My Date with Drew

I was completely taken in by the charm and optimism of My Date With Drew, although the movie's critics hold generally far more cynical views about it. Many find this work creepy and unnerving because its star-director, Brian Herzlinger, manages to pull off some rather interesting stunts ...

But this movie is innocuous, really, and nothing either dangerous or sordid happens, here. At the heart of Herzlinger's work is a man who engages himself on a quest for emotional and material success, and I found it inspiring, quite frankly, to witness his journey.

One might admire or dislike Herzlinger, finding him either funny or creepy, but there's no denying that the man has chutzpah! Give credit where credit is due, for he's accomplished what few independents have in that he's gotten his movie made and distributed (and gotten us writing about it, as a result of that). Not too shabby, by any means.

Brian Herzlinger's quest for a date with childhood crush Drew Barrymore is, appropriately enough, a great date movie. It's funny, inspiring and very sweet. The fact that this was shot on a miniscule budget is part of its charm, but it doesn't play as cheaply made. In fact, it's more polished and fast-paced than many other modern documentaries. And Herzlinger is a winning presence. He knows how outrageous his mission is, but he attacks it with an admirable can-do zeal. This movie will have special resonance with movie geeks, especially those who grew up around the same time as Herzlinger. But dreamers from all walks of life are certain to enjoy it. You'll understand why it's won audience-favorite awards at film festivals. Highly recommended.

Even casting aside memories of the infamous summer of 2005, (during which the Internet Movie Database's Film General message board was overrun for months by the director's friends relentlessly hawking this documentary - and getting extremely unpleasant when challenged about their behaviour, trolling the board - in a monumentally misguided attempt at viral marketing that ensured everyone who encountered them waited for it to arrive on television rather than pay to see it) this film is impossible to like.

Much of that stems from the unlikable Brian Herzlinger, a man with no personality to speak of. He's a poor enough actor to betray the fact that at times he's clearly reading scripted material or improvising imaginary see-I-got-you-back phone conversations with an ex girlfriend who cheated on him. And that's not even his most pathetic moment.

Every attempt is made to enliven the concept but because it simply doesn't lend itself to a feature length film these attempts are doomed to failure, even if they weren't so hopelessly amateurish and inappropriate. They frequently employ six degrees of separation graphics as if they expect the audience to care that some guy's friend is a friend of some other guy's agent who knows someone who once worked with Barrymore. This kind of information is often presented in dramatic freeze frames as if to underline how important it is.

Presumably resulting from a dearth of imagination and creativity we're left with seemingly never-ending footage of Herzlinger approaching teenage girls outside malls and telling them what the film's about. "Oh, cool" they respond unenthusiastically - and this footage made the final cut! Next we see him unsuccessfully stopping people in the street and asking them to take part in "A survey about Drew Barrymore." It continues like this until the final scene, which I won't spoil. Things get mildly interesting (and decidedly awkward) for a few minutes and then - thankfully - it's over.

The movie starts off dry and with a "Supersize Me" feel to it. However, if you can sit through the first fifteen minutes, it'll get better. I started this movie with my wife thinking that she would enjoy it more than I, although I had a pretty good time watching it. I am a prior-service US Marine and am currently a Deputy Sheriff and I can still identify with Brian even through all of the goofy not-so-suave antics displayed. I applaud him for making the movie and the wherewithal to follow through with his mission. The mind is like a parachute, it doesn't work unless it's open. Give the flick a chance.

PS Hey, Brian where's your mydatewithdrew.com website? I couldn't find it.

Take a date movie and mix it with a movie about making a movie. Dose it with a notion of homemade opportunism.

Does it matter if it engages? If the guy matters? Probably not.

The standard date movie has three acts: The fantasy is established, the fantasy is dashed, the romance is achieved. Often a guy with problems and a perfect girl, sometimes the other way around.

That's what we have here, almost as if it were scripted. It is almost too perfect. Surely, Drew's production company added and sorted things after they got involved.

If you like metamovies, you'll get a bang out of this. If you get embarrassed by ultradorky dumb people, so dumb they should hide, if bad production values bother you, stay away.

Ted's Evaluation -- 2 of 3: Has some interesting elements.