हैरी पॉटर और डंबलडोर की लॉर्ड वोल्डेमॉर्ट की वापसी के बारे में चेतावनी को जादूगरी के अधिकारियां ध्यान नहीं देते, बल्कि वे खुद डंबलडोर और हैरी को बदनाम करते हैं.हैरी पॉटर और डंबलडोर की लॉर्ड वोल्डेमॉर्ट की वापसी के बारे में चेतावनी को जादूगरी के अधिकारियां ध्यान नहीं देते, बल्कि वे खुद डंबलडोर और हैरी को बदनाम करते हैं.हैरी पॉटर और डंबलडोर की लॉर्ड वोल्डेमॉर्ट की वापसी के बारे में चेतावनी को जादूगरी के अधिकारियां ध्यान नहीं देते, बल्कि वे खुद डंबलडोर और हैरी को बदनाम करते हैं.
- 2 BAFTA अवार्ड के लिए नामांकित
- 17 जीत और कुल 50 नामांकन
- Mafalda Hopkirk
- (वॉइस)
- (as Jessica Stevenson)
- Cedric Diggory
- (आर्काइव फ़ूटेज)
फ़ीचर्ड समीक्षाएं
As a result they've felt more like a collage of scenes, a series of puzzle pieces, thrown at the viewers faster than they can piece together, just leading up to a final confrontation. Pacing has certainly been an issue, leaving fans feeling disjointed, and those new to the series confused as to what exactly is going on. In this respect, Order of the Phoenix was very similar to the previous two movies. As a Hollywood film, it deserves praise, bringing this amazing world to the big screen, telling a compelling tale, and keeping the viewers glued to their seats for the duration of the movie. However, to the die hard fans of the books, you will undoubtedly be disappointed.
Many scenes that one would think invaluable to the story have been cut, replaced by the hasty filling in of plot holes. And while it pains me to ignore some of my favorite scenes from the book being left on the cutting room floor (St. Mungo's, Harry's Quibbler interview, the Quidditch fight, etc.), I realize that yes, not everything could be included in the movie. But in this watered down version of the book, there seems to be something missing. We still have all the drama and excitement, but some of the magic just seems to be gone.
Aside from Evanna (couldn't have made a more perfect Luna), the kids give simply average performances, never really reaching the full potential put forth by JK Rowling's writing. The same goes for Gambon, who seems to have ignored the calm, all knowing, endearing idea of who Dumbledore is, in favor of a more erratic yet powerful headmaster. Sure, this works well in the more dramatic scenes (specifically the final battle), but otherwise, his performance falls flat, lacking the eye twinkling charm we came to love from the late Richard Harris. Thankfully, Imelda Staunton more than makes up for this in an amazing portrayal of Dolores Umbridge, one of the more fully realized characters of the movie. As for the rest of the cast, it's largely hit or miss, determined by how each scene is written.
Overall, I would certainly recommend the movie for everyone, fan or not, as it really was a well made movie, despite a few wooden actors and some bad dialog. But when looking at the books, one really can't help but think how much more potential this movie could've had.
For me, Imelda Staunton as Dolores Umbridge completely steals the show. Her character was fantastically well observed - the odd little hysterical titters of laughter she gave had superb comedic timing. Helena Bonham Carter had a star turn too as Belatrix - she's completely bonkers and HBC totally did her justice! Loved it!
For me, both their successes stood out conspicuously when compared to the horrendously awkward acting from the younger members of the cast. Sorry(!) but there were so many cringe worthy moments (especially the more intimate ones) where you kept begging the director to cut away from the acting. Tighter editing could have prevented these distracting moments from constantly reminding me I was watching actors on a set.
Hermione (Emma Watson), Luna (Evanna Lynch) , and Cho (Katie Leung) were the main culprits, with Daniel Radcliff not falling far behind. Okay, I know they're supposed to be awkward teenagers in the story, but hey! My suspicion is that these poor kids feel so caught up in the huge franchise that is HP that the pressure to perform must be enormous. Couple that with the screenplay's stilted dialogue, and being surrounded by what must have been a huge crew with them all staring at you, it's hardly a surprise that a few cracks were shown. Still, you'd have thought the editing might have been able to get around it.
These cringes aside, I enjoyed the film. Also, a huge congrats to all those involved in the hard work that obviously went into the post production too.
Fantasy literature has since the beginning of time been about mediating and making sense of the real world; Harry Potter is part of this tradition.
Indeed, one of the movie's first big special effects embodies this idea. As the movie opens, Harry is the subject of a smear campaign that Valdemore has cooked up because darkness works tirelessly to triumph over the light; when his friends come to rescue him from the suburban horror show known as his adoptive family, they take him to the headquarters of the Order of the Phoenix, a place that doesn't exist until a row of Georgian homes stretches out to reveal it. It's there, but the neighbors are unaware of it. They have no idea their building grew a house that the wizards and witches of the world can solve an internal problem. Such is life; how seldom do we know the inner workings, the coping mechanisms, the interior life of the people around us? In The Order of the Phoenix, Harry Potter again does battle with evil to bring home the theme that when you fight, you fight well with and for your friends and to the death if necessary. Truth and goodness--call if love, if you want--are worth the trouble. The Gothic idiom of Harry Potter brilliantly takes the challenges Harry faces out of the present on one level even though these are very clearly 21st century characters facing contemporary challenges. Alongside the power of goodness over evil theme is the theme of the power of the imagination to find solutions to problems that are the same in every generation: politics, power games, jealousy, stupidity, growing up.
Always in Harry Potter is the clear distinction between the good guys and the bad ones right alongside the good kids and the annoying kids, who could very well become evil people if they so choose. They are tragic because they don't understand the long-range consequences of their petty cruelties--but then, as we learn in this movie, even the good kids are capable of petty cruelties that break souls. Always there is Snape, the middling Hogwarts employee who is not clearly good but not clearly bad but capable of both (until fate forces his hand in Book 6).
J.K. Rowling doesn't let anybody off of the hook of responsibility for their choices. But she does present the internal struggle for goodness and justice for the mess that it can be. Just as the Gothic world of Hogwarts helps Harry and his friends mediate the real world, so Rowling helps her readers see the world for what it is. This is a world that can give me nightmares, though not my daughter and my nephews. Perhaps because all they really need is an honest story.
What really made the movie for me was the talent of the actors. As expected, the older cast members deliver some of the best acting England has to offer. Sidenote: there is something about Emma Thompson where every time she cries in a movie, I start tearing up myself. I was especially impressed with how much Daniel, Emma (Watson), and Rupert have improved their acting since the last movie. Having come from seeing Daniel in Equus two weeks ago, I was expecting a lot from him. Even after seeing him display more intensity than I thought possible on stage, he surprised me in Phoenix. His emotions were so raw and genuine that I literally got goosebumps.
Well done to the cast and crew! I can't wait for the next one!!
I went into this expecting exactly what I saw, it's still just a tad annoying hearing people talk about how impossible it would be to follow the book. It's not impossible at all. Look at the matrix 2&3, look at pirates of the caribbean 2&3, look at LOTR (it's all one continuous story). Lots of "stories" have had to be split up into multiple films and they all worked great. It's just a tad short-sighted to say it wouldn't work with a harry potter film. I think a lot of what people enjoy is looking at the wizard world, seeing cool looking spells, and generally learning more about everything to do with the harry potter universe. You don't get much of that when a 26 hour read is condensed into a 2.5 hour film. I personally would love to see more of the "boring" parts of the book simply because it's interesting seeing a high-budget Hollywood interpretation of what was in the book. Maybe it's just me, but I wouldn't be the least bit disappointed if the film-makers simply came out and said "this book is too long to put into a single film with out leaving out a lot of the book and changing a lot of other parts, so we're releasing it in two films." It's completely understandable. It's an 800 page book! LOTR books were only 400-600 pages and the films were considerably longer than any of the harry potter films.
Overall, it was a decent enough movie though. Great special effects, good enough acting (I wouldn't go so far as to say it was amazing). I'd say it's basically a standard high-budget film. Entertaining to watch, well worth my $10 so I could come and complain how it was nothing like the book :)
क्या आपको पता है
- ट्रिवियाHelen McCrory was originally cast as Bellatrix Lestrange, but due to her pregnancy, she had to be replaced by Helena Bonham Carter (according to her, the insurance wouldn't cover "pregnant witches"). McCrory was later invited back and cast as Narcissa Malfoy, who is Bellatrix's sister, in Harry Potter and the Half-Blood Prince (2009).
- गूफ़(at around 1h 21 mins) In हैरी पौटर और आग का प्याला (2005), when Harry is looking in the Pensieve, Igor Karkaroff accuses Barty Crouch Jr. of torturing Frank and Alice Longbottom. In The Order of The Phoenix, after a DA meeting, Neville tells Harry it was Bellatrix Lestrange. Both statements are in fact true, as according to the books Frank and Alice Longbottom were tortured by a group of Death Eaters, which included both Barty Crouch Jr. and Bellatrix Lestrange.
- भाव
Harry Potter: This connection between me and Voldemort... what if the reason for it is that I am becoming more like him? I just feel so angry, all the time. What if after everything that I've been through, something's gone wrong inside me? What if I'm becoming bad?
Sirius Black: I want you to listen to me very carefully, Harry. You're not a bad person. You're a very good person, who bad things have happened to. Besides, the world isn't split into good people and Death Eaters. We've all got both light and dark inside us. What matters is the part we choose to act on. That's who we really are.
- क्रेज़ी क्रेडिटThe ending credits are presented in the same typeface as Professor Umbridge's numerous educational decrees.
- इसके अलावा अन्य वर्जनSome of the dubbed versions change the names of a few characters, to match their translated novel counterparts in each respective language. One good example is Hermione, who in the German version (of all the Potter films/books) is named Hermine.
- कनेक्शनEdited from हैरी पॉटर और पारस पत्थर (2001)
- साउंडट्रैकHedwig's Theme
Written by John Williams
टॉप पसंद
- How long is Harry Potter and the Order of the Phoenix?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Harry Potter and the Order of the Phoenix
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $15,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $29,23,82,727
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $7,71,08,414
- 15 जुल॰ 2007
- दुनिया भर में सकल
- $94,28,71,730
- चलने की अवधि2 घंटे 18 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1