In Good Company

Dennis Quaid is a husband and family man whose job as an advertising executive for a sports magazine is on shaky ground; there's been a corporate takeover and the new owners install a 26-year-old go-getter as Quaid's boss. Far too much corny, obvious humor (Topher Grace's car, Quaid discovering a pregnancy test box in the garbage) is redeemed by Quaid's nearly faultless performance. Never one to be scaled down without an effort, Quaid admirably gives himself over to this role; he doesn't chew the scenery (as Jeff Bridges might) and he doesn't go for broad personal affects (as Nicolas Cage might). In fact, he's perfect. Topher Grace has a difficult role (almost villainous--nobody likes THE BOSS), but he doesn't resort to sniveling and has many successful scenes. As Quaid's eldest daughter, luminous Scarlett Johansson has developed some actorly tics that I'm not fond of (faraway looks and smiles, confusion and curiosity always undercut by wistfulness), yet she does wonders with a thankless role. **1/2 from ****

Director Paul Weitz's Best Screenplay; Topher Grace's Break-Out in Film (his first and best film performance to date); Scarlett Johansson continued her rapid ascent in film at only age 19, and Dennis Quad hits a home run in one of his most endearing and connected performances.

Ignore the trailer that fails to capture the subtle moments in the film.

This is a nearly perfect "little film" with a great story that draws you in with believable charecters, and first rate performances by every actor.

'In Good Company' takes one through the balancing of middle-age fatherhood and career (Quad), with heart, humor, and a positive family-first theme (without resorting to cliches or the "Hollywood" treatment). Safe for 12+ year olds, and identifiable characters and themes for adults.

Add in the perspective of a bright mid-twenties professional's (Topher Grace) search for happiness - meaningful career, love, a wife, starting a family, and a life-mentor/father-figure (Quad), while navigating the good, the bad, and the indifferent of corporate personalities, and interesct the two generations, and you have a film that engages one from beginning to end.

Soundtrack is wonderfully in sync with the emotions of the film.

Co-star Johansson is flawless in building upon her breakout 'Lost In Translation' and 'Pearl Earring' performances. This mid-2000 decade acting period was when she made her mark, rapidly ascending to stardom, and honing her acting skills in key roles when she was only 18 to 20 years old.

Johansson's character (Quad's daughter and Grace's love interest) is essential to drawing Quad/Grace towards their inevitable surrogate father/son relationship, and she does so perfectly, making every actor around her look good - why she didn't receive Best Performance In A Supporting Role nomination is perplexing, but probably due to her already highly-recognized performances over the previous 18 months - quite an impressive resume for a teenager.

A must-see film and one that is just as great the second and third time viewing it.

IN GOOD COMPANY (2004) ***1/2 Dennis Quaid, Topher Grace, Scarlett Johansson, Marg Helgenberger, David Paymer, Clark Gregg, Philip Baker Hall, Selma Blair, Frankie Faison. Better than anticipated comedy drama from filmmaker Paul Weitz about a middle-aged ad salesman (Quaid, never finer) who finds himself dispensable when his company is bought out by a corporate takeover, which involves a new boss, who's old enough to be his son (Grace continuing to be the Tom Hanks of his generation). Things get dicey when his daughter begins to see the young upstart as well as each one discovering something unique about their situation overall. Very funny and surprisingly warm screenplay covers all the bases until its seemingly pat final act. Bravo to the fine ensemble especially Johansson whose natural style is a breath of fresh air.

I was able to see a pre-screening of this movie last night, and I was extremely excited because I have been anxiously waiting for its release. I have to admit that I was not disappointed in the least with what I saw. The movie had a good solid story of a middle-aged man dealing with both supporting his family and keeping his job (bordering on a mid-life crisis), and a young man dealing with a new job, being alone, and finding what he actually wants to do with the rest of his life. Sure, it sounds like a pretty typical "finding yourself" movie, but the characters develop the plot into something special. Topher Grace was excellent in this film. I found him very charming and believable, and he was sincere in his role. However, Dennis Quaid was really wonderful. His character was likable, and you found yourself routing for him throughout. His interactions with his family were endearing, and his relationship with his daughter Alex (Scarlett Johanssen) reminded me of my own father. I highly recommend this movie. 4/5

Greetings again from the darkness. Saw the Dallas premiere this evening of the newest from director Paul Weitz ("About a Boy" and "American Pie"). Weitz continues to show promise as a director, although again he struggles with poor pacing, even sometimes dragging the story line. Overall, this one will surprise as it is not as formulaic as the previews would lead us to believe. Dennis Quaid ("Far From Heaven", "The Alamo") continues his resurgence into movie stardom with another fine turn, this time as a middle aged ad salesman whose world gets rocked personally and professionally all in one day. Topher Grace ("That 70's Show") is the Yin to Quaid's Yang when he is introduced as his half-his-age, with no experience boss. Of course, it only gets worse for Quaid as his new, young boss falls for Quaid's college student daughter, Scarlett Johansson ("Lost in Translation" and "Girl With a Pearl Earring") AND his wife tells him she is pregnant - despite "being past all that". Johansson doesn't deliver the nuanced performance of "Lost in Translation", but Topher Grace will awaken many to his acting ability (check him out in "Traffic"). Philip Baker Hall, David Paymer and Marg Helgenberger are all fine in supporting roles and the great Malcom MacDowell is terrific in a brief cameo as a corporate big wig similar to Warren Buffett. Nice little story that provides a few touching moments and a couple of good laughs. This one should have decent box office appeal, while providing a Hollywood anomaly by displaying a well adjusted, happy family.