Lonesome Jim

I saw this film at the Philadelphia Film Festival, the East Coast Premiere of the movie. It was extremely well received by the audience with laughter throughout the film.

Having roots in the Midwest myself, I felt this movie did not resort to stereotypes about life in the nation's heartland. Rather I believe the movie accurately shows that small town life is slower paced and that everyone knows you and your business all too well. Even the little sight gag of seeing the 3 bars with similar names felt familiar to me and I couldn't help but chuckle along with the audience.

Jim (Casey Affleck) has returned home dehydrated and depressed and is looking for sympathy and attention from his family. Instead, his brother is soon in an accident and is briefly the focus of the family. Jim meets Anika (Liv Tyler) during his visit and her gentle observations about her small town life offers the grace that his family can never provide.

This movie reminded me of the Kenneth Lonergan film You Can Count on Me in both pacing and the way the return of the brother stirs up issues in a family. It reminded me also of a much less slick and lower budgeted Garden State

If you are in an independent film place, I would recommend this movie. If you are looking for big stars and big production, look elsewhere.

I personally would be interested to see what Mr. Buscemi could do with some bigger stars and a bigger budget. Clearly the director was working with many limitations on this film.

Annika (Liv Tyler) doesn't like the photo of a dour Ernest Hemingway that Jim (Casey Affleck) has on his bedroom wall. Jim says it's real life. She says it's depressing, and he replies, "Isn't that the same thing?" It's a funny line, but it's also much more. It describes the heart of this terrific new picture directed by Steve Buscemi. He's made a wonderful "small" film about the sadness and disappointment that is so much a part of life, and about how we each must choose to respond. Do we wallow in despair, or can we find hope, joy, and purpose? In "Lonesome Jim," we meet a range of genuine people who exhibit a range of choices -- sometimes conflicting responses within the same character. The casting is superb, and between Buscemi's measured pace and first-time screenwriter Jim Strouse's unpredictable (and semi-autobiographical) story turns, we get to know and care about these people...even though they each exhibit traits we definitely do not like. That's real life.

Laughing about other people's misery is something many of us like to do. Lonesome Jim gives us ample opportunity to do so. The admirable thing is, that the events and comments that make us laugh out loud here, aren't contrived or even over the top. There are people like that, they talk like that, they put each other down like that and most of all: they get by, just like that. Jim goes out of his way to avoid challenges, and that is nothing uncommon. The movie is painfully honest about average people's lives, and that is what makes this movie not just funny, but also heart-wrenching to see. It *is* funny though, very much so, even. The laughter in the audience was so loud at times I couldn't make out the next sentence. The characters know not to expect too much of life, and they don't. But they get by, just like we do, and with a little love, a little companionship and a little bit of happiness, that is enough.

This is a great film which superbly walks the balance between bleak and hopeful, without ever becoming annoyingly angst ridden or overtly perky. Mary Kay Place, who has been such a solid supporting performer throughout her career, is Oscar worthy as the ever optimistic mom who shows layers upon layers with the simplest gesture -- a wonderful, comic performance. It would be a true tragedy, however likely it is, if the distributors do not put some muscle into a campaign in her favor. Buscemi's direction and the tightrope walk of a script is captivating throughout. Shot on mini-dv and certainly there have been better shot dv features. Film tends to get real noisy in the darks, and the titles during opening credits break to pixels. Too bad too, because it is unlikely this film will be taken as seriously as it deserves to be because the filmmakers/producers failed to take time/cost to make it right.

If you've ever felt bored, alone, defeated, then you'll love Lonesome Jim. If you're from or have ever visited the Midwest for a significant amount of time, you'll love this movie. The portrayal of Jim, a 28-year-old failure who returns home after an attempt at 'making it' in NY as a writer is completely relateable to anyone. Who hasn't had a big dream, tried and failed? The cinematography is is sad and beautiful all at once; the direction is flawless; Casey Affleck (who I'm usually not the hugest fan of) is perfect in the portrayal. And lets not forget Mary Kay Place. She was amazing. James Strouse wrote such a tragic and heart-wrenching role for her; you ache when Jim says to her "I don't know...sometimes people just shouldn't be parents". This film is filled with great lines like this that just exude pathos. Subtle brilliance is the exact phrase to describe this movie. Thing is, you don't even have to love it in order to appreciate how moving it is. It was a great cast, great director, and Roger Ebert (who I'm usually not a huge fan of either) said it best when he called LJ 'a masterpiece of mood'. That it is, my friends; that it is.