Nain sôruzu

Highly recommended to all those who appreciate watching movies. Great acting, perfectly surreal awkward humor, requisite prison sh-t, accurate depiction of the male condition. Music is also spot-on. I think the artist is "Dip" but not sure. The short loop of the title credit song on the DVD menu is well-timed, and sounds like Slint. (one thing to know is that IMDb maintains a ridiculous policy of a MINIMUM comment length based on, not CHARACTERS, not WORDS, but rather LINES. Measuring post quality and quantity based on LINES in the bold era of UNICODE and flexible, web-based typography, is like smoking poles.) ! Your comment does not contain enough lines - the minimum length for comments is 10 lines of text. Please see the guidelines. Attempts to pad the comment with junk words can result in your account being blocked from future submissions.

Here is another great film critics will love. The problem is that it is not a very good movie.

The films premise is simple. Nine convicts escape a prison after the tenth one goes crazy and tells them where the treasure is.

The first half has a lot of slapstick some of it very broad while the second half is a character driven descent into fantasy and melancholy.

The two halves simply don't mix. Individual scenes do work very well (The guys crashing a friends house who has a new Filipino bride is hilarious While a later scene with the big guy working in the restaurant tugs at the heartstrings.) They simply don't mesh with each other.

The movie as well is missing entire set-ups. One scene shows the guys desperately looking for change under a deserted vending machine to buy a snack. The very next scene has the whole crew in drag sitting down in a restaurant. Where did they get the dresses and wigs? (The crew includes both the big guy and a midget) How did they get all the clothes and money to buy the meal? And most puzzling is why are they in drag? They are clearly guys in drag and lets face it is there anything more memorable to witnesses than a big guy and a dwarf eating a meal dressed as women? I mention the big guy and the dwarf because besides the old guy everyone else seems to blend into each other. (In fact they wear matching white jumpsuits throughout most of the movie) The movie has very little character development in the first half and as a result the second half really lacks an emotional punch. As we are often trying to figure out who is who in their individual payoff scenes.

Speaking of a drag the second half has all those wonderful sweeping camera shots and big emotional moments and great symbolism that makes a great film. It is also excruciatingly slow which makes for a boring movie.

9 Souls is a big disappointment, the reviews gush about a great film and it's in there somewhere, good luck finding it yourself.

'9 Souls' is a title that fits the movie's psychological slant very well. The plot revolves around a group of prison fugitives so the narrative touches upon the flight itself but there is more of device to explore the inner realities of the characters and how these relate to the world at large. This explains the moments of surreal oddity that interrupt the linear flow of events at pivotal points.

This aspect of introspective lyricism is steeped in several social contexts, some of which are typically Japanese like the yakuza orphan or the hikikomori. So that the movie never loses a sense of structure even as it progresses further into character study territory. And tragedy is at the heart of each of these criminals. True to its calling this movie is gritty, violent and has no qualms in disturbing the viewer. There is more to freedom than simply escaping from behind bars and reconnecting with life on the outside is fraught with difficulties that some simply cannot handle. A sense of dark fatalism seems to motivate these prisoners and their fanciful fantasies are but a result of this.

Its one great flaw is that the cast is somewhat bloated. Nine complex characters are bundled together and it is not easy to give them all the required screen time to flesh out properly so a few fall by the wayside. The same goes with the relationships between these but here the pair of a father who killed his son and of the young man who killed his father emerge naturally as counterparts of sorts. They form an uneasy bond that results in a somewhat perplexing ending.

'9 Souls' does not settle for illusions of regeneration but it does not deny a desire for betterment. Torn between this two extremes and enlivened by a great cast it is a movie that is off beat and intense. Well worth watching.

There were a few disturbing scenes in this movie. One early in the beginning, and most in the later parts. I'm the type of movie viewer that goes out of my way to avoid violence and gore, and I didn't see this one coming from the description and being that it is billed as a comedy.

But having said all that, I found it to be an interesting look into Japanese life that we never see including scenes of run down neighborhoods and poverty. Also the way the gang communicated to each other goes against everything we were taught or shown about Japanese culture.

I think it's a good movie. The gore and the one disturbing scene was totally unnecessary in my eyes. If that had been omitted, I would probably have given this a rating of 8 or 9.

I watched "9 souls" in Athens' 12th International Film Festival (September 2006), where Toshiaki Toyoda, the films's director was also present and answered many questions of the audience. This road film is about 9 fugitives, all very different characters from each other. They decide to stay together travelling with their red van across Japan. Every time the van stops, we see these 9 fugitives trying to escape from their past in order to build up a new life or to fulfil a dream. However, no matter how hard they try, it seems impossible and their violent past comes after them and leads them to their final destruction.

Though a very pessimistic film, it is not a dark film. On the contrary, it is full of beautiful pictures, surreal elements and elegant humor. Toyoda's heroes cannot escape their "prison" and they face a divine(?) punishment for their "crimes". They are small pieces of a beautiful painting, where the tower of Tokyo depicted as a huge knife turned upside down prevails!