Kiss Kiss Bang Bang

Directed and co-written by Shane Black; based on a novel, "Bodies Are Where You Find Them" written by Brett Halliday; and starring Robert Downey Jnr, Val Kilmer and Michelle Monaghan.

A terrific opening credit sequence easily sets up the audacity and chagrin of the film for an appreciative audience. In essence, these are the reasons why you need to see this movie: the razor sharp wit, shockingly fast-paced and hysterical dialogue, pulp-fiction-esquire vibe, its pure cheesiness and the cynicism of a beat up old paperback detective novel.

Got you yet? Alright, maybe an explanation of the seemingly simple plot is warranted. It begins with a ridiculously funny set up resulting in Downey's character being paired up with Kilmer to observe the latter in his job as a private detective. They hook up with a down-on-her luck actress who brings a case for the sleuths. This synopsis constitutes gross misrepresentation on my part as things get remarkably complex. How so? Well, even the lead the character (who also is purposefully pathetic as narrator) takes time out within the movie to remember where he is in telling the story. There are even snippets of dialogue where the characters attempt to fill in the gaps or actually remind themselves of what has happened thus far in the movie.

Downey, Kilmer and Monaghan are all caricatures drawn from popular references of literature, movies and art. All however, are larger than life, exhibit great chemistry and for a movie buff, it is heaven to witness the self referential exercises and hear the narrator shred every narrating convention applicable. Downey's performance is remarkable (neurotic, comic, vulnerable and charming). I have never seen Kilmer in such a well-defined, uproarious piece of work. Monaghan is also integral to the trio and shines exuding a brash, fighting and sexy appeal. She brought back fond memories of early Kathleen Turner and Rene Russo. The fact that her look screams Renee Zellweger, is not a bad thing either.

Black became famous in the 1980s for writing the hit buddy movies: Lethal Weapon, The Last Boy Scout and The Long Kiss Goodnight. As a first time director, he does well keeping the frenetic pace and allowing the audience to catch up only to get lost time and time again. The style is so disarmingly effective, that at times I shook my head in confusion or found my hands against my mouth, agape in shock. I also think that in creating such a brilliant script that Black may have blacklisted himself in Hollywood for mirroring its supposed fame and glamor and exposing its not too pretty side. His one-liners and connected sub-plots are not typical and Kilmer and Downey make magic with their banter and clinical delivery.

All the ingredients of a pulp-noir novella can be found, even employing a structure of chapter-type headings within the movie. Parallel story lines unfold and given plot assumptions are turned over, always with achingly funny results. Even the clichés are clever e.g. a tough guy predictably crashes through a glass table, or body after body turns up, to haunt the characters.

I strongly recommend the movie, given the talent of Downey and Kilmer. Downey should be honored with a Lead Actor Oscar nomination; while Kilmer deserves a Supporting Actor nod. It thrilled me to see them both in their element, as I was on the verge of disavowing them as marquee/box-office draws. The screenplay should also attract Oscar consideration.

One of the year's best films and one of those rare movies where you'll consistently find something new to laugh at, when viewed each of a dozen times.

Shane Black is a fine writer and his screenplays for Lethal Weapon, The Last Boy Scout, and The Long Kiss Goodnight bristled with witty dialogue, great characters and deftly handled action scenes. Kiss Kiss Bang Bang, his directorial debut, also shares these attributes, but suffers from a convoluted plot and a script so overloaded with witticisms and clever asides that the viewer soon feels overwhelmed by the sheer intensity of the experience.

Robert Downey Jr. plays a low-life criminal who inadvertently becomes a potential movie star whilst escaping from a heist gone wrong (on the run, he stumbles into an audition and gets the part). However, things take a turn for the worse when he goes undercover as a private-eye (in order to gain first hand experience necessary for the role) and witnesses a murder...

Kiss Kiss Bang Bang is an ambitious debut — several complex plot threads intertwine and an ingenious narrative links scenes - but despite his best efforts, Black loses control of affairs and the film spirals out of control. Despite my best efforts at keeping up, I just couldn't follow the storyline. It doesn't help matters that half of the lines are spoken in a chaotic scattershot manner and the other half are mumbled, making staying abreast of the story nigh on impossible at times. There are probably many moments of pure genius in Shane Black's script - it's a shame that I missed a lot of them.

The parts of the film that I did manage to follow and understand are actually very good. Kilmer and Downey Jr. work well together and share some incredibly funny scenes, there are some genuine 'classic' moments (Downey pissing on the corpse in the shower is hilarious) and the manner in which the story unfolds is, at times, inspired. If Black hadn't been trying so damn hard to be so clever with his words and had concentrated more on telling the story, this may have been a real gem.

Although the film closes with all loose ends neatly tied up, I suffered the majority of the running time baffled by proceedings and struggled to keep up with the sharp prose that flows thick and fast from the word go.

Maybe this is one of those films that would benefit from an immediate second viewing in order to catch all the bits I missed first time round.

Shane Black's films seem to have a very unique sense of humour about them. They don't always work for me but they often contain either very clever humour that makes you smile inwardly, or there will always be a couple of moments of genuine laugh out loud humour along the way. 'Kiss Kiss Bang Bang' is probably the funniest thing I've seen from him.

The film is very self-aware. It is not afraid to break the fourth wall with its narration. I'm not always the biggest fan of narration but it works reasonably well here. In particular because the story is pretty darn complex, so it is good to have a guiding voice that can clear the odd thing up.

The film is boosted by a great cast. Robert Down Jr. And Val Kilmer were perfectly suited for their roles. Kilmer in his prime was such a treat to watch. I had a good time with this one. 7/10.

The term "Kiss Kiss, Bang Bang" was first coined in the 1960s by the Japanese press as a nickname for James Bond. Director Shane Black loved the term and chose it as the movie's title because, "it so clearly represented what this film is." And what exactly is this film? Good question. For starters, it's original. It's a nice change of pace from all of the sequels and remakes we've been inundated with recently. I needed this breath of fresh air after being blind-sided by the news that a remake of Robocop might be on its way.

It's also funny and action-packed. The pace comes at us almost as quickly as the clever dialogue, making it nearly impossible for the average viewer to get bored. You may be offended, you may not appreciate the dark humor, and you may not get the style, but I would predict the majority of you won't get bored. Will I refund your ticket money if you *do* get bored? No, absolutely not. Don't be silly. I'll just say, "Oh well, I guess you're just in the minority on this one!" What I like most about Kiss Kiss, Bang Bang is it's so hard to "genre-lize." See what I did there? Add that term to the Movie Mark Dictionary. When you can't "genre-lize" something then you can't easily force it into any one specific genre. Clever, huh? That's what makes Kiss Kiss, Bang Bang so fun. Is there action? Yes! After all, it's by the same guy who wrote the Lethal Weapon movies. But it's not an action movie.

Is there humor? Indeed. The laughs mostly come from the chemistry between Val Kilmer and Robert Downey Jr. and some of the crazy situations they find themselves in. This is my kind of dark humor. I love to be caught off guard by unexpected moments that make me laugh at things that might not be so funny if they were witnessed in the real world. But this isn't a comedy. The humor is never forced and doesn't have to resort to slapstick or flatulent puppies just to get cheap laughs. Sure, there's a scene that involves peeing on a corpse, but it has to be seen in its context to be appreciated.

If I were forced to affix a label to this then I suppose I'd say it's a darkly comedic murder mystery. It takes itself just seriously enough to keep you in suspense, but it's irreverent enough to simply be fun and entertaining. It works well enough as a farce without ever coming off as a pure parody.

My main complaint is that the story does get a little too confusing. I admit that I openly mocked other reviews that called the story "needlessly complex," but now that I have seen it I totally understand what these reviews are talking about. You'll want to pay careful attention or you'll get lost pretty quickly. I'd even suggest taking notes. If you're not careful you'll become so immersed with keeping up with the rapid-fire dialogue that you could lose focus on the plot details. It's not mind-blowing, but there are just so many characters and minutiae to keep up with that it's easy to lose track of what exactly is going on. If your friends call you "ol' goldfish attention span" then you could be in trouble.

I'm not going to lie to you and tell you that this movie is for everybody. The language gets pretty rough, there is strong sexual content, Val Kilmer is a detective who just happens to be gay and jokes are made at his expense, there's a decent amount of gunplay, and some people just might not appreciate the unconventionality on display.

But I loved the fact that this wasn't formulaic and that the look and style was different than the norm. Black admits to de-saturating the colors in post-production to give the film a crude, rough look. Perhaps some might like their movies a little more bright, but I thought it was quite effective at giving the film the pulp detective story vibe that Black was going for.

I wouldn't recommend this to my mother, so I won't pretend to know whether this fits *your* taste either. It all depends on how you view these kinds of things. Is it gratuitous or knowingly over-the-top? Clever or too clever for its own good? Cheesy or comfortable in its self-awareness? Ask yourself what it takes to offend your senses and let that be your guide.

Without a doubt I thought that this was truly entertaining film. I only managed to catch it at my local cinema in a one off showing, but I really wasn't disappointed.

Me and my friend went in the film not truly understanding what to expect. Basically it cracks down to Robert Downey Jr. starting the film off as a burglar, after being shot at he accidentally runs into an acting audition. Breaking down with tears in the office, he accidentally gets the acting job and whisked off to Hollywood with hopes of playing a detective in an upcoming film.

Cue Gay Perry a.k.a Val Kilmer who is fantastic in this film with his dry wit and humour adding some hilarious scenes to this film. He plays a gay detective assigned to help train up Robert Downey Jr. The pair of them get sucked into a story starting with discovery of a corpse and building into deeper plot involving kidnapping and murder. The plot line is genuinely well crafted, and is explored in the perfect amount of depth. It is quite simply littered with many funny moments. Probably the favourite of mine being the running joke of the gay detective through the film, involving the 'faggot' gun. Shane Black directs this film superbly, keeping it alive with sharp wit.

The whole cast clicks together perfectly with Robert Downey Jr and Val Kilmer shining with good support coming from Michelle Monaghan. The film is accompanied by a very light hearted narration from Robert Downey Jr. which makes the film that even bit more engaging.

Overall, a quirky, very amusing film, with a superb cast, and with a run time of 99 minutes, you simply can't afford to miss it.

Kiss Kiss Bang Bang... A solid 10/10