[go: up one dir, main page]

    कैलेंडर रिलीज़ करेंटॉप 250 फ़िल्मेंसबसे लोकप्रिय फ़िल्मेंज़ोनर के आधार पर फ़िल्में ब्राउज़ करेंटॉप बॉक्स ऑफ़िसशोटाइम और टिकटफ़िल्मी समाचारइंडिया मूवी स्पॉटलाइट
    TV और स्ट्रीमिंग पर क्या हैटॉप 250 टीवी शोसबसे लोकप्रिय TV शोशैली के अनुसार टीवी शो ब्राउज़ करेंTV की खबरें
    देखने के लिए क्या हैसबसे नए ट्रेलरIMDb ओरिजिनलIMDb की पसंदIMDb स्पॉटलाइटफैमिली एंटरटेनमेंट गाइडIMDb पॉडकास्ट
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter पुरस्कारअवार्ड्स सेंट्रलफ़ेस्टिवल सेंट्रलसभी इवेंट
    जिनका जन्म आज के दिन हुआ सबसे लोकप्रिय सेलिब्रिटीसेलिब्रिटी से जुड़ी खबरें
    मदद केंद्रयोगदानकर्ता क्षेत्रपॉल
उद्योग के पेशेवरों के लिए
  • भाषा
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
वॉचलिस्ट
साइन इन करें
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
ऐप का इस्तेमाल करें
  • कास्ट और क्रू
  • उपयोगकर्ता समीक्षाएं
  • ट्रिविया
  • अक्सर पूछे जाने वाला सवाल
IMDbPro

Akarui mirai

  • 2002
  • Not Rated
  • 1 घं 55 मि
IMDb रेटिंग
6.7/10
3.2 हज़ार
आपकी रेटिंग
Akarui mirai (2002)
Drama

अपनी भाषा में प्लॉट जोड़ेंTwo young guys work in a plant that manufactures oshibori (those moist hand-towels found in some Japanese restaurants). Their weird bond is based on uncontrollable rage--something neither ca... सभी पढ़ेंTwo young guys work in a plant that manufactures oshibori (those moist hand-towels found in some Japanese restaurants). Their weird bond is based on uncontrollable rage--something neither can articulate or control--and the strange jellyfish that they keep as a pet.Two young guys work in a plant that manufactures oshibori (those moist hand-towels found in some Japanese restaurants). Their weird bond is based on uncontrollable rage--something neither can articulate or control--and the strange jellyfish that they keep as a pet.

  • निर्देशक
    • Kiyoshi Kurosawa
  • लेखक
    • Kiyoshi Kurosawa
  • स्टार
    • Joe Odagiri
    • Tadanobu Asano
    • Tatsuya Fuji
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.7/10
    3.2 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Kiyoshi Kurosawa
    • लेखक
      • Kiyoshi Kurosawa
    • स्टार
      • Joe Odagiri
      • Tadanobu Asano
      • Tatsuya Fuji
    • 24यूज़र समीक्षाएं
    • 45आलोचक समीक्षाएं
    • 64मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 5 जीत और कुल 1 नामांकन

    फ़ोटो3

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार19

    बदलाव करें
    Joe Odagiri
    Joe Odagiri
    • Yûji Nimura
    Tadanobu Asano
    Tadanobu Asano
    • Mamoru Arita
    Tatsuya Fuji
    Tatsuya Fuji
    • Shin'ichirô Arita
    Sayuri Oyamada
    • Miho Nimura
    Takashi Sasano
    • Mr. Fujiwara
    Marumi Shiraishi
    • Mrs. Fujiwara
    Hanawa
    • Ken Takagi
    Hideyuki Kasahara
    • Shin
    Ryô Kase
    Ryô Kase
    • Fuyuki Arita
    Miyako Kawahara
    Chiaki Kominami
    • Kaori Fujiwara
    Ken'ichi Matsuyama
    Ken'ichi Matsuyama
    • Jun
    Yutaka Mishima
    Yutaka Mishima
    • A man who buy a box lunch
    Yoshiyuki Morishita
    Yoshiyuki Morishita
    • Mori
    Ryô
    Ryô
    • Lawyer
    Sakichi Sato
    • Manager of Recycle Shop
    Tetsu Sawaki
    • Kei
    Kiichi Sonobe
    • निर्देशक
      • Kiyoshi Kurosawa
    • लेखक
      • Kiyoshi Kurosawa
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं24

    6.73.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    9davidals

    Illuminating the darkness of the lower depths...

    Kyoshi Kurosawa is becoming one of my favorite current filmmakers, and the further he gets from conventional horror and shock, the better I think he is.

    Deeper meanings mingle with absurdist humor, and the kind of chance occurrences that enliven the fiction of Paul Auster and Haruki Murakami also figure heavily in Kurosawa's films; cinematically, everything from Lynch or Fellini to Don Siegel can be a touchstone for further exploration.

    BRIGHT FUTURE is like an improved CHARISMA - more refined, less loony, and considerably more poetic, but K Kurosawa's many concerns - trashing of the environment, a sense of depersonalization (and discreet nihilism) in younger/future generations, the erosion of a society's cohesiveness (especially when that erosion originates within, and not from some external source) - are handled very well - the last shot offers his darkest humor, with the cross-generational understanding becoming something quietly heroic evoking certain past masters of Japanese film. A sense that - if younger generations have drifted towards a nihilism that could destroy them or you, it is balanced by an equally withering take on the older generations that somehow let them down; this film in many ways visualizes the idea of getting over it, and moving on with life (after presenting some of the consequences for not doing so).

    Tadanobu Asano's presence here is somewhat hyped (definitely on the DVD cover), undoubtedly due to his ascendant global stardom, but his performance is eclipsed by co-stars Joe Odagiri and Tatsuya Fuji, who both deliver dynamic performances of great range and control.

    Mysterious, poetic, open to many interpretations, and one of Kyoshi Kurosawa's finest.
    noralee

    Fathers, Sons, Brothers and Beautiful Poisonous Jellyfish

    "Bright Future (Akarui mirai)" feels very much like a Sam Shephard play, with its themes of stifling fathers and rebelling sons and sibling responsibility between brothers, all suffused with irrational violence.

    There's even a continuing leitmotif of a cowboy Western musical riff when magic realism takes over from the unrelieved quotidian of men who work with the detritus of an almost post-apocalyptic-seeming society, from a laundry to an appliance recycling workshop, and condescended to by their biological and putative family members with more money and much nicer apartments.

    The characters seem to need to strike out with either Raskolnikov-ian or manipulative acts of violence as existential acts to affect their environment ("acclimating to Tokyo" is how one character metaphorically puts it) to be sure they're alive or having an impact on the living.

    The main characters, well-matched by Tadanobu Asano as the scarily manipulative brother figure and Jô Odagiri as his even more depressed acolyte, are so alienated that the rigid others around them assume they are developmentally disabled.

    I'm quite sure I didn't get anywhere near all the Goddard-ian symbolism, from the production design of the characters' seedy living arrangements to the phosphorescent beauty of poisonous jellyfish, which are used beyond the frogs in "Magnolia" in entrancing and haunting images like Conrad's fascination of the abomination.

    The conclusion seems hopeless in a clouded fade into "A Clockwork Orange"-like, thrill-seeking gang of aimless young men wearing Che T-shirts, with a brightly hypocritical pop song about the future playing on the soundtrack.

    I never knew that Tokyo had so many interesting bridges and canals.

    I haven't seen any other films written or directed by Kiyoshi Kurosawa to know if I just saw a bad print or if the washed out, almost black-and-white, fuzzy digital-video-seeming look was intentional.
    DarkAngelAyu

    beautiful but not very understandable

    Yes, this movie is very beautiful because of its image especially when you see the movements of the jellyfish(es), very colourful and calm. There is a lot of philosophy (intelligence, meaning - call it the way you like it) in the whole movie. BUT (yes there's always a "but") I didn't like that. I think the movie tries to force to be unique/special which it isn't. There were a lot of things I haven't understood in that movie. Of course you can think now that I'm stupid or so. Because I don't want to spoil anything I'll describe it like that - there were many things (especially at the beginning and at the end) which aren't explained any deeper and after the movie I thought "hmm...what was it about?". Also the people's personality, relationship, their past, ... etc. - no real hints for them.

    So in the end I think only people who love Kurosawa's (I don't mean Akira Kurosawa) movies should watch it, also people who like this calm and deep philosophy which you have to explain yourself and Asian movie junkies who watch every damn movie just because it's Asian (like me), too.
    7Buddy-51

    intriguing film, but what on earth is it about?

    I can see the maddeningly inscrutable "Bright Future" serving as the subject for some poor film school student's dissertation in a course entitled "The Use of Enigma and Symbolism in Post-Modernist Cinema" or (if you prefer the vernacular) "What the Heck Was That Film All About Anyway?" For I am absolutely convinced that one could spend a full semester - at the very least - trying to fathom the various levels of meaning in this film and never come up with a thoroughly satisfactory answer at the end of that search. And here I've always thought Ingmar Bergman movies were a challenge!

    Shot through with heavy doses of allegory and Magic Realism, "Bright Future" tells the story of a sullen, moody young man named Yuji, who works at a dull factory job with his close buddy, Mamoru. The latter owns a deadly Red Jellyfish that he keeps in a little tank at home. One day, he gives the jellyfish as a present to Yuji, telling him that he has decided to quit the job and move on to bigger and better things. But instead of doing that, Mamoru murders the boss and the boss' wife, with little or no explanation given as to motive. Mamoru is immediately arrested and charged with first degree murder. Meanwhile, in a fit of despair, Yuji turns over the tank, only to have the jellyfish slide through the cracks of the floor and somehow land in the Tokyo water system, where it miraculously proliferates to the point where the area is literally inundated with freshwater killer jellyfish. While all this is going on, Yuji begins to develop a close but tentative bond with Mamoru's father, who was pretty much estranged from his son before the murder. As Yuji gets more and more obsessed with finding the elusive jellyfish, he seems, paradoxically, to be coming to a greater sense of reality. Well, there's the "plot" in a nutshell; now it's your turn to try to figure it all out.

    If none of this makes any sense to you, don't feel bad because it doesn't make any sense to me either. The best I can make of it is that Yuji is intended to represent the younger generation in modern day Japan - disconnected, rudderless, utterly lacking in motivation, purpose and goals, and prone to act out of ill-defined impulse rather than rationality and logic. And somehow, by committing the murder that Yuji is actually intending to do (though here again, we are given no preparation or motive to explain WHY he would do so), Mamoru sacrifices himself so that Yuji can be saved from his own spiritual ennui and set on the path towards a meaningful life, primarily by caring for this jellyfish, which is itself a symbol of tenacity and beauty.

    Or perhaps not….

    Despite the fact that the film will probably have you pulling your hair out in bewilderment and frustration, "Bright Future," for all its self-conscious pretentiousness, is actually a fairly intriguing film just on the level of its visuals and the relationships it develops among the various characters. It's very well directed and very well acted, and if you can get beyond the symbol-gazing, you may actually find yourself mesmerized by the experience.

    And I will be expecting those dissertations on my desk bright and early tomorrow morning.
    sallyfifth

    So much potential out to sea.

    Akarui Mirai has a lot going for it. Somewhere in the mess of metaphor and "art for art's sake" is a good story with a strong message and good images. Unfortunately things get typically nonsensical with the lesser Kurosawa behind the camera. Ok, that's harsh, but why can't this guy find a way to tell his story coherently AND make use of the positive aspects of his style. I like art-house movies, I like esoteric Japanese dramas, I like quirky filmmaking, but I don't like this movie. It's the type of movie I dislike most in fact, it's a badly made film pretending to be a good one. I trusted it, and it basically took me for a ride to nowhere and left me there.

    I admit, the movie has it's moments, the lyrical beauty of the Jellyfish, one of the movie's most powerful images, are wonderful. The performance of the leads is good. There's some humor sprinkled here and there, but for what reason? I couldn't read the tone of the movie... Is this a fariytale? Is it a drama? There's just so much jammed onto that screen, and yet nothing. It's basically a bunch of nice ideas, presented in an incredibly lifeless manner. I can't imagine who would find any of this fulfilling?

    इस तरह के और

    Karisuma
    6.8
    Karisuma
    Kurîpî: Itsuwari no rinjin
    6.4
    Kurîpî: Itsuwari no rinjin
    Hebi no michi
    7.0
    Hebi no michi
    La polizia chiede aiuto
    6.9
    La polizia chiede aiuto
    Kumo no hitomi
    6.5
    Kumo no hitomi
    Dopperugengâ
    6.3
    Dopperugengâ
    Sanpo suru shinryakusha
    6.2
    Sanpo suru shinryakusha
    Cleaners
    6.9
    Cleaners
    L'horloger de Saint-Paul
    7.1
    L'horloger de Saint-Paul
    Ôinaru gen'ei
    6.4
    Ôinaru gen'ei
    Kôrei
    6.7
    Kôrei
    Monte Carlo
    6.6
    Monte Carlo

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The large group of jellyfish in the Tokyo River was filmed in an aquarium and digitally added to the film.
    • भाव

      Yûji Nimura: I've always had lots of dreams when I sleep. The dreams have always been about the future. The future in my dreams was always bright. A future brimming with hope and peace. So I've always loved to sleep. That is, until just recently...

    • कनेक्शन
      Referenced in Aimai na mirai, Kurosawa Kiyoshi (2002)
    • साउंडट्रैक
      Mirai
      Written by The Back Horn

      Performed by The Back Horn

      Courtesy of Victor Entertainment, Speedstar Records

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is Bright Future?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 3 दिसंबर 2003 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • जापान
    • आधिकारिक साइटें
      • Official site (Japan)
      • Official USA Site
    • भाषा
      • जापानी
    • इस रूप में भी जाना जाता है
      • Bright Future
    • उत्पादन कंपनियां
      • Uplink
      • Digital Site Corporation
      • The Klockworx
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $12,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $5,166
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $2,755
      • 14 नव॰ 2004
    • दुनिया भर में सकल
      • $28,463
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 55 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • DTS-Stereo
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Akarui mirai (2002)
    टॉप गैप
    What is the English language plot outline for Akarui mirai (2002)?
    जवाब
    • और अंतराल देखें
    • योगदान करने के बारे में और जानें
    पेज में बदलाव करें

    एक्सप्लोर करने के लिए और भी बहुत कुछ

    हाल ही में देखे गए

    कृपया इस फ़ीचर का इस्तेमाल करने के लिए ब्राउज़र कुकीज़ चालू करें. और जानें.
    IMDb ऐप पाएँ
    ज़्यादा एक्सेस के लिए साइन इन करेंज़्यादा एक्सेस के लिए साइन इन करें
    सोशल पर IMDb को फॉलो करें
    IMDb ऐप पाएँ
    Android और iOS के लिए
    IMDb ऐप पाएँ
    • सहायता
    • साइट इंडेक्स
    • IMDbPro
    • Box Office Mojo
    • IMDb डेटा लाइसेंस
    • प्रेस रूम
    • विज्ञापन
    • नौकरियाँ
    • उपयोग की शर्तें
    • गोपनीयता नीति
    • Your Ads Privacy Choices
    IMDb, एक Amazon कंपनी

    © 1990-2025 by IMDb.com, Inc.