Napoleon Dynamite

This movie is a genx love fest and it made me feel better than any movie I have ever seen. Essentially, this movie is a remake of "welcome to the dollhouse" and a lot of the other slacker-esque movies of that era. The film follows the misadventures of a complete loser (Napoleon Dynamite is a near sighted high school kid with a penchant for medieval warriors and tall tales), his best friend (the new kid in town, a Mexican immigrant who must comprehend life in rural Idaho), their shared love interest (she is deliciously quirky on her own), and a few other random characters (Napoleon's scheming "get rich quick" uncle and his internet chatroom obsessed loser 32-year-old-but-still-living-at-home brother). In terms of story, this one is tops. All of the "good" characters grow and become much more than they were when the movie began. This film celebrates friendship at it's basest level and demonstrates the triumph of good people above overwhelming odds. The true appeal of this movie though, for me, was the close attention that the director paid to making this movie feel like the early 1990's or late 1980's. Characters wear zubbas and hand out friendship bracelets. Even the vocabulary the actors use comes from this era (when was the last time you called someone "retarded", for example), but it is done so in such a genuine manner. The music and the style are very appropriate, and you can really feel the social awkwardness of Napoleon and his friends. While this movie was made in many ways to appeal to those who can most relate to the awkward years of growing up (the unpopular kids, the new kid, the medieval warrior obsessed clique, the metal heads, the stoners, all the general low lifes you probably associated with, or possibly were at school), this will nevertheless appeal to everyone else. The comedy is not made to be knee slapping, but it's sublety is wonderful and I found myself laughing throughout the entire film. If you have ever rooted for the underdog, this is the movie for you. I can't spoil the ending for you, but for real, no movie has ever made me feel as happy and as inspired as this one. I can't wait to see what this director comes up with next!

Napoleon Dynamite by all means is not a five-star masterpiece, and it mayn't be to everybody's tastes but I was surprised at how much I liked it, even with its problems. I can also say I do think there are much worse movies out there- Disaster Movie, Epic Movie, Home Alone 4, Cat in the Hat and Superbabies:Baby Geniuses 2 are much worse than this film.

What I did like about Napoleon Dynamite was that it was unique, funny, quirky and original. Where it is not quite so good is in the episodic story structure and some of the supporting characters particularly comic-book-geek older brother and the ageing jock uncle were disappointingly one-dimensional and could have been further explored in terms of depth.

Napoleon Dynamite does have a refreshingly distinctive time-warp look that recalls the style-challenged 1980s though, and that was refreshing in itself. The soundtrack is nice and nostalgic, and there are some genuinely laugh-out-loud funny moments. Also the ending is suitably uplifting and the limited horizons of young people in small-town America is nicely conveyed. The script is good and the direction is pretty solid.

As are the performances. Jon Heder is delightfully eccentric in the title role, and he is really entertaining throughout, whether it is in the voice, the facial expressions or his character's actions. Napoleon is a blank-faced teen with carrot-coloured hair and seriously underdeveloped interpersonal skills, and here he tries to help his nerd of a best friend Pedro, amusingly played by Efren Ramirez. In terms of other supporting performances, Aaron Ruell also does a good job as Kip and while his role wasn't as well-sketched as it could have been, Jonathan Gries does nicely as Uncle Rico.

Overall, not perfect, but amusing, quirky and unique. 7/10 Bethany Cox

The love/hate reactions I've seen do not surprise me at all. This movie is very different, it's own style... and it is PURE GENIUS. But it's definitely not for everyone... you have to back off and understand the mood and general feel of the movie before you have the context to find the actions of the characters funny. Then you will "get it". And what is this context I'm referring to? This movie explores the very essence of boredom and mediocrity as you follow the daily life of a dorky guy doing uninteresting things in a small, unexciting town. Napolean's constant, open-mouth, blank stare says, "I'm only tolerating this monotonous existence because I've got nothing better to do." It took me about 15 minutes into the movie and then I GOT it. The movie has no real plot because it isn't about an interesting story, it's about the real life that exists BETWEEN the interesting stories. Ever call up your bud because you're bored, then talk about what you're not doing, then decide to get together and be bored together, and spend the remainder of the evening trying to think of something to do to no avail? This movie is about this very type of thing... a tribute to the ordinary every-day stuff that you have no reason or desire to remember... like eating reheated leftover Hamburger Helper, or that old shirt you wear when you're working that you're not afraid to get dirty, or some magazine you flipped through to pass the time in the dentist's waiting room.

I constantly found myself saying, "This all seems too strangely familiar. I knew a guy like that. I've done stuff like that. I've been to a store like that. I've been in a house like that." This isn't the kind of movie to make you suddenly laugh out loud, it's a movie that will first make you chuckle, and then chuckle some more, and pretty soon you can't stop laughing as scenes and characters continuously remind you about the absurdity of watching random, stupid pointlessness. Why would something boring be interesting to watch? You'll just have to see it to understand.

Napoleon Dynamite (Jon Heder) is the typical sad-sack, luckless loser that has permeated high schools for seemingly centuries. He has no friends, he's picked on by bullies, he has a somewhat-odd home life ... but through it all, he's sure things will be just plain okay in the end.

Napoleon and his older brother Kip (Aaron Ruell) live with their grandmother, but at the beginning of the film she tells them she needs to take off for a couple days. Enter their Uncle Rico (Jon Gries), a self-starter who's living in 1982 (when the coach of his high school football team declined to put him in as quarterback, thus altering Rico's life forever). Some of the funniest scenes in the film involve Napoleon's often-combative relationship with Uncle Rico; Rico is also bound and determined to return to those halcyon days of his youth via a time machine he's seen advertised on the Internet, and he enlists Kip to help him raise the funds.

Napoleon befriends the new kid in school, Pedro (Efren Ramirez), who has a sweet bike, can talk to girls, and has an actual mustache. But like Napoleon, Pedro is a misfit. Both sometimes hang out with yet another taciturn student, Deb (Tina Majorino, all grown up from Waterworld), who secretly (it seems) likes Napoleon. But there isn't a lot of focus on their relationship, because Napoleon himself is fairly oblivious to how people perceive him. This isn't a story about young love or lust, it's a story about a misfit refusing to fit - while fitting in with others like him.

Jon Heder is perfectly cast as the gawky, dorky Napoleon; he resembles Butt-Head in countenance, although certainly not in temperament or intelligence. Mouth agape and with an awkward gait, Napoleon is about as odd a duck as you'd find in high school, and yet he still manages to survive with his dignity intact. He's a good egg, although he seems to overreact at times: "What are you gonna do today, Napoleon? Napoleon: Whatever I feel like I wanna do.....GOSH!" Still, his delivery is perfect. You can readily picture a Napoleon in any high school.

I think where the film ultimately succeeds, aside from the casting of Heder, is that it doesn't fall into the traps of predictability and stereotyping. Sure, it's a high school movie, and there are snobby pretty girls and arrogant jocks, but not much time is devoted to them. Sure, there's a big dance, but it doesn't necessarily turn out the way you'd expect it to. What you're left with, then, isn't a typical coming-of-age story, but rather a unique take on a rather mundane - albeit life-altering - time in a boy's life.

It seems based on many of the comments on this site that certain folks may be expecting a bit too much from a movie such as 'Napoleon Dynamite.'

This ain't art cinema, folks. It's absurdist comedy. Don't go to see this film looking for deep meaning or well-constructed plot--the vague semblance of a plot is as artificial as they come, and seems inserted mostly to give the film structure and to permit the audience a somewhat 'happy' ending.

NO, Napoleon Dynamite isn't about changing the world--it's live action 'South Park' (Preston, Idaho, where the film is set, actually bears a strong resemblance to the real South Park, Colorado). It's a highly ironic, self-mocking, merciless run of sight gags and one liners with no apparent purpose other than to get laughs at the expense of its main characters, especially the eponymous Napoleon, a fit stand-in for everyone who's ever felt like a socially inept outcast trapped in the hell of high school.

This movie isn't for everybody, but if you don't see glimpses of your own childhood in the various awkwardnesses and failures of the main characters, you're in denial. Don't see Napoleon Dynamite if you're expecting sensitivity--go see it if you're pissed off at the world and just need to laugh. I saw it for the first time last night, and I'm still busting into spontaneous laughter whenever one of Napoleon's silly one-liners or blank-faced dead-pan non-sequitirs comes to mind.