King of California

KING OF California may not break any records for innovation of thought or script but it is a tightly made little film that allows veteran actor Michael Douglas a lollipop of a wacky role to remind us that he does have comedic talent! It also gives 20-year old Evan Rachel Wood the opportunity to compete with a Pro and come out an equal - quite a feat for such a young actress. Written and directed by Mike Cahill the story does have appeal, especially since it is set in Santa Clarita, California, a rapidly developing 'hinterland' that is suffering from the effects of too rapid industrialization, changing from a picturesque remnant of California raw beauty into yet another perky little town.

Charlie (Michael Douglas) has been in and out of mental institutions for his wacky behavior. His life as a jazz bassist and entrepreneur has always veered off the map, leaving him alone with his only daughter Miranda who has survived her father's irresponsible life by keeping the old family home (in the midst of a huge housing development) with the money she makes double shifting at the local MacDonalds. When Charlie is released his focus is on discovering the gold left behind by Catholic priests in the mid 1600s, a fact he has researched while hospitalized, on the Internet, and from the journal of one of the priests. Miranda slowly buys into Charlie's madcap scheme and adventure as a gold hunter and the caper results in a bonding between father and daughter that has been teetering on the brink of disaster for years. The manner in which Charlie, Miranda, and an old ex-con friend Pepper (Willis Burks II) go after the treasure provides most of the energy of the film.

Yes, there are bits and pieces of this project that have been done many times before (and often better), but the pleasure of KING OF California lies in the bravura and touching performances by Douglas and Wood. This is a pleasant excursion of a movie, worth an evening's gander. Grady Harp

It was too easy to expect a rug-chewing performance from Michael Douglas as a crazy person, and an exasperated, eye-rolling two-dimensional "oh I'm so put-upon by the world" job from Evan Rachel Wood.

Thankfully, those clichés were avoided in this poignant and ultimately joyful and uplifting (thank God!) story of quiet nobility, personal vision and purpose, and underlying love and strength amongst otherwise "broken" people.

It's refreshing to go into a theatre not expecting much and coming out enlightened by the combined vision of the actors, writer, director, and cinematographer.

Bravo to all involved, and here's hoping to see a strong presence at the Academy Awards.

This is a film about the relationship between a father and his daughter. The daughter is extremely responsible, and more mature than dad. Dad is an irresponsible dreamer, and the role reversal is intriguing. Michael Douglas and Evan Rachel Wood nicely compliment a very clever script. If you are the type of viewer who demands complete logic in everything that happens on the screen, you will not enjoy "King of California", because the story requires you to suspend disbelief. If you enjoy a treasure hunt, even one that is chasing smoke, then by all means see this film. It has a nice message,"you've got to believe in treasure to find it" - MERK

"King Of California" is the art house version of "National Treasure" or "Indiana Jones". It's the story of Charlie (Michael Douglas) who is released from the mental institution in which he has spent several years and is reunited with his sixteen year old daughter Miranda (Evan Rachel Wood). Although he is obviously a few sandwiches short of a picnic, Charlie manages to convince his daughter to join him in a quest for buried treasure. Together they move through Southern California looking for clues leading to the lost doubloons.

If, after reading that description of the plot, you're now expecting these two characters to run through dark tunnels with giant boulders rolling after them then you'd be wrong. "King Of California" is a slow and very quiet movie which focuses more on Charlie and Miranda repairing their relationship than the actual treasure hunt. Miranda has been forced to take a job at McDonalds in order to survive during her father's absence meaning that she is now the rational one whilst Charlie acts as a child. Their search for the treasure takes them to golf courses and busy stores where Charlie sees signs that they're on the right trail whilst Miranda, not fully believing in Charlie's dream, simply wants to spend some time with the father she's lost touch with.

Douglas gives one of his finest performances in recent years as Charlie, managing to make the character seem insane whilst also being totally appealing (witness the way in which he wins arguments by stating absurd facts and telling people to "look it up"). Evan Rachel Wood is also perfect in her role. It may not be as showy a role as Douglas' but Wood convinces you that Miranda absolutely loves her father despite all his faults (and he certainly has a lot).

Although I liked "King Of California", I really can't say that I loved it - the plot was perhaps a little too slow moving for my tastes. I certainly admired its message, however, that you should follow your dreams because dreams give you something to believe in. If you have patience and like character-driven movies which reveal their charms at a very leisurely pace (such as the movies "Sideways" or "Rushmore"), then I'd recommend watching "King Of California" for its superb acting and life-affirming message. Others - like myself - however, who prefer story lines to move along at a much quicker rate may find it a bit boring in places and slightly too whimsical overall.

After seeing the trailer for this movie and checking out the cast and filmmakers I made this a must see at this years Sundance Film Festival. The combination of Alexander Payne (Sideways,Election,About Schmidt) producing and Michael Douglas playing wacky gives hope for another great dramedy along the lines of Little Miss Sunsine and Sideways. King of California easily meets those hopes and for many it will be much more enjoyable then those former films. The movie features Douglas as Charlie a recently released mental patient with a whimsical fascination for buried Spanish treasure. While Charlie has been away his 16 year old daughter Miranda played by Evan Racheal Wood has managed to avoid child services, dropped out of school and support herself and their home by working full-time at Mcdonalds. Upon Charlies arrival home Miranda finds that life was much easier without Charlie around, not only does she have to support their home but now she has to take care of her unstable father. Persitent with his intent to search for a mythical buried Spanish treasure Miranda begrudgingly agrees to help him. The movie finds its humor and warmth in the moments shared between Charlie and Miranda during their treasure hunting through developed suburbia that leads them to a unlikely final destination. In the end the real treasure may not be the gold after all but the love between a daughter and father.

The ever developing Evan Racheal Wood is solid in the role of Miranda, the whole movie develops through her narration and her acting is effortlessly touching. Michael Douglas is outstanding and in true form here, from start to finish he's a joy to watch, this is easily his best performance since Wonder Boys. This will definitely be one of the best movies in 2007, expect praise a plenty for Douglas come awards time.