरे तरीकों की खोज करते हैं।जैसा कि एक ही दिन में 4,400 लापता व्यक्तियों का फिर से प्रकट होना वैश्विक समुदाय को भ्रमित करता है, मामले पर संघीय एजेंट धीरे-धीरे तरीकों की खोज करते हैं।जैसा कि एक ही दिन में 4,400 लापता व्यक्तियों का फिर से प्रकट होना वैश्विक समुदाय को भ्रमित करता है, मामले पर संघीय एजेंट धीरे-धीरे तरीकों की खोज करते हैं।
- 3 प्राइमटाइम एमी के लिए नामांकित
- 1 जीत और कुल 13 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
Watching the 4400 is a bit like going to quiet café for a quick bite to eat and, unexpectedly, having one of the best meals of your life.
Hard to follow, and occasionally borderline kitsch, somehow The 4400 keeps you hooked with the fascinating characters, deep plot and unpredictable turns.
The storyline is highly original. The actors and the characters that they play are highly engaging. It tests some scientific and moral boundaries and makes some other programmes seem like music videos in comparison.
I think it is a sci-fi classic which, like Dune, will be loved by a small hardcore of fans, whilst most will just scratch their heads wondering what it is all about.
Hard to follow, and occasionally borderline kitsch, somehow The 4400 keeps you hooked with the fascinating characters, deep plot and unpredictable turns.
The storyline is highly original. The actors and the characters that they play are highly engaging. It tests some scientific and moral boundaries and makes some other programmes seem like music videos in comparison.
I think it is a sci-fi classic which, like Dune, will be loved by a small hardcore of fans, whilst most will just scratch their heads wondering what it is all about.
The 4400 is in a word - amazing! The acting is excellent and I'm glad it's an ensemble piece. The vulnerability of Shawn as he struggles with his abilities & social life is well captured by Patrick Flueger. Maia (Conchita Campbell) is innocently cryptic. The romance between Richard & Lily is sweet and deals sensitively with racial issues. Tom & Diana learn to care about the returnees as people, not subjects, and certainly prove themselves in the fantastic finale. The remainder of the cast including Kyle (Chad Faust) in a mysterious coma and Jordan (Bill Campbell) as the sinister, self appointed leader of the 4400 are also well cast. The storyline kept me gripped throughout. The music was well chosen, especially "Bye Bye, Baby" in the pilot. I love the title sequence too. The effects are superb. The second season proved to be just as exciting and emotional, as the first. It also introduces Jeffery Combs, my favourite Star Trek actor. It's his best role yet. Each key character gets a storyline of their own, which intercut nicely with the overall arc. For every question answered, there's a new one raised, so you're never bored. This is essentially a show about people, rather than solid sci fi, which is a definite plus. Well worth buying the DVDs. I'm sure Season 3 will be equally fantastic. I can't wait. A+++
I actually quite enjoyed the first series. I was compelled to watch through to the final episode to see the characters story arc's develop.
Yes there are the typical Sci-fi clichés (maybe 4400 by the time the show is finished?). But I would say that this is a Sci-fi show and not a Sci-fact show, and by it's very nature it's a work of fiction, thus real world science doesn't really matter or nessecarily apply.
The scene the first post was alluding to was (I'm sure) not intended to be a dazzling display of the script writers grasp of near and outer orbital rocket science, but a characterization of both the governmental paranoia and hopeless desperation that humans can exhibit when faced with seemingly futile situations.
Personally, I don't think the acting is too bad, yes it does smack of countless other Sci-fi shows and draws heavily on many common themes running through all Sci-fi series, but what shows don't? There is little originality in Sci-fi these days, but the premise of this show is at least relatively unexplored.
How many shows do you know that effectively try to portray the multitude of challenges that face abductees when they try to re-integrate into a society that seemingly doesn't want them, can't understand them or are jealous of them?
Comparisons are inevitable, but when you're subconsciously thinking "Mulder and Scully" or "Rouge and Wolverine" while you are watching supposedly new characters then as a script writer you've got to try to distance yourself from what could easily be considered as stereotypes. This is probably my greatest (and only real) criticism.
If the script writers were just a little less derivative, and a bit more adventurous then I think we have a winner.
P.S. Oh, and they need to stop the re-caps at the start of every darn episode, the fast forward button on my Tivo's getting worn out as it is.
Mqark.
Yes there are the typical Sci-fi clichés (maybe 4400 by the time the show is finished?). But I would say that this is a Sci-fi show and not a Sci-fact show, and by it's very nature it's a work of fiction, thus real world science doesn't really matter or nessecarily apply.
The scene the first post was alluding to was (I'm sure) not intended to be a dazzling display of the script writers grasp of near and outer orbital rocket science, but a characterization of both the governmental paranoia and hopeless desperation that humans can exhibit when faced with seemingly futile situations.
Personally, I don't think the acting is too bad, yes it does smack of countless other Sci-fi shows and draws heavily on many common themes running through all Sci-fi series, but what shows don't? There is little originality in Sci-fi these days, but the premise of this show is at least relatively unexplored.
How many shows do you know that effectively try to portray the multitude of challenges that face abductees when they try to re-integrate into a society that seemingly doesn't want them, can't understand them or are jealous of them?
Comparisons are inevitable, but when you're subconsciously thinking "Mulder and Scully" or "Rouge and Wolverine" while you are watching supposedly new characters then as a script writer you've got to try to distance yourself from what could easily be considered as stereotypes. This is probably my greatest (and only real) criticism.
If the script writers were just a little less derivative, and a bit more adventurous then I think we have a winner.
P.S. Oh, and they need to stop the re-caps at the start of every darn episode, the fast forward button on my Tivo's getting worn out as it is.
Mqark.
I must absolutely agree that this show relies more on imagination of the viewer rather than special effects. For me, I wouldn't have it any other way. I like the fact that it makes me want to watch the next episode to see what happens next. What it takes from effects definitely makes up with outstanding performances, well rounded imagination, and an excellent plot. I would recommend this series not only to avid sci-fi watchers but also to lovers of other genres as well. It has a certain flair that I feel would appeal to all audiences, young and old. If you liked the suspense of the X-Files you will be on the edge of your seat with this one. Lots of twists and turns to keep you coming back for more. I would say keep your eyes to the skies and keep an open mind. Not only will you want to know what happens next, you'll be waiting for the next episode to find out. Two big thumbs way up!
Man I hope it's not just me, but Season 3 was terrible, and even though Season 4 just started my hopes that it would be better this year have been dashed so far. It's not just me that thinks that is it? The 1st season was great (mini-series included) and even the second was pretty good. But now it just seems to be lost! I don't know what the hell the deal is with it, but it seems like the writers are snoozing or maybe they are off on other more important projects, I don't know. It is a real shame because there is nothing else to watch during the summer. I really wish they would get with program and make it enjoyable to watch again. If this keeps up, I doubt we will see a fifth season.
क्या आपको पता है
- ट्रिवियाFor advertising the show, stock images were purchased from various stock image agencies to create a variety of people to show as part of the 4400 missing people. This was most likely to avoid paying various actors to use their image for the advertisement purpose.
- गूफ़The Titan missiles continue to show contrails as they approach the "comet" even though the comet is in space. Rocket contrail would require atmosphere to form.
- भाव
Dr. Max Hudson: If I start to go crazy can you... take care of me?... In the back of the head!
Diana Skouris: You won't even see it coming... Dr. Hudson?
Dr. Max Hudson: I just gave you permission to blow my head off. You can call me Max.
- कनेक्शनFeatured in The 57th Annual Primetime Emmy Awards (2005)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does The 4400 have?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Los 4400
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 43 मि
- रंग
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