Nain sôruzu

Finally! Third time lucky. This film has been always been on my mind, but my first viewing I forgot about it and only caught the second half of the film. Then only a couple months later I had the my second chance of watching of it, so I decided I would record it. Only to discover that my timer went off late and again I missed the first half of the flick. I wasn't going to allow that to happen again. So, when it came on TV again, I thought bugger it I'll wait until it comes on, then I will record it. And it was a good choice. I would have just watched the film, but they always put on weeknights around midnight.

After discovering a hole in their crowded cell, nine prisoners escape their confinement to track down the key of the universe, which a fellow prisoner known as the Counterfeit King said he had hidden. They think that this key could be an opening for a hidden loot of counterfeit bills. On this journey they naturally see this as an opportunity to pick up their lives before they were gaoled. Although things don't turn out the way that they intended to, with most of the criminals plans going astray.

"9 Souls" is an perky spiritual journey from Japanese director Toshiaki Toyada, which flung it's viewers into a film of two totally different halves. The first half of the story plays out more like a psychical comedy with the criminals bonds and the situations they find themselves being the selling point, but all that makes way to a moralistic and consequence drama-packed second half, where the real trouble begins with some quite nasty and bloody moments replacing the goofball tone it started off with. While, the first half is quite amusing with its on the road, screwball doodling and offbeat banter. But it's really the genuinely haunting latter half with it's peculiar turn of events that hit you so hard with some surprising touches that make you really sympathise for these very human characters. Even though they are not truly innocent from their crimes, you just become entrenched by these flesh-out characters in the first half that when you see them spiral into their downfall, you know it's an effective drama when you become shell-shocked in the dramatic change. The nine characters get enough screen time to truly understand their personal story and what weakness would eventually bring them down. The way the plot works out is that Michiru and Torakichi are the lead characters and we mostly see it from their perspectives. The escapism tale is an unquestionably engaging character study that's clear in it's goal and puts to you many questions on society and the path you choice to take to escape life and free yourself from these restraints.

While, the symbolic story is full of clarity and vividly told. The visual element doesn't go by unnoticed, because there's just a dreamy and trance-like vibe that channels itself into the unique atmosphere. What HIGHLY contributed to that factor and gave the film a lift was the sweepingly, moody instrumental rock soundtrack. The mellow atmospheric gel it was able to create in many scenes left me rather breathless with the everlasting emotions it was able to provoke. Simply beautiful and downright powerful control on that front. The pacing for such an long film ( 2 hours ) seems to breeze by and editing is swiftly done, because we are just so wrapped up in it all. The hypnotic photography is crisp in detail. While, the performances by the cast as a odd bunch of criminals are that of high quality with each one providing enough personality and features to separate themselves.

I found "9 Souls" to be a pleasing and quite an amazing surreal film that stirs up the emotions and then it smacks you with an almighty wallop when it changes direction. Highly recommended.

I watched "9 souls" in Athens' 12th International Film Festival (September 2006), where Toshiaki Toyoda, the films's director was also present and answered many questions of the audience. This road film is about 9 fugitives, all very different characters from each other. They decide to stay together travelling with their red van across Japan. Every time the van stops, we see these 9 fugitives trying to escape from their past in order to build up a new life or to fulfil a dream. However, no matter how hard they try, it seems impossible and their violent past comes after them and leads them to their final destruction.

Though a very pessimistic film, it is not a dark film. On the contrary, it is full of beautiful pictures, surreal elements and elegant humor. Toyoda's heroes cannot escape their "prison" and they face a divine(?) punishment for their "crimes". They are small pieces of a beautiful painting, where the tower of Tokyo depicted as a huge knife turned upside down prevails!

This is well made with some fine cinematography and considering it is a two hour film really does keep moving along. Unfortunately we are not really going anywhere and although presumably this is supposedly part comedy part tragedy, the comic moments probably appeal more to a local audience and as for the tragic side, because this comes in the second half it will only work if your sympathies are with the characters. Mine weren't, the whole notion of nine escapees sticking together seemed daft and there was too much laughing at fat or shy people and generally too much pissing about - literally! So well put together, however, that even if the story is not fully engaging there is enough charm here to at least persist till the end.

This 2002 Japanese film is the third feature film showcased in the inaugural Singapore Fantastic Film Festival (The first two being Kontroll and Immortel, which I should be able to watch by the end of the fest).

9 Souls is at times a complex movie, and at times one which has a simple tale to tell. It blurs and crosses the line so often, it makes it difficult to try and classify its genre - part gore, part comedy, part social commentary.

The title refers to 9 prisoners, who are introduced in more detail during their escape from prison (in a very creative introduction by the way), ranging from murderers to a porn king, from a juvenile delinquent to a vertically challenged escape artist. It turns into part comedy once they escape, and have to find the means and substinence to help keep themselves alive in a strange new world.

Prior to their escape, their world is their prison cell, rudely interrupted by a tenth crazed prisoner, a counterfeit king who leaks out the secret to the whereabouts of his stash. With this bit of information, they embark on a quest to recover this lost promise of treasure before going their separate ways.

Which forms the second half of the movie. Throughout the first half, we are exposed to the dreams and hopes of these escape convicts. Being locked up for some time, they each have a secret desire to either reunite with their loved one, or have plans to live a better life. At some point, you will ponder if it was wise of them to each seek their dream, knowing its dire consequences, or would rather choose to stick together in their new found family.

Thoughts on second chances in life also crosses your mind, if these serious crime offenders deserve another break in life, or are forever condemned in the eyes of society for their one moment of folly which has kept them locked up.

The pacing of the film is at times choppy, and you'd have scenes that come out of the blue (like cross-dressing as a disguise). I heard quite a number of people around me give the "hmm... where did that come from" comment.

The soundtrack is kept simple, to a constantly played guitar tune, which in scenes of peace are kept soft, and in scenes of angst, being played to a crescendo. I find this effective in conveying emotions in the film, without the need of a bloated soundtrack.

Rated R21 here for its subject content and scenes of gore which is not really shown on screen, this film is recommended for those who seek a different film offering, which is what this film fest is striving to achieve.

There were a few disturbing scenes in this movie. One early in the beginning, and most in the later parts. I'm the type of movie viewer that goes out of my way to avoid violence and gore, and I didn't see this one coming from the description and being that it is billed as a comedy.

But having said all that, I found it to be an interesting look into Japanese life that we never see including scenes of run down neighborhoods and poverty. Also the way the gang communicated to each other goes against everything we were taught or shown about Japanese culture.

I think it's a good movie. The gore and the one disturbing scene was totally unnecessary in my eyes. If that had been omitted, I would probably have given this a rating of 8 or 9.