The Interpreter

Sydney Pollak has directed a lot of good films over the last 40 years, and this, though not his finest work, is one. But it's just 'good'. Pollak has a great sense of pacing and character development, and he puts both to work to good effect in this suspenseful high-stakes terrorism drama. Kidman and Penn deliver solid and memorable performances and are joined by an excellent supporting cast. The acting talent, clever though predictable plot, superior production and cinematography, and fearlessly quirky script are what makes this film work, despite a few rather absurd plot points.

Kidman unsurprisingly, dominates the screen with a powerful portrayal of a young South African translator for the UN, who overhears a plot to assassinate the genocidal president of her home country, Motambo. Penn plays a hard-nosed, recently widowed investigator assigned to the case. As the plot escalates, it becomes clear that Kidman herself is also a target and that she has secrets...

There are some problems with believability here. Most glaring is the fact that the intelligence agents and security people investigating Kidman and the plot to kill a genocidal African president in the U.N. are depicted as anything but intelligent. The identity of the perpetrator and the nature of the intended crimes should have been more or less obvious about half-way through the film, and the security team should have had a trap set and armed personnel crawling all over the entire building. It is also unlikely that anybody in Kidman's predicament would have been allowed to continue with unrestricted access to the UN, at virtually any time of day or night, more or less unwatched. And it is even more problematic that somebody with her background should be working at the UN in the first place. The actors' performances and the relationship which develops between the two main characters (which is really at least half the plot) help to gloss over the minor problems and make the film very entertaining and suspenseful. There are also some potentially powerful political messages just below the surface, but I never felt that these messages really emerged, and was left wondering if theyr were simply artistic flourishes or perhaps, posturing.

Being from Africa, I found it highly annoying that they decided to use a fake country name (which of course not a lot of people would know!).

The general idea was great and I love NIcole Kidman, and I was really looking forward to watch this movie. However, after seeing it, I felt a lot more could have been done with this wonderful cast and great idea - a lot was missing and it was pretty predictable.

The sad thing is that there are a lot of children actually walking around with automatic weapons, killing for "lunch money" to survive. The civil wars in Sudan are also very sad, but what is even more sad is that we sit here as bystanders and we don't do anything about it. Yeah, we might complain a little if we hear (or shall I say when we hear/read - because so little is said about it) but then people are more worried about foreign gasoline imports, than they are about human lives in a far away country. All it takes is to contact your local government representative.

While I feel this movie shed a little light on that, and yes I know the story is not about it, the plot could have been more suspenseful and unpredictable.

Silvia Broome (Nicole Kidman) is an UN interpreter. She overhears two men discussing a mysterious plot in an African language. "The Teacher will never leave this room alive." Allege war criminal Matobo president Edmond Zuwanie is coming to address the UN General Assembly. She becomes convinced that the threat is against Zuwanie and tells the UN security. U.S. Secret Service Tobin Keller (Sean Penn) and Dot Woods (Catherine Keener) are assigned to protect Zuwanie and they investigate Silvia. It turns out that her family suffered under Zuwanie and she is connected with the opposition.

This starts as an interesting thriller with the UN as a backdrop. The political intrigue is somewhat engrossing like a murky 70s thriller. Kidman is cold and Penn is a bit unstable. I wish his character is the protagonist and the audience can unravel the intrigue from the outside. Kidman's character is better with mystery. The movie should keep some distance from her. The audience should keep guessing about her. I do have a few questions about the ending and it drags on a bit too long. It should probably use an alternate ending.

Entry to the United Nations headquarters in New York (and being directed by Sydney Pollack) was enough to make Nicole Kidman sign up for this enjoyable, if not a little formulaic, political thriller. Hollywood's golden girl teams up with man of the moment Sean Penn in this well-paced and intense tale which unfolds against a backdrop of international terror and unashamedly draws parallels with the current political situation in Zimbabwe. Kidman adopts a satisfactory South African accent for the role of Silvia Broome, a UN interpreter who overhears a plot to assassinate a controversial African leader during his visit to the United States. Penn is Tobin Keller, a Secret Service agent assigned to investigate Silvia's claims and protect her from the assassins. But is Silvia telling the truth? Silvia's life is turned upside down as she becomes a target for the killers but a suspicious Kellar digs deeper into her past in a bid to find out what she is hiding. Pollack (who has a small part in the movie) scored a massive coup when he convinced Kofi Annan to allow filming inside the UN building for the first time. Even Alfred Hitchcock had to improvise when making the classic Cary Grant North By North West. The movie has some very strong opening scenes, shot on location in South Africa, and instantly grabs our attention. When the action moves to New York, Pollack (who brought us Tootsie, Out Of Africa and The Firm) creates an old-whorled vibe with grainy shots more reminiscent of the 70s, deliberately avoiding the neon lights of the Big Apple to create a dulled-down mood that sits much better with the film's content. Kidman and Penn handle their material well, putting in solid performances and the pair square up nicely on screen. Predictably, and annoyingly so, however, a chemistry develops between the two making for some scenes which would have been better left on the cutting room floor. Let's face it, the old adage of two strangers being brought together by circumstance and suddenly being able to open up and shed their baggage has all been done before. The moral of the story is also a little bit too Hollywood. We can admire its good intentions and even buy into the idea that we can change the world with words and diplomacy but it all becomes a bit nonsensical. But it is the movies after all and it's difficult to find fault with Pollack who has opted for a dialect-driven film as opposed to high-octane action scenes - although they do make a welcome appearance as the film reaches its climax. This is the thinking person's thriller and it's definitely worth a viewing.

One of Nicole Kidman's Finest Performances. Sean Penn's performance starts off flat with his character grumpy and unappealing, but as film progresses, one learns this was an appropriate approach based on the character's history.

This was a complicated story to bring to film, and Pollack did an adequate job in that regard, but too often the pacing is just a bit too slow and uneven.

Where Sidney shines is in bringing out the best in actors, and for me, this was one of Kidman's best performances in film, making it worth the view alone.

One must hunker down in this film as it is atypically a slow paced and subtle thriller. Some scenes don't connect with what would likely be realistic outcomes of circumstances, so the film loses 2 points for those moments, and another point for some hodgepodge editing.

Well done plot twists, a few moving moments, and Kidman's performance maintain the film's 7 Rating and a 👍 recommendation to view.