अपनी भाषा में प्लॉट जोड़ेंThis is a documentary that revisits the making of गॉन विथ द विंड (1939) with archival footage, screen tests, insightful interviews and rare film footage.This is a documentary that revisits the making of गॉन विथ द विंड (1939) with archival footage, screen tests, insightful interviews and rare film footage.This is a documentary that revisits the making of गॉन विथ द विंड (1939) with archival footage, screen tests, insightful interviews and rare film footage.
- पुरस्कार
- 1 जीत और कुल 1 नामांकन
- Self
- (आर्काइव फ़ूटेज)
- Self
- (आर्काइव फ़ूटेज)
- Self
- (आर्काइव फ़ूटेज)
- (as William Wellman)
- Self
- (as Kay Brown Barrett)
- Self
- (आर्काइव फ़ूटेज)
- Self
- (आर्काइव फ़ूटेज)
- Self
- (वॉइस)
- Self
- (आर्काइव फ़ूटेज)
- Self
- (आर्काइव फ़ूटेज)
- Self
- (आर्काइव फ़ूटेज)
- Self
- (आर्काइव फ़ूटेज)
- Self
- (आर्काइव फ़ूटेज)
- Self
- (आर्काइव फ़ूटेज)
फ़ीचर्ड समीक्षाएं
David Hinton's documentary, which was shown by TCM recently, is a gem of a film because it gives a fantastic account of all that went on to make the film. "Gone with the Wind" stories have been told forever, or so it seems, yet, in the documentary they are examined thoroughly again by a lot of Mr. Selznik's collaborators who were still around in 1989 to tell the story.
The best thing in "Making of a Legend: Gone with the Wind" is the footage where many stars were tested for the leading roles. The characters of the book were coveted by most of the actors of the time because they realized the importance about appearing in it would mean to their careers. We see actors of the stature of Jean Arthur, Joan Bennett, Tallulah Bankhead, among the ones that wanted to contribute to the movie, yet, they were not chosen.
David O. Selznik comes across as a disorganized genius who had no idea about what he was doing. His memos to the cast and crew were something not to be believed. Some people resented this way of communication. His battle with George Cukor is also told and how Victor Fleming, who by all accounts was not the perfect candidate, came to be the one that was able to complete the picture.
There are some excellent comments, especially from Ann Rutherford and Evelyn Keyes, who explain what they saw while the film was in production. Some others also come on to tell us their view about what the film changed their lives and the experience of having worked with a mad man who was so intent in getting the movie done. It's a good thing this film was done during the 1930s because it would probably had cost more than 200 million in today's dollars! Thanks to director David Hinton this epic movie is examined and put in its proper context to help the viewer understand the way Hollywood worked during the time it decided to convert the book into a movie.
Surviving cast members Evelyn Keyes, Ann Rutherford, and Butterfly McQueen (but curiously not Olivia de Havilland) contribute alongside Selznick colleagues and archive footage/reconstructed interviews with participants now dead. We see the story of GWTW from the first low-key appearance of Margaret Mitchell's soapy book, the fever as a nation sent it up the bestseller lists, and the struggle to condense its 1000 plus pages into a manageable film.
We see the screen tests of failed Scarletts, Melanies, and Ashleys (although there was only ever one man really in the frame for Rhett - the wonderful Clark Gable). We hear the romanticised story of how Vivien Leigh won the part of Scarlett. Finally, we hear about the film's preview and the rapturous reception it received before its glitzy premiere in - where else? - Atlanta, Georgia.
A worthy companion to a fabulous Follywood film. GWTW, all sprawling four hours of it, has no equal in the golden days of Tinseltown, and this documentary gives you just a few reasons why.
क्या आपको पता है
- ट्रिवियाOlivia de Havilland did not take part in this documentary due to her reportedly not wishing to be involved in any of the 50th anniversary celebrations of गॉन विथ द विंड (1939) for personal reasons. Although she did appear at The 15th Annual People's Choice Awards (1989) in August of 1989, to accept the award for 'All Time Favorite Motion Picture' on behalf of the film.
- भाव
[last lines]
Narrator: What is there that matters, after all that she has fought for and lost? After the disillusion, rejection, and humiliation. David Selznick couldn't just leave her there. He had to find an answer, appropriate to his Scarlett, faithful to Margaret Mitchell, and one which reached out to the shattered world of 1939, and beyond, that answer, an ending, appropriate to the gambler, the romantic, and the optimist in him.
- कनेक्शनFeatured in 20 to 1: Memorable Movie Characters (2006)
- साउंडट्रैकSelznick International Theme
(1937) (uncredited)
Written by Alfred Newman
Played for the Selznick International Logo
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Rodaje de un clásico: Lo que el viento se llevó
- फ़िल्माने की जगहें
- 3801 Mission Inn Avenue, रिवरसाइड, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Fox Theatre - first preview recreation)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें