IMDb रेटिंग
6.0/10
1.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn experimental filmmaker takes a job as a driver for a foul-mouthed child actor and his ambitious stage mother.An experimental filmmaker takes a job as a driver for a foul-mouthed child actor and his ambitious stage mother.An experimental filmmaker takes a job as a driver for a foul-mouthed child actor and his ambitious stage mother.
- पुरस्कार
- 6 जीत और कुल 9 नामांकन
Pamela Redfern
- Stewardess
- (as Pam Redfern)
फ़ीचर्ड समीक्षाएं
I saw this movie Sunday morning (and i am not a morning person) at the Toronto film festival, and I must say, it was not what I expected. First of all, it was funnier than the premise would lead you to believe. Secondly, it was actually artfully done. And thirdly, it was very different from the average slow Canadian film. Did I like the film? Yes, very much. It was more of Don McKellar's strange brand of humor, like the kind he used on Twitch City (his TV show) but faster, and maybe a little more biting. In fact, the movie was so fast and multi-layered that I'd like to see it again, soon. Overall I think this was a really entertaining film, and I would highly recommend it -- especially to those who want proof that Canadian movies can be funny, and fast, and exciting, and still smart.
Disappointing follow-up to McKellar's sublime "Last Night" (one of my favorite films of all time) and "Red Violin", this film is about an obnoxious child actor in the mold of Haley Joel Osment, his equally obnoxious stage mother (Jennifer Jason Leigh), and the hapless indie filmmaker-turned-chauffeur (McKellar) who is assigned to baby-sit them. Minor hilarity ensues from the cross-border (US/Canadian) cultural confrontations and the underage star's affectation of adult nonchalance and knowledge, but not enough to rescue the film, or the viewer. I cannot imagine what possessed the wondrously gifted McKellar to consider such a banal theme. Please regard this as my personal plea to Don McKellar to return to writing and making films of the caliber of "32 Short Films about Glen Gould", "Last Night", and Red Violin".
I just watched this for the first time on my cable companies free On-Demand. I would say, interesting...complicated...disjointed...but demanding a 2nd view. Jennifer Jason Leigh is somewhat under-stated in this, and the boy is believable at times, totally not at other times. Questions come up at the end of almost every scene, so that's why I probably will view this again. But, can't help feeling I'm watching a "E-True Hollywood Story" about "Family Ties" or "Growing Pains" (what with Alan Thicke in this) at times it feels like an entertainment documentary, with some added drama that I won't "spoil". The fact that this was filmed in Canada is kind of parody of itself in that they make fun of that fact, but yet are also filming in Canada. Ironic.
10amble84
THis movie was comic genius, and is my favorite Canadian movie ever, Finally someone has made a film that manages to be thoughtful and funny at the same time. All of my friends loved it too, though some of them thought the ending was a bit incomplete. I disagree! It was fun, and touching, and never schlocky or stupid. And Don McKellar is hilarious! In fact, most of the actors were great, including the young boy (I forget his name) who plays the kid. I guess, as a Canadian, the film makes more sense. I hope Don Mckellar keeps making strange films like this and Last Night (his first one) because no one else is doing anything this interesting AND accessible, with the possible exception of Guy Maddin's last movie.
Don Mckellar is a comic genius, as long as dry wit with an accent is your kind of laugh-a-thon. It is mine, so I loved this movie.
Mckellar plays an endearing character who has just divorced the love of his life, for whom he has shot an independent film which has no backing as his on film love letter equates romantic love to ADHD images erratically juxtaposed against the nature. Since he has to put peanut butter on his bread, he begins working as a driver for a film being shot in his hometown. Thus, Mckellar's character meets 12 year old Taylor Bradford Burns, a teenage star whose fame is hanging on his ability to maintain "adorableness as a child" and thus, his film company and agents are pushing him to do another film whether it's worth doing or not (which is certainly debatable) before his "voice changes".
Jennifer Jason Leigh is exquisite as always in her cooler than ever way, as the mother of the child. She's just looking to "take care of Taylor" the best way she knows how - which includes getting him the largest salary possible, living in the poshest house the studio will foot the bill for, and ensuring that he has "a male role model" by turning her responsibilities over to the first available and passably attractive guy she runs into --- who is of course, our newbie driver.
It's a fun movie. Taylor Bradford Burns is played by a young man who is straddling the line between youth and a teenager with more experience than anyone under 18 should have. Worth renting. Enjoy it with popcorn.
Mckellar plays an endearing character who has just divorced the love of his life, for whom he has shot an independent film which has no backing as his on film love letter equates romantic love to ADHD images erratically juxtaposed against the nature. Since he has to put peanut butter on his bread, he begins working as a driver for a film being shot in his hometown. Thus, Mckellar's character meets 12 year old Taylor Bradford Burns, a teenage star whose fame is hanging on his ability to maintain "adorableness as a child" and thus, his film company and agents are pushing him to do another film whether it's worth doing or not (which is certainly debatable) before his "voice changes".
Jennifer Jason Leigh is exquisite as always in her cooler than ever way, as the mother of the child. She's just looking to "take care of Taylor" the best way she knows how - which includes getting him the largest salary possible, living in the poshest house the studio will foot the bill for, and ensuring that he has "a male role model" by turning her responsibilities over to the first available and passably attractive guy she runs into --- who is of course, our newbie driver.
It's a fun movie. Taylor Bradford Burns is played by a young man who is straddling the line between youth and a teenager with more experience than anyone under 18 should have. Worth renting. Enjoy it with popcorn.
क्या आपको पता है
- ट्रिवियाFilmed in 19 days.
- गूफ़When Fresno and his band are rehearsing, we hear a vibraphone in the background. Assuming the keyboard player is using a synthesizer, playing that sound (which is unlikely since the keyboard looks more like a Fender Rhodes electric piano, which produces quite a different sound), his hand and finger movements don't match the vibraphone notes that we hear.
- भाव
[Natalie and Taylor have snuck onto the White House set to have sex]
Taylor Brandon Burns: So where do you want to do it? The Oval Office, The Greenroom, the Lincoln Bedroom ?
Natalie: It's your fantasy; I'm Canadian.
- क्रेज़ी क्रेडिटThe audio from the film (called "The First Son") that they are making within this movie plays over the end credits.
- कनेक्शनReferenced in I Like Movies (2022)
- साउंडट्रैकC Minor Lament for Arnold and Willis
Performed by CookieDuster
Written by Bernard Maiezza and Brendan Canning (SOCAN)
Published by CookieDuster (SOCAN)
Courtesy of CookieDuster
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- CA$50,00,000(अनुमानित)
- चलने की अवधि1 घंटा 38 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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