Punto y raya

transitively latinamerican and borderline dramatic, punto y raya hit us as a fairly well told story about friendship altering people's life. of course there's a movie about this little hypothetical war between countries, and the intimate war between two guys for a long-time-no-seen-virgin-girlfriend, but mostly it's about two enemies trying to stay alive through extreme circumstances: the war itself, the jungle, crazy women living in colombian guerrilla camps, and a pair of boots they shall share. the best thing about this film is elia's work with actors direction, pushing them through the adventure and making them seem not only believable but amazingly genuine. a great direction and production work from one of venezuela's most prolific film dupla (novoa-schneider), actually our favorite (our respects to garimpeiro and huelepega)for its perfect inclusion of humor inside a drama environment.

I'm Venezuelan, Usually I never liked Venezuelan movies, to exception of "Huelepega", I don't know, it never gets my attention, maybe on TV, but never in the cinema, it's like that. But when I seen it on DVD, ooh, is just Terrific!, it was a real good movie about our boundary-war situation with Colombia for many years, and it is represented by a "malandro" (like a thief) who was sent to the frontier to lend military service. You Know the rest. And if you don't, go to see it! It is very entertaining, if you like these movies about drugs, sex, holdups, fights, infidelity, etc. All made in my country, Venezuela, you won't be sorry

PD: Dora Mazzone has nice boobs, don't you think so?

I don't understand the exaggerated good critics about this film, except that a lot of people from Venezuela are understandably very excited, based on that the Venezuelan cinema is really a bit behind of what other countries are in the region.

The movie first of all is too repetitive, a lot of scenes are almost identical from each of the both leading roles, so you get the impression that it's a time filler. A time filler is also a good point, as this movie is definitely too long with 105 minutes, you will start to get tired after a while and watch on the clock.

All actors are quite bad, by exception of the venezuelan guy Edgar Ramirez, who brings in a bit of slapstick and plays the role of the venezuelan recruit "Pedro".

By the way, this is not a representative movie about the people of the region (caribean zone), it tends to ridicules them.

While the underlying theme and plots of most war movies are similar, this film at least adds the novelty of this rarely shown, but nevertheless, very critical and crucial world conflict.

I (and the film) refer to the drug traffic/coke labs/Maoist rebels/ Venezuelan/Colombian feud. It's a multi faction civil war that is rarely talked about since, of course, the area is neither in Eurasia or North America. But the coke and crack consumers that keep it going are. So, though dozens of films continue to address Bosnia and the ex-Yugoslavia (close to "Europe" and the Middle East), hardly any have been made about this ongoing war which is even more complicated, and ongoing than any other, and closer to many Europeans and North America drug users than anyone wants to recognize.

This film is a light, comedic way of educating those in the "rest of the world" what those around you may contribute to, if not cause, this war and keep it going, fueled by continued consumption of drugs from South America (virtually all, if not all the coke and derivatives, plus marijuana, with a sideline of Ecstasy production, this last drug not native to the area). It is also an interesting take on Venezuelan/Colombian relations along the long, drug, and guerrilla infected border they share.

The film is not at all a sermon about this subject. I personally make it a point in this comment to highlight why the film is so unique, so worth watching. All this, in addition to its being a wonderful, entertaining film, showing human qualities and frailties which can be appreciated anywhere.

Truly exceptional, this film has been a hit at all the festivals it's hit so far. Here in Brazil, it was a hit in Rio in September, and is on the list of the top ten most-voted films at the S. Paulo Festival in October/early November. Highly recommendable!

Elia Schneider, the talented Venezuelan film director, surprised our expectations with "Punto y Raya", one of the highlights of the recent Latinbeat 2005 at the Walter Reade theater in New York. Not being prepared for what to expect, this movie proved to be a winner. The public, at its presentation the other day, seemed to enjoyed it a lot.

"Punto y Raya" is a film that presents us all the factions in a conflict that one hears nothing about in the press, and it has to do with the involvement of the Venezuelan and Colombian armies in their fight to control the drug trafficking between the two countries plus the leftist guerrillas and the paramilitary forces that are all fighting one another, especially in Colombia.

The film focuses on two soldiers, one, the disarming Cheito, a small time drug dealer in Caracas, who is caught selling and as a punishment is made to enroll the army and sent to the border with Colombia as part as the forces patrolling the area. Pedro, a Colombian recruit, who has joined the army to combat the drug problem, is an earnest man. Pedro believes in the system and is willing to give his best in order to see his country free of drugs.

Fate intervenes and both Cheito and Pedro form a bond, as they are caught by the different factions. Cheito is a chameleon, he can change colors and be convincing to whoever happens to be questioning him. Pedro, on the other hand, is an uneducated man whose honesty and integrity are in sharp contrast with the slick Cheito.

The film is delightful to watch because of the magnificent display of acting by Roque Valero, a great new talent to Latin American films and Edgar Ramirez, who is becoming known also to the American movie fans. Both actors deserve success in whatever they decide to do next because they prove in "Punto y Raya" they certainly can act and are totally convincing.

Congratulations of Elia Schneider for giving us a film that will stay with the viewer for a long time to come.