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Crash

  • 2004
  • UA
  • 1 घं 52 मि
IMDb रेटिंग
7.7/10
4.6 लाख
आपकी रेटिंग
लोकप्रियता
1,168
70
Michael Peña and Ashlyn Sanchez in Crash (2004)
Home Video Trailer from Lionsgate Home Entertainment
trailer प्ले करें2:31
1 वीडियो
99+ फ़ोटो
Psychological DramaTragedyCrimeDramaThriller

लॉस एंजिल्स के नागरिक, जो अलग-अलग जीवन जीते हैं, रेस, नुकसान और छुटकारे की कहानियों में आपस में टकराते हैं.लॉस एंजिल्स के नागरिक, जो अलग-अलग जीवन जीते हैं, रेस, नुकसान और छुटकारे की कहानियों में आपस में टकराते हैं.लॉस एंजिल्स के नागरिक, जो अलग-अलग जीवन जीते हैं, रेस, नुकसान और छुटकारे की कहानियों में आपस में टकराते हैं.

  • निर्देशक
    • Paul Haggis
  • लेखक
    • Paul Haggis
    • Bobby Moresco
  • स्टार
    • Don Cheadle
    • Sandra Bullock
    • Thandiwe Newton
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.7/10
    4.6 लाख
    आपकी रेटिंग
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    1,168
    70
    • निर्देशक
      • Paul Haggis
    • लेखक
      • Paul Haggis
      • Bobby Moresco
    • स्टार
      • Don Cheadle
      • Sandra Bullock
      • Thandiwe Newton
    • 1.7Kयूज़र समीक्षाएं
    • 290आलोचक समीक्षाएं
    • 66मेटास्कोर
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    • 3 ऑस्कर जीते
      • 66 जीत और कुल 112 नामांकन

    वीडियो1

    Crash (2004)
    Trailer 2:31
    Crash (2004)

    फ़ोटो256

    पोस्टर देखें
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    + 250
    पोस्टर देखें

    टॉप कलाकार54

    बदलाव करें
    Don Cheadle
    Don Cheadle
    • Graham
    Sandra Bullock
    Sandra Bullock
    • Jean
    Thandiwe Newton
    Thandiwe Newton
    • Christine
    • (as Thandie Newton)
    Karina Arroyave
    Karina Arroyave
    • Elizabeth
    Dato Bakhtadze
    • Lucien
    Art Chudabala
    Art Chudabala
    • Ken Ho
    Sean Cory
    Sean Cory
    • Motorcycle Cop
    Tony Danza
    Tony Danza
    • Fred
    Keith David
    Keith David
    • Lt. Dixon
    Loretta Devine
    Loretta Devine
    • Shaniqua
    Matt Dillon
    Matt Dillon
    • Officer Ryan
    Jennifer Esposito
    Jennifer Esposito
    • Ria
    Ime Etuk
    Ime Etuk
    • Georgie
    • (as Ime N. Etuk)
    Eddie J. Fernandez
    Eddie J. Fernandez
    • Officer Gomez
    • (as Eddie Fernandez)
    William Fichtner
    William Fichtner
    • Flanagan
    Howard Fong
    • Store Owner
    Brendan Fraser
    Brendan Fraser
    • Rick
    Billy Gallo
    Billy Gallo
    • Officer Hill
    • निर्देशक
      • Paul Haggis
    • लेखक
      • Paul Haggis
      • Bobby Moresco
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं1.7K

    7.7456.4K
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    फ़ीचर्ड समीक्षाएं

    9Vitarai

    Roller-coaster of emotions

    Like Altman's classic Short Cuts, and Anderson's Magnolia, Crash, by writer/director Paul Haggis weaves a tale of multiple characters through the web of streets we have come to know as Los Angeles. Unlike those other two films this one has a very specific theme to explore. From the opening line uttered by Don Cheadle we know this is to be a film about how people relate, and from the interchange that follows between Jennifer Esposito and Alexis Rhee (pretty sure she plays the Korean female driver who rear-ended her) how people relate tends to be ruled by first impressions or prejudice.

    Race is paramount in this film, and all our preconceptions of who people are get twisted and turned through the intricate plot. With each new additional character we find another assumption, another stereotype, and then watch as that preconception is obliterated as the character develops. It is a credit to the deftly written script, tight direction and exceptional acting talent that every one of these many characters is fully realized on screen without ever feeling one-dimensional.

    I would love to discuss some of the details of what happens to explain how well it is done, but part of the magic of this film is allowing yourself to be taken on this ride. Mind you, this isn't a ride of pleasure. The first half of this film is unrelentingly in its ferociousness. I could literally feel my rage at some of the characters forming to a fever pitch. The fear and hatred I was confronting wasn't just on the screen, but in the pit of my stomach. And in one absolutely brilliant moment I was literally sobbing at the expectation of horror unfolding, only to be cathartically released in a most unexpected way.

    Mr. Haggis was in attendance at the screening I saw and explained that the idea for this film came to him one night sometime after 9/11 at about 2a.m. when his own memories of a car- jacking experience from 10 years before wouldn't leave him alone. Clearly this film was his way of relieving those demons of memory, using the catharsis of his art to unleash them and in doing so has given to all viewers of cinema an opportunity to examine our own preconceptions about race relations and how we treat each other and think of ourselves. He mentioned in the discussion after-wards that he likes to make films that force people to confront difficult issues. Films that ask people to think after the film has ended and not just leave saying: "that was a nice film".

    This isn't a "nice" film, and I would expect that it will provoke many a discussion in the ensuing weeks when it opens nation-wide. It's a discussion long overdue for this country, and it took a Canadian to bring the issue to the fore in this brilliant, thought provoking film.
    6skopera

    Shockingly Overrated

    I can't believe all the reviews I'm reading. And not just on IMDb but in the printed press too. People seem to love this movie, and I don't understand.

    I felt it was a solid movie with excellent music and cinematography. Yet, if that was all that mattered, Phantom Menace would be an Oscar winner.

    It seemed to me that there were very few original ideas in the script. The racial plot lines were done better in "Grand Canyon", "Do the Right Thing" and "Boyz n the Hood".

    If you haven't seen any of the above movies, perhaps "Crash" will open up your eyes to the depths of the racial divide in this country. Otherwise, you're better off with something a little more subtle and original.
    10Brambo

    Review: Ensemble cast delivers top-notch performances in reflective drama

    In a drama strikingly reminiscent in style and tone of P.T. Anderson's film Magnolia (1999), the narrative in Crash shifts between 5 or 6 different groups of seemingly unconnected characters, whose relationships to each other are only revealed in the end.

    Not to be confused with the David Cronenberg feature of the same name, this Crash is the feature-length, studio-released directorial debut of veteran Canadian TV writer/producer/director and two-time Emmy-winner Paul Haggis. An in-depth exploration on the themes of racism and prejudice, cause and effect, chance and coincidence, and tragedy, "crash" is a metaphor for the collisions between strangers in the course of day-to-day existence. Set over a 24-hour period in contemporary L.A., it is a social commentary on the interconnectedness of life in the big city.

    Crash features a top-notch ensemble cast which includes: Sandra Bullock, Don Cheadle, Matt Dillon, Jennifer Esposito, Brendan Fraser, Chris "Ludacris" Bridges, Loretta Devine, Thandie Newton, Ryan Phillipe and Larenz Tate. All put in superb performances in a tight script which is at once gritty, heartwarming, shocking, tragic and witty, and which will ring true with viewers of all demographics.

    Centering around two disturbing car accidents, a carjacking, vicious workplace vandalism, and the suspicious shooting death of one police officer by another, the drama is set against the backdrop of a racist LAPD and Los Angeles justice system. Action shifts between the various characters, whose lives collide with each other in unpredictable ways as each faces their own moral dilemma, and tries to cope with the consequences of their resulting decision made or action taken. Each of the dozen or so main characters undergoes some type of a personal metamorphosis as the various story lines head toward a striking, common conclusion, which succeeds at being both cathartic and unsettling.

    Crash is backed by a solid and varied, original soundtrack and excellent cinematography. Sweeping, wider shots alternate with disjointed camera angles which convey the chaos and confusion of the characters and the unpredictability of life. Occasional lingering close-ups -- on occasion without sound -- capture the actors' facial expressions, which suitably detail key moments of the characters' aching pain, fear, anger, bitter anguish, remorse or grief, far better than any dialogue could.

    This breathtaking film is destined to be a critical smash and box-office hit. Five stars.
    9acclar

    a realistic, gritty, no-nonsense look at the way life is for so many....

    After seeing this movie, I was able to really understand what "Six Degrees of Separation" means. There is a thread that weaves its way through the landscape of life connecting, influencing, and defining all. This movie is certainly thought-provoking, one cannot watch it without feeling either privileged to have become part of the fabric, or like a fly on the wall - seeing, yet unable to influence or guide. There is almost a sense of frustration at ones inability to be no more than an observer in this movie since it compels you to want to shout in warning, gasp in shock, cry in sorrow, and hold in comfort. "Crash" is definitely not a movie to use as a venue to escape life for a couple of hours, but it is a movie that certainly makes you take a second and third look at who you are within yourself. The actors are surprising not only for their depth of performance, but also because they do not play characters you think you know. I would highly recommend this movie to anyone who likes drama, action, comedic relief, or just an appreciation for a well-thought out movie.
    9WriterDave

    Bold and Compelling Treatise on Racism in Modern Society

    Take the pop-cultured infused socio-political discourse of a Spike Lee movie, the glossy grit of a Michael Mann LA crime story, and the compelling mosaic story-telling technique of a Paul Thomas Anderson film, and you'll get the "feel" for Paul Haggis' stunning directorial debut. To boil a film like "Crash" down to such terms, however, would do it severe injustice. Powerful and thought provoking, this is the most accomplished and compelling film since "21 Grams" premiered back at the end of 2003.

    "Crash" brilliantly shows through intertwining vignettes, that are often blazingly funny in their brutal honesty and fascinatingly gut-wrenching in their melodrama, how subtle racism (often guised in nervous humor) and overt prejudice (often exasperated by sudden irrational violence and an overabundance of readily available firearms) completely permeate our culture and everyday interactions within society. A hyper intelligent script showcases not characters, but brilliant representations of real people, people we know and pass in the street every day, people not unlike us. People who at first seem to be lost causes in the war against racism (witnessed in Matt Dillon's harried beat cop and Sandra Bulluck's spoiled District Attorney's wife) can often become the most unlikely solutions to the problem, while people who ride in on their high horse (witnessed in Ryan Phillipe's noble young police officer) can turn against the tide in the blink of an eye. No one is immune to it no matter how hard they try to rise above it (witnessed in Don Cheadle's quietly tragic detective).

    In the end, everyone is flawed, the racism is inescapable, and the audience feels a twinge of sympathy for just about everyone. Perhaps that is what Haggis is hinting at to be our answer. Showing empathy and being able to relate even on the most remote level to every human being out there is the first step to that true brotherhood of man. Because the film offers no real solution, the discussion and discourse it creates in the minds of the viewers is the first step in solving society's ills. We can't tackle everything at once, but we can open a dialogue, and hopefully, one person conversing with another will be the first step to our salvation. It takes a bold film to raise such questions, and an even greater one to compel an audience to talk about the potential answers, and that is exactly what "Crash" accomplishes.

    Oscars Best Picture Winners, Ranked

    Oscars Best Picture Winners, Ranked

    See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
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    Poster
    लिस्ट

    इस तरह के और

    Syriana
    6.9
    Syriana
    The Constant Gardener
    7.3
    The Constant Gardener
    कपोटी
    7.3
    कपोटी
    Walk the Line
    7.8
    Walk the Line
    क्रैश
    6.4
    क्रैश
    Brokeback Mountain
    7.7
    Brokeback Mountain
    Chicago
    7.2
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    7.8
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    7.4
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    The Hurt Locker
    7.5
    The Hurt Locker
    Traffic
    7.5
    Traffic
    21 Grams
    7.6
    21 Grams

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Paul Haggis holds the distinction of being the only person ever to write the screenplay for two consecutive Best Picture winners. He also wrote the previous year's Best Picture winner, Million Dollar Baby (2004).
    • गूफ़
      Partway through Officer Ryan's rescue of Christine from her overturned SUV, the camera ran out of film, as evidenced by film sprocket holes appearing in the frame. This is an acknowledged goof from director Paul Haggis.
    • भाव

      [first lines]

      Graham: It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.

    • क्रेज़ी क्रेडिट
      Producers gratefully acknowledge the valuable assistance of The Culbert Family; Members of the Actors Gym, Hollywood, California.
    • इसके अलावा अन्य वर्जन
      The two-disc director's cut DVD features an additional two minutes of dialogue and footage
    • कनेक्शन
      Featured in 'Crash' Featurette (2005)
    • साउंडट्रैक
      City of Angel
      Written by Sungsoo Kim

      Published by Nirvana Music

      Performed by Sungsoo Kim

      Courtesy of Cats Records

    टॉप पसंद

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    अक्सर पूछे जाने वाला सवाल26

    • How long is Crash?Alexa द्वारा संचालित
    • Is 'Crash' based on a book?
    • What's the name of the song...?
    • Why wasn't "Crash" up for 2005 film awards (such as the Oscars), when IMDb lists it as a 2004 film?

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