Kekexili

Kekekili is a mountainous wilderness in Tibet, home to the Tibetan antelope - now an endangered species since their fur became a valued commodity in the west. In the early 90's a group of volunteers formed to protect the antelope from poachers, working with meagre resources in a hostile terrain. When one of the volunteers is murdered, a journalist from Beijing travels to Kekexili to follow the patrol and tell their story.

Tibet is a country that many in the west have a very romantic image of - a culture and lifestyle as far removed from modern, urban society as any on earth. The reality of Tibetan life in the modern age is probably that it's tough, first and foremost.

Kekexili is a simple film, telling the story with no bells and whistles or attempt to shoehorn in clichéd dramatic devices, or to make the characters fit particular archetypes. People and events are presented plainly as the patrol pursue a group of poachers over the gorgeous backdrop of the mountain wilderness, risking their lives to protect the endangered antelope - but compromising themselves ethically along the way too.

The ending is perhaps a little unsatisfying, but I guess reality can be like that :)

I've been waiting for the screening of this movie for a very long time, and I guess I was really lucky that I was able to watch it at all, since there are only four copies being rotated in Germany. Considering the international approval of the movie, this seems quite ridiculous to me.

Apart from that, I don't have to add much to the other users' comments, but it can't be said often enough how much energy this film gains, first from the not-telling-but-showing technique of the portrayal of its characters; and second, from the way nature is depicted as it breaks the will even of these strong characters. They become even more realistic because of the strong inner conflict which is aroused by the necessity of selling some of the confiscated antelope skins. All in all, the movie (re-)presents existential, universal questions at least as successful as the best westerns that I have seen.

Adding to this, Kekexili is certainly also a must-see for anybody interested in the "Tibetan Question", as it shows life in the Tibetan highlands from a very uncommon angle: It's a Chinese view of "Shangri-La", torn between admiration of its spirituality and humanity and, on the other side, shocked amazement by its harshness and inhumanity. Generally, it's a universal approach independent of ideology, and that's never to be taken for granted whenever Tibet is involved (needless to say that this concerns the American or European image of Tibet as well).

From the director of The Missing Gun comes this powerful story of a journalist who travels with a small mountain patrol group as they track a band of poachers across the unforgiving lands of Kekexili, the last great wilderness.

To say this film is great is a grave understatement as its uncompromising nature and cinema verite approach to story telling elevate it above all other films of the year. What this film does so well is connect you with the protagonists in a simple, yet very effect manner. Once the initial setup and character introductions are complete, the rest of the film is spent following them through the harsh wilderness. In doing so, Lu Chuan places the viewer in the same dire situation as the mountain patrol. We're with them as they brave harsh winds, freezing water, sun-baked plains, and treacherous, snow-covered mountains. We feel their anguish as they come under attack from seemingly invisible assailants. We sense their fear and pessimism as they struggle to survive in this breathtakingly beautiful, yet ultimately deadly landscape. All this to protect Tibetan antelope. The fact that they're willing to risk everything for this unseen animal says more about their character than any amount of dialogue. They do this without a paycheck and with the knowledge that they'll probably have little to no success. By giving the antagonist so little screen time, Lu Chuan is able to broaden this story and give it global context, declaring that attitudes and actions such as this should be condemned outright. It also serves to elevate the protagonists above ordinary heroes as it can be interpreted that they're not just doing this for the Tibetan antelope, but endangered animals everywhere.

Kekexili is an enormously powerful film that should not be missed. This is far and away the best Chinese film of the year (better than Shi Mian Mai Fu (House of Flying Daggers) in every respect) and one of the best films of the year, period. 10/10

It is the best Chinese movie of the year I have seen. I was shocked by the story and the presentation of the movie. It took me quite a while to get out of it.

The movie talked about how a volunteer mountain patrol team fought against the poachers and protect the extincting Tibet antelopes. Due to the increasing demand for the leather and cashmere of Tibet antelopes, poachers drove the once 1 million antelopes to the edge of extinction (less than 10 thousand). A retired military officer volunteered to setup a mountain patrol to protect the antelopes and hunt the poachers.

What is touching is not the survival or dying of the antelopes but that of human beings above the 4000 meters (over 12,000 feet) high land. Wind, snow and deserts took away food from people and they could not make a living. Lots of people turned to hunt antelopes for their own being. Meanwhile, the team members of the mountain patrol were fighting for their own life while hunting the poachers. The volunteers had no government funding, no food, and no weapons. They were at great disadvantage when facing well equipped, out numbered and brutal poachers. Without any alternatives, they had to sell the skins of the antelopes they captured in order to support their duties of protecting the extincting creatures. The movie presents the brutal facts right in front of you and make me hard to breath.

The story was set in the period of 1993 to 1996, however, I highly suspect that it was an on-going cat and mouse game, and the situation of today may not be much better than what was described in the movie.

Highly recommended.

'Kekexili' was completely different from what I expected. Well, honestly speaking, I didn't know what to expect so my expectation was built up from the Chinese movies I'd already seen and looking at the poster, I thought it was an action movie...but i was pleasantly surprised.

This is one of the few movies today that show how simple film-making stands out. Technically speaking, special effects weren't overdone, background score was kept to a minimum, no unnecessary subplot and it sticks to the point.

To sum up the plot, 'Kekexili' is about a group of patrols who are in search of poachers. We are briefly introduced into the lives of the penniless patrols, how passionate they are about protecting the endangered antelopes, their selfless deeds and sacrifice (yes, even their lives) and their strength and courage.

Chuan Lu's direction is outstanding and he remarkably tells us this sensitive story. The actors breathe into their characters, making you forget that they are actors. Cinematography is fantastic and we also get the feel that the climate (snow, wind etc), the haunting mountains and the city are characters themselves.

Being an animal lover myself, I was very moved by 'Kekexili' as a felt for all the characters and their passion and courage really touched me. However, I wouldn't say this is only restricted to animal lovers because 'Kekexili's about selflessly fighting with courage, honour and passion (without giving up) for something you believe in because the effort will not go in vain.