Zatôichi

This is a strange one, a drama/comedy/action film with absurdist overtones. In Japan, Zatoichi is a cult character who was the subject of 26 feature films between 1963 and 1989. Now director "Beat" Takeshi – best known for Hana Bi – introduces Zatoichi to a new generation. Takeshi also stars as Zatoichi, the elderly masseur and dice gambler whose hearing is so acute he can detect which side a die has fallen. He's a master swordsman, too – one slice and you're diced.

Supporting characters include two beautiful geishas avenging their parents' death, a farmer and her drunkard nephew, the gangsters running the town and a masterless samurai (an impressive performance from Tadanobu Asano).

The Blind Swordsman is great fun, although it could do with a tighter structure. And I was shocked by the spectacular tap-dancing finale – in traditional Japanese dress and shoes! ***½/***** stars.

Kitano's update on the legacy of one of Japan's most iconic cinematic figures is an exhilarating watch, the more tender moments conflicted by a barrage of bloody violence. Takeshi remains true to his source, undergoing the sedate transformation to play the blind swordsman and part time masseuse Zatoichi himself, as well as co-ordinating the action. His purists will no doubt abhor the witty sense of fun laid on thick in certain characters (a gambling sidekick and an insane neighbour) and the little nuances of irreverent genius (a drum dancing soundtrack and a ho-down finale orchestrated by Japanese dance troupe 'the Stripes'), but this isn't the Yakuza bloodletting of his earlier films, rather a more charming reflection on feudal life, with a distinct post-modern twist. Further confirmation of this is provided by Takeshi's story, which focuses more on the plight of two avenging Geishas (one male) hunting for the prestigious killers of their parents, rather than the motivation for our titular hero, yet Zatoichi does leap into action when he agrees to assist the siblings. Each frame is a Kurosawa-esquire masterstroke. This is Zatoichi for a new era, and with such a breathtaking start, it will be hard for Kitano not to return to his new-found alter ego any time soon.

Zatoichi is the updated version of cult Japanese show some decades back.Here a blind swordsman goes to a small town controlled by a ruthless gang and abuses the people there. There he meets many characters like the siblings on a mission, a samurai who is hired by the gang, as well as an unlucky gambler who befriends the blind swordsman.

This is the first ever Takeshi Kitano film I have ever seen and I got to say it turned out to be a rather pleasant surprise. Prior to this I have heard so much about Kitano's work and was really expecting to see a really good film. Add to that every samurai film I see normally gets compared to Kurosawa's works like Rashomon, and Ran which of course are tough acts to follow. I thought the film was well made in many aspects. The cinematography was really beautiful and well made. The costumes like most period films were finely crafted and were beautiful. The scoring was also very good.

I always find it rather hard to laugh in a film that is non-English. I guess I always believed that humour doesn't always transcend different cultures. What may be funny for one may seem rather dull in another. This film however debunks that thought. I found myself laughing over a lot of scenes in the film. Even in scenes where you do not think there could be a funny moment Kitano is able to deliver one just to break the tension a little.

The fight scenes in this film were also well planned and I though it was done realistically but not necessarily done to shock the audiences with bucket loads of blood and mangled body parts. It was effective but not too disturbing.

I also thought that the overall story of the film was good. I was particularly interested with the story of the siblings and it's eventual resolution at the end of the movie.

Takeshi Kitano's Zatoichi is a great film which now ranks as one of my and hopefully it will be to other people. I'm already anticipating the next film from this great film and will also look for some of his earlier works.

It's a kind of "what the hell" type of movie, as in "what the hell, let's throw in a dance scene," as in "what the hell, let's play with 50 years of mythology' as in 'what the hell is an action movie really?" I liked it. It had a desert dry humor about it, the action scenes were amazing (yes, the blood is supposed to look fake!) and I just liked the shear audacity of it all. Kitano made a crowd pleasing action film with out sacrificing his art. It isn't the plot that makes this one go, it's Kitano's refusal to play to anyones expectations. It's not a perfect movie, but it's amazing to watch a film maker at the top of his game just showing off for his own selfish pleasure.

It is fantastic movie. I surprised that actors plays "Batto-Jutsu" which uses Japanese swords and battles with enemy. It is Japanese traditional act, but I had never seen such a beautiful and cool act. It is action and a period film. However, it is little grotesque because there are bloody scene in it, so I was little scary. The director is Takeshi Kitano. This movie is full of entertainment and some scene like musical. Actors dance tap dance with wearing "Geta" which is Japanese traditional shoes. It was amazing. I like that musical scene. Very rhythmical and powerful scene will make people enjoyable. I recommend to watch it not only Japanese people but also foreigner. I think this movie holds Japanese traditions and new entertainment.