IMDb रेटिंग
5.6/10
44 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.A young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.A young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.
- पुरस्कार
- 3 जीत और कुल 2 नामांकन
Joshua Peace
- Finn
- (as Josh Peace)
Flossie McKnight
- Female Doctor
- (as Araxi Arslanian)
Kyle Derek
- Squad Leader
- (as Kyle McDonald)
फ़ीचर्ड समीक्षाएं
i just finished watching it and taught it was great to have a perspective from observers outside of the Cube for once .i read some other user comment one especially saying the cube as not been ameliorated uplifted .well how could it be more advanced when the movie happens before the original cube.i also liked the fact that in this one you get the general idea on how and why people end up in the cube.Good death traps all around as usual ,groovy atmosphere a good film well done with a bunch of unknown actors that play there roles in a credible manner considering the type of film this is.i enjoy the less mainstream thriller horror pictures lately always more original than all those block busters remake from the good 70's movies which needed none of that remake bull@#@$ all together it was very entertaining i give it a 7.5 out of 10
The cube movies are the most inventive and satisfying creations in budget horror films today.
The first film is still in my top ten list and is a destined to be classic. I was a little disappointed by the second film which took a much more of a sci fi turn.
But this film returns to the grittiness of the first. Also being that we get to see the observers of the cube more, many connections (mostly to the first film) and secrets are revealed.
Many people say that they didn't like this because it jumps around out of the cube so you can't really get connected with the people in the cube. But honestly, that story has already been done, to perfection in the first cube film. This film is more about the button men who work at the cube.
This movie is awesome and is a perfect sequel to the original, and far more superior than the first sequel.
The first film is still in my top ten list and is a destined to be classic. I was a little disappointed by the second film which took a much more of a sci fi turn.
But this film returns to the grittiness of the first. Also being that we get to see the observers of the cube more, many connections (mostly to the first film) and secrets are revealed.
Many people say that they didn't like this because it jumps around out of the cube so you can't really get connected with the people in the cube. But honestly, that story has already been done, to perfection in the first cube film. This film is more about the button men who work at the cube.
This movie is awesome and is a perfect sequel to the original, and far more superior than the first sequel.
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
Another group of individuals awake to find themselves trapped within the confinement of the now legendary Cube,with only their wits and their speed to save them.In this instalment,we also learn more about the people behind the Cube and the sinister true reason for it's existence...
As I watched Cube:Zero stretch out before me,I couldn't help but feel I was watching yet another example of a great original film,a far-fetched but undeniably inventive and thoroughly engaging science-fiction caper,being milked for all it's worth with tacky video sequels.For any gore-hounds out there,there's some impressive grisly dismemberment scenes to behold and the original angle remains as clever as ever,but it's no cleverer than it was before.The film is just that:a desperate and sad extension of it's original self.It's never made clear what the Zero in the title means,but zero is a name for cannabis,and that's sort of what it feels the screen-writers had been puffing too much of when they penned another entry into the Cube franchise.With some naff new central characters introduced (typical and dourly indicative of this kind of video sludge!) and a slumberous pace,one can only hope that this marks the final part of the now depressingly wearisome Cube franchise.**
Another group of individuals awake to find themselves trapped within the confinement of the now legendary Cube,with only their wits and their speed to save them.In this instalment,we also learn more about the people behind the Cube and the sinister true reason for it's existence...
As I watched Cube:Zero stretch out before me,I couldn't help but feel I was watching yet another example of a great original film,a far-fetched but undeniably inventive and thoroughly engaging science-fiction caper,being milked for all it's worth with tacky video sequels.For any gore-hounds out there,there's some impressive grisly dismemberment scenes to behold and the original angle remains as clever as ever,but it's no cleverer than it was before.The film is just that:a desperate and sad extension of it's original self.It's never made clear what the Zero in the title means,but zero is a name for cannabis,and that's sort of what it feels the screen-writers had been puffing too much of when they penned another entry into the Cube franchise.With some naff new central characters introduced (typical and dourly indicative of this kind of video sludge!) and a slumberous pace,one can only hope that this marks the final part of the now depressingly wearisome Cube franchise.**
A perfectly adequate prequel to the first film. This time we see the men who operate the cube, but it doesn't take long to realise that they are still within the system.
This film owes a lot to the identity loss themes seen in Dark City and even the matrix, as the film resolves to show existence as a hierarchical and circular metaphor of continuous control.
This is low budget, but has a dated feeling that the original Cube film did not. Writers and set designers face a lot of pressure to create fresh ideas, and new ideas are sadly lacking here. The horror element is delivered well, but the sci-fi elements are rather tacked on.
(Saw this at Sci-fi London)
This film owes a lot to the identity loss themes seen in Dark City and even the matrix, as the film resolves to show existence as a hierarchical and circular metaphor of continuous control.
This is low budget, but has a dated feeling that the original Cube film did not. Writers and set designers face a lot of pressure to create fresh ideas, and new ideas are sadly lacking here. The horror element is delivered well, but the sci-fi elements are rather tacked on.
(Saw this at Sci-fi London)
I was one of the enthusiasts of the original. It seemed a clever solution to one of filmdoms most persistent challenges: how to stage drama.
Noir is our most basic cinematic model. The core of noir is a universe where capricious fate toys with human destiny in cruel and arbitrary ways. "Cube" cleverly merged a modern noir vision with a solution to the staging problem.
Then along came the sequel which had no understanding of what made the original appealing and important. They turned it into a conventional government plot thriller with all the baggage that carries. Along the way, they introduced some pseudomathematical notions that were bizarre.
If there is anyone on the planet that would know how such a government program would work, it would be me. I wrote a comment about this which triggered a couple dozen messages among the editor of a film magazine, myself and the original author of "Hypercube."
As it happens, the original script was more true to what made the first one work, but it was coopted and changed by the same hack behind this.
So once again, here we have some sort of evil experiment by some agency. In the last one, that was actually a major weapons company. The one clever idea is similar to "Saw," where we watch the watchers of watchers watch. This folding is supposed to impute an evil to us that we see in the maniacal Dennis Hopper impersonator.
One of the intermediate watchers draws comics. This is textbook folding. Not clever, not worthy.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Noir is our most basic cinematic model. The core of noir is a universe where capricious fate toys with human destiny in cruel and arbitrary ways. "Cube" cleverly merged a modern noir vision with a solution to the staging problem.
Then along came the sequel which had no understanding of what made the original appealing and important. They turned it into a conventional government plot thriller with all the baggage that carries. Along the way, they introduced some pseudomathematical notions that were bizarre.
If there is anyone on the planet that would know how such a government program would work, it would be me. I wrote a comment about this which triggered a couple dozen messages among the editor of a film magazine, myself and the original author of "Hypercube."
As it happens, the original script was more true to what made the first one work, but it was coopted and changed by the same hack behind this.
So once again, here we have some sort of evil experiment by some agency. In the last one, that was actually a major weapons company. The one clever idea is similar to "Saw," where we watch the watchers of watchers watch. This folding is supposed to impute an evil to us that we see in the maniacal Dennis Hopper impersonator.
One of the intermediate watchers draws comics. This is textbook folding. Not clever, not worthy.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
क्या आपको पता है
- ट्रिवियाThe exit machine is a slightly reworked, old Moviola film editing machine with a couple of raw speakers and a YES/NO button added.
- गूफ़The file cabinets in the observation room are marked with name ranges; one drawer is listed as "Rabinovich - Rabe", which is not in alphabetical order.
- क्रेज़ी क्रेडिटZero the fish as himself
- कनेक्शनFeatured in WatchMojo: Top 10 Horror Movie Prequels (2018)
- साउंडट्रैकMessage From Buddha
Performed by Norman Orenstein
Written by Norman Orenstein
Published by Norman Orenstein Music (Socan)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- CA$12,00,000(अनुमानित)
- चलने की अवधि
- 1 घं 37 मि(97 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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