Silmido

They gang rape nurse and there are several "GAUNTLET" style shoot-outs. All of that would make for an exciting movie you'd think. This movie tells the story of North Korean shock troops that launched a botched mission to kill the South Korean President. It starts off with the soldiers being recruited from death row (a la Dirty Dozen). They then run them through a series of obstacles, but the real obstacles are the ones in their hearts and minds. Now I tried to power through one of these films before "JSA", it gets all muddled down in political and societal dialog. Now "OLDBOY, I COME WITH THE RAIN" I my favorite movies (behind "THE PRINCESS BRIDE" of course). But I don't understand Korean society or politics, all I know there is no witty repertoire or a since of comedy. Nor is there any on my sign unleash hell, or _You NEED me on that WALL, you WANT me on that WALL!" Just reading the subtitles my eyes roll to the back of my head and the next thing I know the soldiers is in a running gun-battle with the trainers.

I like South Korea war dramas, and the premises of Silmido (in Korean - 실미도) seemed to be an absolute winning formulas. Sadly, the film is a major disappointment and failed on many angles. It is far too long, far too slow, far too predictable, far too pathetic, and it lacks any redeeming feature. Yeah, the real events of 6834 Silmido groups were tragic but one could depict them better and less that pathetic. Training scenes are far too prolonged and quickly become a real bore. Dialogs are often empty and also lack depth or any credit to them. The uprising sequence is also far too predictable and suffers a lot from high-blown phrases and long, very long final scene. The good things are again the exquisite depiction of Korean nature, the great camera work and an excellent sound production. Sadly, again, but hey do not deliver the film to a better level and only underline how generally poor the execution is. Can be watched and then discarded

I believe it's still the highest grossing Korean film ever and packed cinemas in South Korea, not only due to the emotive subject. As for the film, I rate this in the top three films I have ever seen. And that's not taking away from the excellent Korean film industry. Not being too familiar with the incident at first, I was thoroughly convinced they went on the assassinate Kim IlSun and for the first 30m I was questioning history.

I think the score is outstanding, as is the cinematography. Some very emotional scenes and not the happiest of endings. Gut wrenching throughout with brilliant shades of humanity. A must watch

Korean film is blossoming, from the action thriller "Shiri" to the delightful romantic "My Sassy Girl." "Silmido" takes this ability to make excellent films in a political direction. "Silmido" is to South Korea as Costa-Gavras' "Z" was to Greece: truth-telling about terrible government misdeeds. Unlike "Z," however, "Silmido" is not only shown at home, but is hugely successful, demonstrating the increasing strength of Korean democracy. One hopes that films like "Silmido" are a sign of increasing openness, and better times ahead for the Korean people.

As was the case with "Z," the excellence of the film guarantees an international audience for the story, and the widespread attention may well lead to additional revelations. Although the details of the government plot are sordid, the film romanticizes the actions of death-row convicts, and one suspects that the filmmakers took some liberties in portraying some of their noble and comradely behavior. Nevertheless, an first-rate movie and highly recommended.

As the South Korean movie industry matures, more of their feature movies should become of interest to mainstream western audiences. Silmido is one of these movies.

The Korean peninsula continues to experience behind-the-scenes low intensity engagements between the two nations. Set in the 1960's, the nK strikes at the ROK leadership and prompts a response. The KCIA sponsors the formation of a special army unit to strike back at Pyongyang. Comprised of civil prisoners and other outcasts, the movie follows their formation, training, and deployment.

The film covers a great deal of cultural ground. The viewer gets a sense of the male-dominated, hierarchical government with its intrigues and power brokers. The spartan living conditions, training and discipline are not inconsistent with ROK practices. The motto used in the film - "Loyalty" - illustrates the conservative bent of the military system and the social schism which exists between it and the South Korean people at large. The film could have used "Strength and Honor" from Gladiator to the same effect. As a code of behavior, the concept of loyalty is the thematic underpinning for the major plot turns.

While lacking some of the pacing and plot roll-out elements of first tier film efforts, Silmido still delivers an interesting story line and succeeds as an action movie. It offers a harsh indictment of the government's leadership, not unlike American Viet Nam conflict movies, and the viewer is left with a perspective of Korean soldiers as army ants whose sole function is to live and die protecting their society.