IMDb रेटिंग
7.4/10
6.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंWhen a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
- निर्देशक
- लेखक
- स्टार
- 1 ऑस्कर के लिए नामांकित
- 10 जीत और कुल 9 नामांकन
फ़ीचर्ड समीक्षाएं
In the spring of the Gobi Desert, in South Mongolia, a nomadic family of shepherds has troubles when one camel has a tough two days delivery, immediately rejecting the offspring. The family unsuccessfully uses their best efforts trying to force the female to accept and feed the newborn. When there is no further hope of saving the animal, they send their two sons to bring a musician from the nearest town to perform a ritual and save the "baby camel".
I do not know, and I was really curious to know, how could be the original screenplay of this documentary. I believe the first intention of directors Byambasuren Davaa and Luigi Falorni would be to document the lifestyle of a nomadic family of shepherds, showing a different culture for the Westerners. However, fortune gave them the opportunity of sharing a great experience with the viewers with the ritual that brought the camel to accept the offspring. Thank you, Messrs. Byambasuren Davaa and Luigi Falorni, for such touching, beautiful and wonderful film. My vote is nine.
Title (Brazil): "Camelos Também Choram" ("Camels Also Weep")
I do not know, and I was really curious to know, how could be the original screenplay of this documentary. I believe the first intention of directors Byambasuren Davaa and Luigi Falorni would be to document the lifestyle of a nomadic family of shepherds, showing a different culture for the Westerners. However, fortune gave them the opportunity of sharing a great experience with the viewers with the ritual that brought the camel to accept the offspring. Thank you, Messrs. Byambasuren Davaa and Luigi Falorni, for such touching, beautiful and wonderful film. My vote is nine.
Title (Brazil): "Camelos Também Choram" ("Camels Also Weep")
this documentary did portray a Mongolian family living their life and performing their everyday duties, however, the film seemed to have been "polished" to a degree where the viewers were presented not exactly with the 'real' thing, but a carefully staged and choreographed lifestyle. it was an interesting take on the nomadic culture, but a bit overly commercialised, for my taste. as i am a Mongolian, i could testify that the subtitles did not include big parts from what was actually being said. instead, it concentrated more on the lines that support the general 'plotline', which was a major let down, i would assume. and you can really see the agenda behind the film, which is to make Mongolia a very attractive destination for travel. it does portray a "cute" family living happily, so remote from civilization, thus very much 'attractive'. i guess it must seem to people like a relief in times of "farenheit 9/11" and "the corporation", but i'm upset with this representation for its fakeness and blunt 'cuteness'. the ritual performed is a very old one, and i'm sure it's very much related to the ancient shamanistic religion of the Mongols. in overall, was OK to watch once. (at least we're finally making films that get distributed worldwide)
If anyone had ever told me that a movie about nomadic shepherds in Mongolia and a couple of camels could hold my interest and feelings the way this movie did I would have suggested they see a shrink.
It can only be described as a wonderful story that makes the most complex of Hollywood screen-plays look silly.
Great for all generations.
It can only be described as a wonderful story that makes the most complex of Hollywood screen-plays look silly.
Great for all generations.
The Mongols are a fascinating people who at one time, conquered more of our planet than any other nation or civilization. The supreme irony in all this was that the Mongols themselves were hardly "civilized," i.e., linked to living in cities supported by extensive agricultural complexes, but were traditionally pastoralists. However, they were one of the most efficient fighting forces in history, as they swept from the Chinese coast through the Eastern Mediterranean and up to the banks of the Danube in Europe. But, little is known about these marvelous people who are ancestors to the Manchus, Koreans and Japanese of today. Here is a wonderful little tale, albeit somewhat stylized, which gives us a glimpse of Mongol pastoral life on the brink of globalization. The subtle mixture of their traditional pastoral existence, e.g., yurts, herding, gathering fuel, etc., with that of the modern, e.g., the musician brings his morinkhuur (Mongol Viola) to camp on a motorcycle to perform an ancient ritual, is marvelously done.
The Mongol Bactria's camel nomads are rather marginal to the great majority of pastoralists, many of which still herd their sheep on their stout Mongol horses. These marvelous two-humped camels are now only found in Mongolia and this film showing their continuing way of life is simply wonderful.
The Mongol Bactria's camel nomads are rather marginal to the great majority of pastoralists, many of which still herd their sheep on their stout Mongol horses. These marvelous two-humped camels are now only found in Mongolia and this film showing their continuing way of life is simply wonderful.
This is a great opportunity for getting a first eye view about a civilization and a culture so completely different from ours, that it's worth the price of admission.
Living in the remote Gobi desert, we encounter a small family that live from the sheep they raise and their camels, that are used as a form of transportation. The living conditions are primitive, to put it mildly, yet the family in the film seem content with what they have to live with. Most of the activities are centered around the home.
As the film unfolds, we are witnesses to the amazing birth of the last colt of the season. It is an ordeal for the first time mother having this offspring, a labor that goes on forever, until the men of the village take matters into their hands and help with the birth. The white colt that is born in front of our eyes, has to be guided to the mother for his nourishment, only to be rejected by her. We watch as one of the women manages to milk the mother camel in order to feed the colt. When all fails, as the mother camel keeps rejecting the colt, they resort to a sort of a ritual that involves a violin player coming to the family's help to play music for the animal, and ultimately mother and son are miraculously reunited.
The views of the desert are beautiful in their remoteness and desolation. Somehow we are drawn into this family's life in a way that we never thought we could get to know anyone. The final irony is that after the young children go into the nearest town they finally see their first television broadcast and are fascinated by it.
The film is refreshing as it shows how the different members of this small family care for one another. They are fortunate indeed, because being away from all the consumerism and material things, they manage to stay focused in living under those conditions in that unfriendly environment.
Living in the remote Gobi desert, we encounter a small family that live from the sheep they raise and their camels, that are used as a form of transportation. The living conditions are primitive, to put it mildly, yet the family in the film seem content with what they have to live with. Most of the activities are centered around the home.
As the film unfolds, we are witnesses to the amazing birth of the last colt of the season. It is an ordeal for the first time mother having this offspring, a labor that goes on forever, until the men of the village take matters into their hands and help with the birth. The white colt that is born in front of our eyes, has to be guided to the mother for his nourishment, only to be rejected by her. We watch as one of the women manages to milk the mother camel in order to feed the colt. When all fails, as the mother camel keeps rejecting the colt, they resort to a sort of a ritual that involves a violin player coming to the family's help to play music for the animal, and ultimately mother and son are miraculously reunited.
The views of the desert are beautiful in their remoteness and desolation. Somehow we are drawn into this family's life in a way that we never thought we could get to know anyone. The final irony is that after the young children go into the nearest town they finally see their first television broadcast and are fascinated by it.
The film is refreshing as it shows how the different members of this small family care for one another. They are fortunate indeed, because being away from all the consumerism and material things, they manage to stay focused in living under those conditions in that unfriendly environment.
क्या आपको पता है
- ट्रिवियाOfficial submission of Mongolia for the 'Best Foreign Language Film' category of the 76th Academy Awards in 2004.
- कनेक्शनFeatured in The 77th Annual Academy Awards (2005)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Story of the Weeping Camel?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Ağlayan Devenin Öyküsü
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बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $17,63,052
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $21,767
- 6 जून 2004
- दुनिया भर में सकल
- $93,28,652
- चलने की अवधि1 घंटा 33 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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