On the Outs

Three teen girls at three different forks in the road, and they all manage to go the wrong way only to meet up in juvenile hall. What will they do when they get out? I'm not telling, but I will say that Judy Marte ("Raising Victor Vargas") has grown up and even though her character wears a sweatsuit for most of the movie she's still the one of the most gorgeous Latinas ever to fall under the Hollywood radar. As a 'tough girl' she plays it so perfect that most people on the street would take her for a 'thug' instead of a female 'homie'.

Overall a strong drama that might look like an afterschool special on paper but raises the bar by not pulling any punches. Parents might with troubled teens might want to check this one out and then decide whether it could be useful for starting discussions with their own teens.

The vicious cycle of 'poverty-to-jail' has got to come to end sometime. Communication is one of the keys and this film is certainly a conversation starter. Check it out!

I just saw this movie as part of the Images of Black Women Film Festival in London. I got to say I was pleasantly surprised by the film, which I guess wouldn't be shown in the UK without this type of festival.

Set in New Jersey it follows three different young women. It's a fairly familiar tale if you've seen the likes of Boys in the Hood, Menace to Society, as it's a tale of growing up in inner city America today and the trails and tribulations that entails. That said it was an interesting take on the Genre in that it is to my mind the first film to tell this type of story from a female perspective.

Judy Marte's performance in the film is first rate as a drug dealer and reminded me of Michelle Rodriguez's in Girl Fight, one only hopes she goes on to have as good a career. Her two other co-leads give adequate performances from somewhat under written parts.

All in all a really good little movie, well worth watching.

Five minutes into this movie, I thought that I was going to hate it. The initial setup of three tragic stories seemed a little trite, but the incredibly believable, candid acting of the three female leads blew right through my preconceptions. The stories are probably all too common, but the film-makers managed to make each girl's story very personal. The film's style is gritty and the camera work emphasizes that well. I really liked some of the candid shots of people hanging out on the streets. It really gives you the sense of what it would be like to live in those circumstances. Kind of sad and frightening, really. One gets the impression that the film-maker's were working from personal experience. I would highly recommend this movie, especially to people looking for something non-Hollywood main stream. No stars, but really, really good acting.

I saw this film on its last night at the Film Forum in NYC. It was a special night as one of the producers, one of the actors, and a good crowd showed up. The producer spoke before the show and asked us to spread the word if we liked the film, and to keep it to ourselves if we didn't...I'm spreading the word.

Shot in grittier parts of Jersey City, which lies just across the Hudson River from Manhattan, with a cast of mostly unknown actors, this film does a fantastic job of peeling back the lid on urban ghetto life. It's not a documentary but has a cinéma-vérité quality that is truly remarkable for a fictional film. Being young and working in film is cool, but making a first film that is as incredibly powerful as this one is an extraordinary achievement for the cast, crew and writer/director, Lori Silverbush.

I enjoyed seeing a film set in the much maligned Jersey City. I lived there for several years and the locations used were well chosen (kudos to the location scouts). The montage of JC images (places and people) in the beginning of the film did an excellent job of establishing the setting for the viewer, and was well-queued with the throaty, resonating rendition of "Motherless Child" (kudos to the editors for that one). I was happy to see the beautiful Judy Marte, from Raising Victor Vargas, playing a super-tough drug dealing lesbian(?). If not always strong, the entire cast had an honesty to their performances that made it seem as if they were really playing themselves caught on film. The seduction scene with Tyrell (Don Parma), for instance, gives mothers in the audience a picture of the kind hustler boyfriend you don't want your daughter to have.

I was deeply moved, and I hope this film gets a lot of mileage. If I were still a public school teacher in the hard knock Bronx, I wouldn't hesitate to send those permission slips home (because of profanity and drug use) in order to show this to my students. I highly recommend anyone who works in urban education to see this film...and share it with their students.

On The Outs is a gripping movie that every teen should see this season. The film is about three young girls living in Jersey City whose lives intersect at a juvenile detention center.

Oz is a 17 year old drug dealer. She is very butch and really carries herself as one of the guys. She fights like the guys, dresses like the guys, talks like the guys and sells drugs on the street corner with the guys. The only person she seems to have a real emotional connection with is her mentally disabled brother. In a case of irony, Oz despises drug use and people who use drugs--despite the fact that she is a drug dealer. On top of all of that, Oz has a mother who is addicted to drugs.

Suzette is 15 years old and meets a neighborhood boy named Tyrell. He shows just a little bit of interest in Suzette and she gets hot and heavy with him real fast. The two become sexually active and Suzette becomes pregnant, much to the dismay of her hardworking single mother. After becoming pregnant Suzette runs away from home to be with Tyrell, a street drug dealer who doesn't seem to have a place to live himself. On the streets Suzette finds trouble far beyond her unplanned pregnancy.

Marisol is a young mother and a crack cocaine addict. She spends much of her time on the streets. When she is arrested following an accident she is forced to face her demons face on. While in juvenile detention her daughter is put into foster care. Marisol thinks a quick fix will help her regain custody of her daughter. She is faced with the prospect of having to stay clean and become responsible to get her daughter back.

On The Outs is the best film created for young teen girls in years. Young women today are faced with so many obstacles and choices lead to consequences. This is an excellent film and the voices of the young girls seem authentic.