Buddy

This is one of the best romantic comedies I've seen in a long time. Not only does it bring some originality to the genre, the characters are explored in some depth and the acting is up to anyone's standards.

Our protagonist loses his girlfriend, has a brief fling with a roommate and then....well, that's where the originality starts. The cast of characters is an offbeat crew of sign painters, slackers, neurotic web designers and environmental activists, all of them looking to make the world a better place in the midst of their love affairs and financial woes.

This is a great date movie; it raises some issues that are worth discussing in the car on the way home; you may even get away with letting your hand stray off the gearshift to your date's thigh.

I've seen other Norwegian movies and enjoyed them quite a bit, the most notable being Svidd Neger. There is a vein of sly humor running through these movies that gives them the little extra they needed to stand out in a world of generic Hollywood romances.

As the summary says, this film starts out a bit slowly but it is important that you stick with it since the movie is excellent overall. The story is about a working-class guy, Kristoffer and his relationships. While Kristoffer is wrapped up in relationships with two women (which he balances VERY poorly), his interaction with his two room mates (Geir and Stig Inge) were the most interesting aspect of the film to me.

It seems that the little video clips Kristoffer has been making with his pocket video camera have accidentally fallen into the hands of a Norwegian TV producer. Some of them are akin to stunts from the American show, "Jackass", while others are just day to day activities the three men are involved in as they are room mates. Oddly, when they are shown on TV, the three become instant small-time celebrities and instead of life getting better for the guys, things get much worse and quite strained.

While the plot is a bit easy to predict in some places (particularly regarding Kristoffer's girlfriends), the predictability isn't a serious detriment because it's such a nice and quirky sort of film--the sort you'll only see in foreign and independent films. Plus, there are enough surprises and good acting that the overall effort is very pleasant to watch and well worth a look. While not a perfect film, this does demonstrate that good stuff is coming out of Norway and I loved the relationship that blossoms between Kristoffer and Stig Inge.

Buddy is a movie that offers a good mix of laughter, friendship, and romance, with a dash of drama.

Compared to a fictive Hollywood version of this flick, its tone definitively much more nuanced. At first the two best friends start as very emotionally immature young men, but without exaggeration. Every character evolves, but sensibly. There are romantic gestures, but nothing over the top. The only thing to muddle those calm waters is at the very end. In real life nobody would do that, but it's easy to excuse it given the quality of the overall performance.

The scenario is nothing new, yet interesting enough with a wide variety elements combined in a pretty homogeneous fashion. You'll have a pleasant evening watching this film.

Its not every day you see a movie that really gets under your skin! As said before , this movie is so charming with its simplicty! A must-see for everyone with an intressed in real life, and not only the 007 world. Enjoy!

Buddy (2003)

A quirky low budget film with a strain of realism holding its absurdity together. There are some implausible twists of plot, and a general feeling that it could have been both more poignant and more tightly edited. But it is most of all very sweet, and because of that it's touching and a nice film, something to watch with expectations in check.

The key here is really the straight forward storytelling style, the ordinary camera-work, the feeling that contemporary Norway looks and feels a bit like this. There is a sadness to a lot of it that seems forced and yet is moving. The romantic encounters are believable and just wrong and awkward enough to remind us of what it was like to be 20-something and completely tossed around in relationships.

In fact, the best of this movie--two or three of the leading actors, for starters--is so good and natural you only wish it had the rest of its act in order. But then, if you make it to the end, you'll either smile or cry because you'll be a bit attached to the actors by then. Fun.