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Goodness me, what a fantastic movie. Caught the world premiere at the Toronto International Film Festival and the entire theater laughed until they cried. Amazingly directed, HILARIOUSLY funny, it blends a 1930s gangster stylishness into a Hong Kong kung fu movie to astonishing results. Who would've thought you could top Shaolin Soccer? Not me, until I saw this movie. Stephen Chow pulled it off. Chow's comedic timing gets better and better with every movie he makes, and while his films are depending more and more on CGI these days, and makes this movie much more a fantasy kung fu film than a traditional one, it hardly detracts from the enjoyable experience. Make it your mission to see this film - it will be one of the most entertaining you ever see. I can't remember the last film I enjoyed myself in more. My eyes still hurt from wiping away tears of laughter. Seriously.

This is one of the most richly imaginative, creative, downright enjoyable movies I've ever seen. I haven't enjoyed myself this much since Pulp Fiction.

It took me a while to figure out who the hero was. First I thought it was the barber guy who got himself constantly smacked about by the landlady. I suppose it's because he looked so dim, he therefore had to be a kung fu master in disguise. I've read some of the other posts, and everyone seems to think the knife scene was the funniest. I didn't expect to come to this movie for a laugh, but the knife scene almost killed me. Luckily it was just me and my friend in the movie theatre, so I could let it all out.

If you go to the movies to free your imagination, then this is the movie for you. Stay away from people who say it's far-fetched and unrealistic. If they want realism, they should go to the laundromat.

Before we went to see this movie we had heard about many good reviews of it. After spending approximate 100mins in the movie theater we were extremely satisfied and entertained. This movie is even better than we have expected. There were full of laughters almost from the beginning to the end in the theater.

Stephen Chow displays his talent as both a director and an actor. It maintains the previous Chow's style and humor as in other movies, such as "Xi Ju Zhi Wang" and "Xing Yun Yi Tiao Long", while those CGIs were not expected. In Chow's movie, what the Chinese people like is that it says no to super heroes. It just tells the stories of ordinary people, particularly those people leading insignificant and unsuccessful lives.

Several characters in this movie were played by popular Kung-Fu stars, in the 1980's - 1990's in China. Stephen Chow shows respects to them, as the way he respects Bruce Lee.

Above all, Kung-Fu Hustle is a movie with great hilarity, stunning CGI effects, fantastic Kung-Fu, and the lives of ordinary people. I give it 9 out of 10. Highly recommended!

Now this movie is in theaters in Europe and North America. The recent comments have shown a good sign already.Best wishes to Stephen Chow! Hope western people like this movie as well.

After nearly two decades of avoiding kung fu movies, a copy of this one was pressed into my hands by a very dear friend... who then extracted a promise from me that I'd take the time that night to sit and watch it. I was less than enthusiastic when I tossed it into the drive of my Athlon, but a promise is a promise, after all. Five minutes later, a nuclear strike warning in my town couldn't have torn me away from the screen, and it's been watched a dozen times since.

There's always been a certain cheesiness to Hong Kong cinema, but on rare occasions a writer or director will directly tap a nerve and somehow weave that directly into the story: 'Kung Fu Hustle' is one of those films. This piece isn't simply a 'standard' kung fu movie; it's a romance, a sweeping portrait of good-versus-evil, and a moral lesson on the use of power. The comedic bits are so well integrated into the story that it flows smoothly from one tone to another. The fight choreography is stellar, and special care was taken to make sure that every character in the piece is human. There're no 'perfect' people or places, and it somehow makes the wire fighting that appears in parts seem believable. The acting is excellent and the camera work is all rock steady.

Feeling jaded? Burdened? Wonder if it's possible for one person to make a difference? Settle in with a copy of this film, and believe...

Chaplin, Allen and now actor, writer, producer and director Stephen Chow can join the select few whose remarkable talent as a performer matches his ability behind the lens; Kung Fu Hustle proves it.

Chow is no stranger to direction. In 1994 Chow co-directed Love on Delivery and since then a number of other self starring projects and many of these projects are considered the best of his acting career. However his skills as a comedian - be it his brash physical comedy (Shaolin Soccer), his manical scenarios (Tricky Brains) or epic historical parodies (A Chinese Oddsey) - have never outshined his talents as a director. Kung Fu Hustle not only reminds us of Chow's terrific comedic timing, it introduces us to his stunning visual eye and exhilarating action direction.

More importantly this addition to Chow's superb filmography finally allows us a means of defining his technique. A master of blending both comedy and visceral action with artistic integrity and traditional melodrama. It has been awhile since a director has been able to take me from quite serious and intense graphic violence to over the top ridiculous spoofing. The contrast of atmosphere and mood throughout the film is incredible and even more incredible is Chow's ability to make it all work. When the scene is funny you appreciate the comedy, when it switches gears to action you are blown away by the terrific sequences, when it switches to melodrama you are on the edge of your seat awaiting character responses, and when they're all fused together you do exactly what Chow is hoping you'll do. You laugh.

So I liked the film, but what is the film exactly. Like most Stephen Chow films while the concept is simple to describe, the execution is far more complex. Kung Fu Hustle tells the story of Sing, a wannabe gangster attempting to join the famous Axe Gang (who during some of the early scenes seem to spoof Gangs of New York - look for a firework visual quote), a legion of black suits responsible for a series of gruesome murders and complete dominance over a 1940s Hong Kong. Sing's reasons for wanting to join the gang are simple: bad guys are cooler. His arrogance causes a war to break out between a poor housing complex that secretly holds a number hidden talents and the murderous axe gang. What starts as a relatively small skirmish (and I mean relatively) explodes into a war of Miike's "Dead or Alive" proportions.

The use of digital effects in this film are extreme. Chow having succumbed to the digital revolutions in Shaolin Soccer, manages once again to use his effects wisely. There are a terrific number of effects shots in this film far more then I've ever seen in a Hong Kong production (save maybe the terrible Wesley's Mysterious File) and while I am disappointed at the lack of practical effects the impressive quality of them more then makes up for it. This film simply does not look like a Hong Kong film. It rivals Hollywood features in every category (set, costumes cinematography), but amazingly enough the CGI is really good! You can notice most of the effects, but that doesn't matter because they are used for laughs and effectively so. Some of the effects not only will have you in stitches, but also in shock and awe at the sheer incredibility of some of the scenes. One scene that sticks out is a terrific spoof of the Road Runner. Its not hilarious, but also a visual feast.

The impressive action is thanks largely to the great choreography talent including both Sammo Hung and Yuen Wo Ping (each working on the film at spate occasions). Yuen Wo Ping manages to take a scene that appears to be rehash of the Burly Brawl (hundreds of suits against one guy) and manages to make it not only fresh, but a thousand times more exciting and intense. These fight sequences demand the attention of any cinephile who claims themselves a fan of marital art cinema. Wachowski's take not, this is how you direct Yuen Wo Ping to this artistic peak.

So everything seems great, right? This has to be Chow's best, right? Actually not everything works and is not at all Chow's best film. It is not his funniest film, but that is because it takes the risk of exploring the action genre. It also relies a bit too much on CGI, and while its use is effective, it can occasionally bring you out of the film. Compared to his other films this film ranks #1 for its visuals and action, but in terms of laughs and writing it cannot surpass the classics. That being said Kung Fu Hustle is absolute blast. See it if you can at the Toronto Film Festival, import it on DVD and catch in theaters when Sony Classics brings it here (in Febuary I believe). It is action comedy at its finest.

Three cheers for Chow Sing Chi!