Malevolence

Trusting some good reviews here I went ahead and watched Malevolence not expecting anything great but just looking for some entertaining slasher movie. If you add some imagination the very beginning of the movie might be quite intriguing, but once the actual plot develops it just annoys the hell out of you. The acting is miserable, the storyline is so predictable and shallow that there were some parts when I thought well?...maybe it's supposed to seem predictable and there's going to be some cool and unexpected twist now...Uh.Okay. Perhaps now?..No?..So I naively kept expecting and kept being constantly disappointed. Oh, and I must say I did jump out of my seat a few times - but not because I was scared, it was because of the music effects that can give you a serious headache. All in all, could have been an OK movie if it wasn't for pathetically poor acting and a storyline a ten year old kid could write.

A group of bank robbers rendezvous at an old, abandoned house in the middle of nowhere. The crime didn't go exactly as planned, and with one robber dead, and a pair of hostages in tow, the crooks attempt to wait out the night.

What they don't know is that nearby, in a dilapidated slaughterhouse, is someone who is about to pay them a visit. As night falls, the group discovers that any legal troubles they might have, pale in comparison to what they will encounter.

MALEVOLENCE is a throwback to the days of THE TEXAS CHAIN SAW MASSACRE, HALLOWEEN, and similar films. It has that "Anything could happen to anyone at any time" feel to it. Director Stevan Mena has made an homage to the classics here, adding a crime drama to the bloody mix. Recommended for lovers of the sort of horror / thrillers, that were made before the term "slasher film" was coined...

I just enjoyed this flick. However, having read the other reviews, I'm seriously wondering if viewers may have been on crack or are close friends with the director? Are they serious? No, seriously? I think that the best aspect of the movie is the fact that the director imbued it with so many MAJOR components of 80's B slasher flicks - the really bad synth music, the twisted ankle, the incessant screaming, the double twist ending - but without a hint of irony, which is rather difficult to do I would imagine! The tone is extremely deadpan. If someone had told me I was watching a horror movie made in 1988, I would have completely believed it - and is a very significant statement coming from someone like me by the way. Whether intentional or unintended, the movie works for both thrills and chills. Fun stuff - no second coming like a few other critics declare. An addendum to this story. My good friend left several messages recently for me indicating that she wanted to go to "Male Violence" - yes, several times she told me that we simply must see "Male Violence"? I asked her to spell it for me..."M- A-L-E-V-O-L-E-N-C-E"...."you haven't heard about Male Violence"? So in thanks to this movie I learned that my friend can't spell or really speak...wow.

No, it's not terribly original.

It is certainly reminiscent of Texas Chainsaw Massacre, Halloween, Friday the 13th, etc. in many ways. Oddly, it also called to mind for me a recent movie: Dead Birds (2004), which also started with a bank robbery where people got shot, and the robbers holed up at an abandoned house they knew about, where they get picked off by evil. Unlike Dead Birds, there's nothing supernatural in the movie apart from the killer's ability to take a licking and keep on ticking, but that's nothing new for a slasher.

The first storyline we are introduced to is that someone has been abducting children and killing them. Years later, a woman watches her daughter playing softball.

We also meet a young couple, and they along with the girl's brother and another man are going to rob a bank of about a half of a million dollars. The boyfriend needs the money to pay off loan sharks (I think), otherwise he wouldn't be in it. They're to meet up at an abandoned house where they will split the money and then split up themselves.

The couple and the brother are in one car, the other man is on his own. His car gets a flat, for which he is evidently unprepared, and he carjacks an SUV, which belongs to the mother and her softball-playing daughter, who are forced to come along with him. The three of them make it to the abandoned house first, and violence erupts.

The weakest part of the movie for me were the musical "stings" when the killer shows up or proves to be missing. They were pretty cheesy, to the point of spoof almost.

While the movie isn't very original, I nevertheless felt it was pretty good, and am surprised at some of the hostility towards this movie by other users. That said, if you're going to watch one bank robbers killed by evil in an abandoned house horror movie from 2004, I think Dead Birds is the more interesting one.

After a bank robbery doesn't go as planned, the criminals seek refuge in an isolated abandoned house. Soon the robbers and their two hostages find themselves terrorized by a madman. This movie is like a combination of two other horrors released around the same time: "Dead Birds" and "Toolbox Murders." Unfortunately, it isn't as effective as either of those films. The director and many reviewers have claimed this is a return to the gritty 70s style of horror film-making, but I found this to be more like your average 80s slasher. However, it doesn't have that ambiance that a film could only have by being created in the 80s. It isn't nearly as entertaining. I watched parts of the Director's commentary, and all of the things he pointed out as "homages" are things that have been done so many times that they most fans would probably take them as genre clichés and not homages. The most irritating part about this movie (besides the average acting) is the musical score. For the most part, it is eerie and subtle. However, whenever something scary happens, someone goes wild with the Casio, and the effects are grating. While "Malevolence" isn't a terrible movie, I'd honestly rather sit through an 80s slasher than a modern film that tries too hard to recapture that era.