The Hitchhiker's Guide to the Galaxy

Overall a tremendous success. It's very funny, very kooky and visually gorgeous. I saw it with about 2000 media persons and we all loved it, which is a pretty hard thing to accomplish.

If you've never read the books (and I suggest you do, it moves at such a pace you might find yourself going 'eh?' a lot) then I don't know what you'd make of it. Think Monty Python in space, or a very British version of The Fifth Element.

As an adaptation I think it works extremely well though there were a few confusing moments even for me as the large philosophical questions were crammed into two hours worth of movie. The new stuff is cleverly done and works a treat IMO.

The cast: never been a fan of the office but Martin Freeman is perfect as Arthur Dent, Sam Rockwell hilariously OTT and Mos Def a surprising choice but one that really works. Trillian isn't that important in the novel and the movie bumps up her role to a love triangle situation between her Arthur and Zaphod. Again, Deschanel is an odd choice (another yank) but she is utterly spellbinding (oh the shower scene...hubba hubba).

The FX are great, both CGI and the Jim Henson creatures (the Vogons, brilliantly voiced by The League of Gentleman). The opening title song is worth the price of admission alone (think Eric Idle at his peak).

So I loved it, though the ending is also a bit of an anti-climax, but only perhaps because I was expecting something bigger. Still, it's p***-funny and that's the main thing.

Best moment: Ford attacks the Vogons with a towel and foils them by closing a tiny garden gate ("Oh no! We'll have to go around!").

First, let me start by saying that this is a funny film.

Like many others, I suspect, I was worried by the MJ Simpson negative review, but having seen the film I can't really understand what all the fuss was about.

Personally, I am very happy that this version contains the new material. I don't want to sit in the cinema watching a line by line copy of the radio play, book, or TV series. Each of those stand by their own merit, and each were good largely because of the new material they contained.

I think the cast did an excellent job, and although Zaphod wasn't quite how I pictured him, Sam Rockwell brought a freshness to the part which largely works. His portrayal of Zaphod as a guy who "thinks he is cool", rather than "is cool" works pretty well, and once you get over the southern drawl, he soon settles as a character. Ford is beautifully played, as are all the major characters.

Admittedly, some of the criticisms that were voiced by Simpson have some justification, but most were simply overstated to support his general vitriolic attack on the "purity" of the film.

In summary, go to see this film and don't worry.

I'm looking forward to the DVD and I have all my fingers crossed for a sequel.

Martin

I've read this series at least a half-a-dozen times.

Mos Def was HORRIBLE. I certainly don't remember the part where Ford Prefect gets a labotomy and mumbles throughout the book. In fact, Ford had no presence in this movie whatsoever! In the book he's witty, charming, mischievous. In the movie, he's a zombie. The scene where he's scarfing down beer at the beginning isn't even explained! It makes no sense without explaining that he's trying to minimize the effects of hitchhiking.

Zooey feels like she's reciting her lines.

Arthur is just some guy in this story who makes funny faces once in awhile.

Slartibartfast obviously had the same acting coach as Mos Def since they were basically the same character (mumbling, weird pauses..).

Kudos to Sam Rockwell as I kinda liked his Zaphod, but even that character fell apart at the end.

The ending. Whoah boy! Talk about dumbing the movie down for mass consumption and completely screwing up the events in the books. So I guess there's not going to be a prehistoric earth in the second movie because SURPRISE Earth was completely restored and everyone lived happily ever after.

Blech.

I keep hearing "True to the spirit of Douglas Adams!" Maybe the guide, the heart of gold and the parts that didn't have actors in it.

Try the BBC version. Sure, it didn't have the special effects budget, but it retained the story and the "spirit of Douglas Adams" much better.

Douglas Adams turned his sci-fi phenomenon, The Hitchhiker's Guide to the Galaxy into a hit radio and TV series, a five-part trilogy of novels and a BAFTA-winning computer game, but complained making it into a movie was like "trying to grill a steak by having a succession of people blow on it".

After a 20-year battle with Disney to get the film made - and a day after a planet was named after the story's protagonist Arthur Dent - Adams died of a heart attack. Fans rushed to their nearest webring to console each other when they discovered the bum-clenchingly great scripting responsibilities had been passed on to Karey Kirkpatrick, the brains behind fluffy kiddie flick, Chicken Run.

To make matters worse, Terry Gilliam and Jay Roach passed the honour of directing the film to Garth Jennings and Nick Goldsmith, two movie first-timers who made their livings as production duo Hammer & Tongs - the company behind music videos for REM, Supergrass and Pulp among others.

But Don't Panic! As Robbie Stamp, Adams' pal and the movie's executive producer, rightfully says, "The cast and crew rose to the challenge and created the perfect tribute to Douglas."

The film carefully brings the story into the noughties without incurring the wrath of Hitchhiker fans, and adds enough smug nods in their direction to keep them happy. They will relish whispering to their unimpressed cinema neighbour, "Look, Douglas Adams' face is in that shot" or "That's Marvin the Paranoid Android from the TV series." And for the uninitiated, there's an acid-trip of a movie featuring love, aliens and the answer to life, the universe and everything.

A galaxy of stars were enlisted to bring the mind-boggling story to the big screen, including Martin Freeman, who reprises his superb Everyman role from The Office to play Arthur Dent, a tea-loving Londoner who becomes the last man from Earth, following its destruction to make way for a hyperspace bypass.

Mos Def proves not all hip-hop stars are fist-gnawingly embarrassing as actors, in his part as Ford Prefect, a revoltingly cool alien who accompanies Dent on his hitchhiking adventure around the universe.

The unspeakably delicious Zooey Deschanel provides the love story that was sadly lacking in Adams' script drafts. She plays Trillian, the last surviving humanoid female, who finds herself caught in an unsavoury love triangle between Dent and Zaphod Beeblebrox, the President of the Imperial Galactic Government and owner of three arms, two heads and one planet-sized ego.

And if you've ever wondered what Freddie Mercury and George Bush's lovechild would be like (and frankly, who hasn't?) watch Sam Rockwell's extraordinary portrayal of Beeblebrox. As Rockwell testifies, "I studied footage of US presidents and rockers for this role until I tasted blood."

The essential Britishness of the film is provided by the delectable Stephen Fry and Bill Nighy, who are more English than chips, awkward dinner parties and halitosis.

Who better to voice The Guide, a book which contains all the knowledge in the universe, than bulging-brained Fry, who uses the perfect amount of middle-class haughtiness, irony and intelligence to narrate the delightfully complicated story.

And Nighy can't fail as planet builder Slartibartfast (who, as every nerd knows, won an award for creating the twiddly bits around Norwegian fjords) because he based the world-weary alien on the nation's best-loved character, Bill Nighy.

I almost missed out one character, insane religious leader Humma Kammula, a new character Adams wrote especially for John Malkovich. He is easily forgotten because despite his amusing dialogue, the special effects drown out his performance, preventing him from doing the honour justice.

But fans will forgive this small transgression, for the pleasure of seeing a beast of a movie which has defied the laws of the universe to make it onto the big screen.

Jennings and Goldsmith have proved that despite their movie virginity, the first time isn't always messy, awkward and disappointing, it can also be earth shattering, amusing and very, very satisfying.

It is wonderfully refreshing to see an intelligent adaptation of a well-loved book which manages to be innovative and highly entertaining. I saw the film last week, and after having seen the television adaptation as a child I did not have my fond memories shattered. The eccentricity of the story and characters have remained intact, and the Monty Pythonesque humour has been enhanced with even more surreal flights of fancy. Although funded by the US, this is a very British film and those who are fans of the new Dr Who, League of Gentleman and Little Britain are well catered for here. The film will not appeal to everyone, but those who love the book and intelligent, original comedy will have a fantastic time.